Operative Art History or Who is Afraid of Artists? - 5 Angebote vergleichen

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How Soviet Bloc secret police surveilled performance art and happenings—and how artists respondedSubversion need not belong to a particular culture: it can come from artists who outwit the state or from intelligence agencies that infiltrate the art scene on behalf of the state. But what happens when the two sides meet? After Eastern Europe’s state security archives were opened, it became possible for this interaction to be studied in detail. Artists & Agents shows how the Stasi, the KGB and other state secret police monitored happenings, performance art and action art, and looks at the debates they had about the new art form; how the police documented artistic actions, how they manipulated them and sought to thwart them; how artists dealt with the possibility that they were being observed by the secret police; and how they now work with the material stored in state archives. Artists & Agents includes work by Sanja Ivekovic, Orange Alternative, Peng! Collective, Daniel Knorr, Cornelia Schleime, Ion Grigorescu and others. | Artists & Agents by Kata Krasznahorkai Paperback | Indigo Chapters.

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How Soviet Bloc secret police surveilled performance art and happenings—and how artists respondedSubversion need not belong to a particular culture: it can come from artists who outwit the state or from intelligence agencies that infiltrate the art scene on behalf of the state. But what happens when the two sides meet? After Eastern Europe’s state security archives were opened, it became possible for this interaction to be studied in detail. Artists & Agents shows how the Stasi, the KGB and other state secret police monitored happenings, performance art and action art, and looks at the debates they had about the new art form; how the police documented artistic actions, how they manipulated them and sought to thwart them; how artists dealt with the possibility that they were being observed by the secret police; and how they now work with the material stored in state archives. Artists & Agents includes work by Sanja Ivekovic, Orange Alternative, Peng! Collective, Daniel Knorr, Cornelia Schleime, Ion Grigorescu and others.

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Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Neuware - Subversion does not belong to anyone. It can come from artists who outwit the state or from intelligence agencies who infiltrate the art scene on behalf of the state. But what happens when the two sides meet After the old state security archives in many Eastern European countries were opened, it became possible for this interaction to be studied in detail. Drawing on scientific essays and artistic contributions, the book shows how the secret police monitored happenings, performance art, and action art and looks at the debates they had about the new art form; it also demonstrates not only how the police documented artistic actions in detail using forensic techniques but also how they manipulated them and sought to thwart them with counter-actions. In addition to this, the book also reveals how artists dealt with the possibility that they were being observed by the secret police and how they now work with the material stored in the archives maintained by the intelligence services. Kata Krasznahorkai is a curator and research assistant on the ERC project 'Performance Art in Eastern Europe 1950-1990: History and Theory' at the University of Zurich's Slavisches (Slavonic) Seminar. Sylvia Sasse, author and curator, is professor of Slavonic Literature at the University of Zurich and heads the ERC project 'Performance Art in Eastern Europe 1950-1990: History and Theory'. Books.

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Kata Krasznahorkai. Operative Art History or Who is Afraid of Artists?: Sicherheitsbehörden autoritärer Regime haben massiv in die Kunstgeschichte eingegriffen. Künstler sollten aus der Kunstgeschichte ausradiert, öffentlich pathologisiert und kriminalisiert werden. Die Behörden drängten sich in künstlerische Prozesse, lancierten kunsthistorische Fake News und brachten den neuen Typus des »intellektuellen Informanten« hervor. »Geheimdiensttätigkeit ist der Krieg des Intellekts«, heißt es in einem Lehrbuch für Agenten. Auf der Grundlage von Archivmaterial der Staatssicherheit der DDR und Ungarns wird in diesem Band analysiert, welche Rolle die von den Sicherheitsbehörden entwickelten Methoden und Theorien im Bereich der Kunst in diesem »Krieg« spielten und warum repressive Staaten noch immer so viel Angst vor unabhängigen Künstlern haben. Krasznahorkai führt die eigene »operative Kunstgeschichte« als eigenes Forschungsfeld ein und zeigt, dass sie die Möglichkeit schafft, Narrative, die von den Behörden etabliert wurden, sich neu anzueignen.Kata Krasznahorkai ist Kunsthistorikerin und Kuratorin. Sie ist wissenschaftliche Mitarbeiterin an der Universität Zürich.State security agencies in authoritarian regimes have had a massive impact on art history. Their aim has been to erase artists from art history, publicly pathologizing and criminalizing them. These agencies have intruded in artistic processes, created fake news in reports on art history, and produced a new type of `intellectual informant`. `Intelligence work is a war of the intellect,` as a training book for agents states. Based on material from state security archives in the GDR and Hungary, the monograph analyses the role played in this `war` by the methods and theories on art developed by the security agencies and looks at why repressive states are still so afraid of independent artists. Krasznahorkai introduces her own `operative art history` as a distinct research area and shows how it enables us to reappropriate narratives that have been entrenched by the state. Krasznahorkai is an art historian and curator working as a researcher at the University of Zurich. Englisch, Taschenbuch.

Von Händler/Antiquariat, GreatBookPrices [5352716], Columbia, MD, U.S.A.
Unread book in perfect condition. Books.