China's Cotton Industry : Economic Transformation and State Capacity
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Noncognitivism in Ethics
EN NW EB DLISBN: 9781135149154 bzw. 1135149151, in Englisch, Taylor and Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
According to noncognitivists, when we say that stealing is wrong, what we are doing is more like venting our feelings about stealing or encouraging one another not to steal, than like stating facts about morality. These ideas challenge the core not only of much thinking about morality and metaethics, but also of much philosophical thought about language and meaning.Noncognitivism in Ethics is an outstanding introduction to these theories, ranging from their early history through the latest contemporary developments. Beginning with a general introduction to metaethics, Mark Schroeder introduces and assesses three principal kinds of noncognitivist theory: the speech-act theories of Ayer, Stevenson, and Hare, the expressivist theories of Blackburn and Gibbard, and hybrid theories. He pays particular attention both to the philosophical problems about what moral facts could be about or how they could matter which noncognitivism seeks to solve, and to the deep problems that it faces, including the task of explaining both the nature of moral thought and the complexity of moral attitudes, and the ‘Frege-Geach’ problem.Schroeder makes even the most difficult material accessible by offering crucial background along the way. Also included are exercises at the end of each chapter, chapter summaries, and a glossary of technical terms - making Noncognitivism in Ethics essential reading for all students of ethics and metaethics.
According to noncognitivists, when we say that stealing is wrong, what we are doing is more like venting our feelings about stealing or encouraging one another not to steal, than like stating facts about morality. These ideas challenge the core not only of much thinking about morality and metaethics, but also of much philosophical thought about language and meaning.Noncognitivism in Ethics is an outstanding introduction to these theories, ranging from their early history through the latest contemporary developments. Beginning with a general introduction to metaethics, Mark Schroeder introduces and assesses three principal kinds of noncognitivist theory: the speech-act theories of Ayer, Stevenson, and Hare, the expressivist theories of Blackburn and Gibbard, and hybrid theories. He pays particular attention both to the philosophical problems about what moral facts could be about or how they could matter which noncognitivism seeks to solve, and to the deep problems that it faces, including the task of explaining both the nature of moral thought and the complexity of moral attitudes, and the ‘Frege-Geach’ problem.Schroeder makes even the most difficult material accessible by offering crucial background along the way. Also included are exercises at the end of each chapter, chapter summaries, and a glossary of technical terms - making Noncognitivism in Ethics essential reading for all students of ethics and metaethics.
2
French Gay Modernism (2004)
EN HC NWISBN: 9780252029455 bzw. 0252029453, in Englisch, 216 Seiten, University of Illinois Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, sweethomeliquid2.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual characters encounter contempt, scorn, and worse and whose portrayals of homo***ual couples and society were at once more open and more at risk. Hardcover, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 4249030.
Von Händler/Antiquariat, sweethomeliquid2.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual characters encounter contempt, scorn, and worse and whose portrayals of homo***ual couples and society were at once more open and more at risk. Hardcover, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 4249030.
3
French Gay Modernism (2004)
EN HC US FEISBN: 9780252029455 bzw. 0252029453, in Englisch, 216 Seiten, University of Illinois Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Atticus Books, Inc.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual, Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 3554101.
Von Händler/Antiquariat, Atticus Books, Inc.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual, Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 3554101.
4
French Gay Modernism (2004)
EN HC NW FEISBN: 9780252029455 bzw. 0252029453, in Englisch, 216 Seiten, University of Illinois Press, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Book Depository US.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual, Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 3554101.
Von Händler/Antiquariat, Book Depository US.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual, Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 3554101.
5
French Gay Modernism (2004)
EN HC US FEISBN: 9780252029455 bzw. 0252029453, in Englisch, 216 Seiten, University of Illinois Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, asquaredbooks.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual, Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 3554101.
Von Händler/Antiquariat, asquaredbooks.
The first four decades of the twentieth century saw male homo***uality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, Andr Gide, Marcel Proust, Jean Cocteau, Ren Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homo***uality in early twentieth-century French literature. Schehr explains how earlier representations of homo***uality, encoded rather than conspicuous, served as a basis for later writers to treat homo***ual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homo***ual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homo***ual, Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-09-24, Studio: University of Illinois Press, Verkaufsrang: 3554101.
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