Modern French Masters: A Series of Biographical and Critical Reviews (Classic Reprint) (Hardback)
7 Angebote vergleichen
Bester Preis: € 37,99 (vom 26.02.2018)1
Symbolbild
Modern French Masters: A Series of Biographical and Critical Reviews (Classic Reprint) (Hardback) (2018)
EN HC NW RPISBN: 9780267156030 bzw. 0267156030, in Englisch, Forgotten Books, gebundenes Buch, neu, Nachdruck.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Free shipping.
Von Händler/Antiquariat, Book Depository International [58762574], London, United Kingdom.
Language: English . Brand New Book ***** Print on Demand *****. Excerpt from Modern French Masters: A Series of Biographical and Critical Reviews HE painters contention that no one but a painter is a com petent judge of a picture is not a new one. It was the Greek painter Apelles who advised the cobbler to stick to his last. Keep to the shop, friend, and do not attempt to criti cize what you do not understand. The rebuke was possibly deserved, but it might be used by almost any one in defense of his particular craft or trade. Had Apelles complained to the cobbler that his shoes did not fit him and were not well made, the cobbler could have retorted in kind: Keep to your palette, friend; you know nothing about shoes. In the same way it might be said that one who eats a dinner is not to criticize it because he is not a cook, and that the only competent judges of the poem and the novel are the poet and the novelist. The reductio ad absurdum of the principle might lead us to think that only brother craftsmen are to say that there are too few latchets to the goloshes, or that the sauce or the poem is too sweet. Yet the contention is not so absurd as might at first appear. The painter asserts a half-truth, if not more. He has mastered his craft, and he certainly knows more about it than one who has not mastered it. He knows the limits of materials and methods, he knows what can be done, and he knows after it is done whether it has been well done. In comparison with him the outsider is a mere tyro. The painter is undoubtedly the better critic of the technical features of painting. Few artists of rank at the present day will claim more than this. They are willing to concede that the final result of a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Von Händler/Antiquariat, Book Depository International [58762574], London, United Kingdom.
Language: English . Brand New Book ***** Print on Demand *****. Excerpt from Modern French Masters: A Series of Biographical and Critical Reviews HE painters contention that no one but a painter is a com petent judge of a picture is not a new one. It was the Greek painter Apelles who advised the cobbler to stick to his last. Keep to the shop, friend, and do not attempt to criti cize what you do not understand. The rebuke was possibly deserved, but it might be used by almost any one in defense of his particular craft or trade. Had Apelles complained to the cobbler that his shoes did not fit him and were not well made, the cobbler could have retorted in kind: Keep to your palette, friend; you know nothing about shoes. In the same way it might be said that one who eats a dinner is not to criticize it because he is not a cook, and that the only competent judges of the poem and the novel are the poet and the novelist. The reductio ad absurdum of the principle might lead us to think that only brother craftsmen are to say that there are too few latchets to the goloshes, or that the sauce or the poem is too sweet. Yet the contention is not so absurd as might at first appear. The painter asserts a half-truth, if not more. He has mastered his craft, and he certainly knows more about it than one who has not mastered it. He knows the limits of materials and methods, he knows what can be done, and he knows after it is done whether it has been well done. In comparison with him the outsider is a mere tyro. The painter is undoubtedly the better critic of the technical features of painting. Few artists of rank at the present day will claim more than this. They are willing to concede that the final result of a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
2
Symbolbild
Modern French Masters: A Series of Biographical and Critical Reviews (Classic Reprint) (Hardback) (2018)
EN HC NW RPISBN: 9780267156030 bzw. 0267156030, in Englisch, Forgotten Books, gebundenes Buch, neu, Nachdruck.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Free shipping.
Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English . Brand New Book ***** Print on Demand *****.Excerpt from Modern French Masters: A Series of Biographical and Critical Reviews HE painters contention that no one but a painter is a com petent judge of a picture is not a new one. It was the Greek painter Apelles who advised the cobbler to stick to his last. Keep to the shop, friend, and do not attempt to criti cize what you do not understand. The rebuke was possibly deserved, but it might be used by almost any one in defense of his particular craft or trade. Had Apelles complained to the cobbler that his shoes did not fit him and were not well made, the cobbler could have retorted in kind: Keep to your palette, friend; you know nothing about shoes. In the same way it might be said that one who eats a dinner is not to criticize it because he is not a cook, and that the only competent judges of the poem and the novel are the poet and the novelist. The reductio ad absurdum of the principle might lead us to think that only brother craftsmen are to say that there are too few latchets to the goloshes, or that the sauce or the poem is too sweet. Yet the contention is not so absurd as might at first appear. The painter asserts a half-truth, if not more. He has mastered his craft, and he certainly knows more about it than one who has not mastered it. He knows the limits of materials and methods, he knows what can be done, and he knows after it is done whether it has been well done. In comparison with him the outsider is a mere tyro. The painter is undoubtedly the better critic of the technical features of painting. Few artists of rank at the present day will claim more than this. They are willing to concede that the final result of a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English . Brand New Book ***** Print on Demand *****.Excerpt from Modern French Masters: A Series of Biographical and Critical Reviews HE painters contention that no one but a painter is a com petent judge of a picture is not a new one. It was the Greek painter Apelles who advised the cobbler to stick to his last. Keep to the shop, friend, and do not attempt to criti cize what you do not understand. The rebuke was possibly deserved, but it might be used by almost any one in defense of his particular craft or trade. Had Apelles complained to the cobbler that his shoes did not fit him and were not well made, the cobbler could have retorted in kind: Keep to your palette, friend; you know nothing about shoes. In the same way it might be said that one who eats a dinner is not to criticize it because he is not a cook, and that the only competent judges of the poem and the novel are the poet and the novelist. The reductio ad absurdum of the principle might lead us to think that only brother craftsmen are to say that there are too few latchets to the goloshes, or that the sauce or the poem is too sweet. Yet the contention is not so absurd as might at first appear. The painter asserts a half-truth, if not more. He has mastered his craft, and he certainly knows more about it than one who has not mastered it. He knows the limits of materials and methods, he knows what can be done, and he knows after it is done whether it has been well done. In comparison with him the outsider is a mere tyro. The painter is undoubtedly the better critic of the technical features of painting. Few artists of rank at the present day will claim more than this. They are willing to concede that the final result of a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
3
Symbolbild
Modern French Masters: A Series of Biographical and Critical Reviews (Classic Reprint) (Hardback) (2018)
EN HC NW RPISBN: 9780267156030 bzw. 0267156030, in Englisch, Forgotten Books, gebundenes Buch, neu, Nachdruck.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Free shipping.
Von Händler/Antiquariat, Book Depository hard to find [63688905], London, United Kingdom.
Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Excerpt from Modern French Masters: A Series of Biographical and Critical Reviews HE painters contention that no one but a painter is a com petent judge of a picture is not a new one. It was the Greek painter Apelles who advised the cobbler to stick to his last. Keep to the shop, friend, and do not attempt to criti cize what you do not understand. The rebuke was possibly deserved, but it might be used by almost any one in defense of his particular craft or trade. Had Apelles complained to the cobbler that his shoes did not fit him and were not well made, the cobbler could have retorted in kind: Keep to your palette, friend; you know nothing about shoes. In the same way it might be said that one who eats a dinner is not to criticize it because he is not a cook, and that the only competent judges of the poem and the novel are the poet and the novelist. The reductio ad absurdum of the principle might lead us to think that only brother craftsmen are to say that there are too few latchets to the goloshes, or that the sauce or the poem is too sweet. Yet the contention is not so absurd as might at first appear. The painter asserts a half-truth, if not more. He has mastered his craft, and he certainly knows more about it than one who has not mastered it. He knows the limits of materials and methods, he knows what can be done, and he knows after it is done whether it has been well done. In comparison with him the outsider is a mere tyro. The painter is undoubtedly the better critic of the technical features of painting. Few artists of rank at the present day will claim more than this. They are willing to concede that the final result of a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Von Händler/Antiquariat, Book Depository hard to find [63688905], London, United Kingdom.
Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Excerpt from Modern French Masters: A Series of Biographical and Critical Reviews HE painters contention that no one but a painter is a com petent judge of a picture is not a new one. It was the Greek painter Apelles who advised the cobbler to stick to his last. Keep to the shop, friend, and do not attempt to criti cize what you do not understand. The rebuke was possibly deserved, but it might be used by almost any one in defense of his particular craft or trade. Had Apelles complained to the cobbler that his shoes did not fit him and were not well made, the cobbler could have retorted in kind: Keep to your palette, friend; you know nothing about shoes. In the same way it might be said that one who eats a dinner is not to criticize it because he is not a cook, and that the only competent judges of the poem and the novel are the poet and the novelist. The reductio ad absurdum of the principle might lead us to think that only brother craftsmen are to say that there are too few latchets to the goloshes, or that the sauce or the poem is too sweet. Yet the contention is not so absurd as might at first appear. The painter asserts a half-truth, if not more. He has mastered his craft, and he certainly knows more about it than one who has not mastered it. He knows the limits of materials and methods, he knows what can be done, and he knows after it is done whether it has been well done. In comparison with him the outsider is a mere tyro. The painter is undoubtedly the better critic of the technical features of painting. Few artists of rank at the present day will claim more than this. They are willing to concede that the final result of a work of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
4
Symbolbild
Modern French Masters: A Series of Biographical and Critical Reviews by American Artists. (2012)
EN PB NWISBN: 9781273028069 bzw. 1273028066, in Englisch, Nabu Press, Charleston SC, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, Through The Stacks LLC, NY, Brockport, [RE:3].
Ships worldwide with delivery confirmation. We answer all e-mails within one business day. Trade paperback.
Von Händler/Antiquariat, Through The Stacks LLC, NY, Brockport, [RE:3].
Ships worldwide with delivery confirmation. We answer all e-mails within one business day. Trade paperback.
6
Modern French Masters: A Series Of Biographical And Critical Reviews By American Artists.
EN NWISBN: 9781273028069 bzw. 1273028066, in Englisch, Nabu Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…