The Brush and the Pen: Odilon Redon and Literature - 9 Angebote vergleichen
Bester Preis: € 60,10 (vom 11.02.2017)1
Symbolbild
THE DESTRUCTION OF ART: ICONOCLASM AND VANDALISM SINCE THE FRENCH REVOLUTION (New Hardcover in Dustjacket with a Tiny Fault) (1997)
EN HC NWISBN: 9780300071702 bzw. 0300071701, in Englisch, Yale University Press, gebundenes Buch, neu, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Elliot's Books, Since 1957.
New Haven: Yale University Press. New in New dust jacket. 1997. Hardcover. 0300071701 . 8vo; 416 pages; The tip of one corner of the binding is ever so slightly bumped and is hardly noticeable. An unread, new copy in the dusttjacket. .
Von Händler/Antiquariat, Elliot's Books, Since 1957.
New Haven: Yale University Press. New in New dust jacket. 1997. Hardcover. 0300071701 . 8vo; 416 pages; The tip of one corner of the binding is ever so slightly bumped and is hardly noticeable. An unread, new copy in the dusttjacket. .
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The Brush and the Pen
EN NWISBN: 9780226280554 bzw. 0226280551, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
French symbolist artist Odilon Redon (1840 1916) seemed to thrive at the intersection of literature and art. Known as the painter-writer, he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
French symbolist artist Odilon Redon (1840 1916) seemed to thrive at the intersection of literature and art. Known as the painter-writer, he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
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The Brush and the Pen: Odilon Redon and Literature (2012)
EN HC NWISBN: 9780226280554 bzw. 0226280551, in Englisch, Univ Of Chicago Pr, gebundenes Buch, neu.
Lieferung aus: Schweiz, wird besorgt, Lieferzeit unbekannt.
Odilon Redon and Literature, French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as ´´the painter-writer´´, he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon´s evolution from collaboration with the writers of symbolism. gebundene Ausgabe, 01.01.2012.
Odilon Redon and Literature, French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as ´´the painter-writer´´, he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon´s evolution from collaboration with the writers of symbolism. gebundene Ausgabe, 01.01.2012.
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The Brush and the Pen: Odilon Redon and Literature
EN NWISBN: 9780226280554 bzw. 0226280551, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Deutschland, plus shipping, Versandfertig innerhalb von 3 Wochen.
Odilon Redon and Literature, French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as "the painter-writer", he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon's evolution from collaboration with the writers of symbolism.
Odilon Redon and Literature, French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as "the painter-writer", he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon's evolution from collaboration with the writers of symbolism.
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The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (1997)
EN HC FEISBN: 9780300071702 bzw. 0300071701, in Englisch, Yale University Press, New Haven, gebundenes Buch, Erstausgabe, mit Einband.
Von Händler/Antiquariat, D. Anthem, Bookseller [59402195], Hendersonville, NC, U.S.A.
Octavo (24 cm); 416 pp.; illus.; dust jacket. Green boards with black titling to spine. An as new copy.
Octavo (24 cm); 416 pp.; illus.; dust jacket. Green boards with black titling to spine. An as new copy.
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Symbolbild
The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (1997)
EN US FEISBN: 9780300071702 bzw. 0300071701, in Englisch, Yale University Press, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, Better World Books: West [4720790], Reno, NV, U.S.A.
Ships from Reno, NV. Great condition for a used book! Minimal wear.
Von Händler/Antiquariat, Better World Books: West [4720790], Reno, NV, U.S.A.
Ships from Reno, NV. Great condition for a used book! Minimal wear.
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The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (1997)
EN HC NW FEISBN: 9780300071702 bzw. 0300071701, in Englisch, 416 Seiten, Yale University Press, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Wisepenny.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Wisepenny.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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The Brush and the Pen: Odilon Redon and Literature
EN HC NWISBN: 9780226280554 bzw. 0226280551, in Englisch, University of Chicago Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
The-Brush-and-the-Pen~~Dario-Gamboni, The Brush and the Pen: Odilon Redon and Literature, Hardcover.
The-Brush-and-the-Pen~~Dario-Gamboni, The Brush and the Pen: Odilon Redon and Literature, Hardcover.
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The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution (1997)
EN HC USISBN: 9780300071702 bzw. 0300071701, in Englisch, Yale University Press, U.S.A. gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Anytime Books [51927423], London, United Kingdom.
Melancholic and excellent study. pp416, illus. Size: 8vo - over 7¾" - 9¾" tall.
Melancholic and excellent study. pp416, illus. Size: 8vo - over 7¾" - 9¾" tall.
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