Polish New Wave / Polska Nowa Fala: The History of a Phenomenon That Never Existed
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Lieferung aus: Irland, Spedizione gratuita per: ITA.
Von Händler/Antiquariat, killarneybooks.
Adam Mickiewicz Institute & Centre for Contemporary Art Ujazdowski Castle, 2008. 1st Edition . Hardcover. Near Fine. Scarce hardcover, fully bilingual (English & Polish), 221 pages, b&w photos in text, pictorial endpapers, NOT ex-library. Minor signs of careful handling, a clean and bright copy with unmarked text and firm binding, free of inscriptions and stamps. Published without a dust jacket. -- The Polish New Wave project and its accompanying publication is a long overdue and illuminating attempt to capture the phenomenon of Polish New Wave. Although the term was occasionally used in discourse on Polish cinema, it never caught on or gained a coherent meaning, in contrast to neighbouring Czechoslovakia, not to mention France. It is thus not surprising that the impulse to investigate Polish New Wave was a recent film, Piotr Uklanski's Summer Love. Some of the contributing authors put this invisibility or marginalisation of the true New Wave in Polish cinema at the centre of their analysis. Others focus on specific examples of New Wave, the films of Jerzy Skolimowski, Grzegorz Krolikiewicz, Marek Piwowski or Andrzej Zulawski. While examples presented are quite varied, comprising features and documentary films belonging to different periods of Polish history, they are linked by the directors' urge to break free of the established patterns of filmmaking. Although Polish New Wave concerns specifically Polish cinema, the observations it contains and the approaches it offers should also be useful to researchers interested in European cinema at large. -- Contents: Curators' Introduction; A Rebellion à la Polonaise / Mateusz Werner; Was There at Least a Bit of the New Wave in Polish Cinema? / Tadeusz Lubelski; Skolimowski, Krolikiewicz, Zulawski, Uklanski: Excerpts from the History of Polish New Wave / Lukasz Ronduda; Games, Masks, Yearnings, Escapes...: Four Views on Jerzy Skolimowski's Early Work / Konrad Klejsa; A Thing about Krolikiewicz / Kuba Mikurda; Andrzej Zulawski's The Third Part of the Night, The Devil, and On the Silver Globe as Specimens of Polish New Wave Auteur Cinema / Piotr Kletowski; Personal Search by Andrzej Kostenko and Witold Leszczynski / Edwin Bendyk; Creative Document - a Paradoxical Genre: Skiing Scenes with Franz Klammer, Wanda Gosciminska. A Textile Worker, Inhale-Exhale / Stefan Czyzewski; Not Having to Stick to the Point: The Fly Killer by Marek Piwowski / Iwona Kurz; Between Events: Winding Paths by Andrzej Baranski / Piotr Marecki; The Hydro-Riddle: An Intertextual Cartoon / Katarzyna Boratyn; Film Program -- "Polish New Wave presents cinema that examines and experiments with its own cinematic form. The direct inspiration for this project came from Summer Love, a recent feature film by contemporary artist Piotr Uklanski, which brings together the fields of contemporary art and professional film production. Existing in two parallel spheres (mass culture and the art institution), Summer Love can be described as the latest, radical new-wave gesture of Polish cinema. The idea of situating contemporary interdisciplinary artwork within the new-wave tradition has been further developed by the curators, serving as a pretext for the reconstruction of the history of Polish New Wave. The film program presents a selection of feature and documentary films made in the years 1964-2006. Part of an ongoing research into Polish cinema, this program features the works of filmmakers interested in the radicalisation of the filmic language. All of the works presented, each in their own way, transgress the traditional methods of narrative building characteristic of their genres. This unconventional treatment of the cinematic form situates these films somewhere between cinema and contemporary art. Due to the conscious conceptualisation and formal innovation, the majority of the works presented here could not enter mainstream circulation and were never fully appreciated by the conservative Polish film community..." ("Curators' Introduction").

Lieferung aus: Irland, free shipping to: GBR.
Von Händler/Antiquariat, killarneybooks.
Adam Mickiewicz Institute & Centre for Contemporary Art Ujazdowski Castle, 2008. 1st Edition . Hardcover. Near Fine. Scarce hardcover, fully bilingual (English & Polish), 221 pages, b&w photos in text, pictorial endpapers, NOT ex-library. Minor signs of careful handling, a clean and bright copy with unmarked text and firm binding, free of inscriptions and stamps. Published without a dust jacket. -- The Polish New Wave project and its accompanying publication is a long overdue and illuminating attempt to capture the phenomenon of Polish New Wave. Although the term was occasionally used in discourse on Polish cinema, it never caught on or gained a coherent meaning, in contrast to neighbouring Czechoslovakia, not to mention France. It is thus not surprising that the impulse to investigate Polish New Wave was a recent film, Piotr Uklanski's Summer Love. Some of the contributing authors put this invisibility or marginalisation of the true New Wave in Polish cinema at the centre of their analysis. Others focus on specific examples of New Wave, the films of Jerzy Skolimowski, Grzegorz Krolikiewicz, Marek Piwowski or Andrzej Zulawski. While examples presented are quite varied, comprising features and documentary films belonging to different periods of Polish history, they are linked by the directors' urge to break free of the established patterns of filmmaking. Although Polish New Wave concerns specifically Polish cinema, the observations it contains and the approaches it offers should also be useful to researchers interested in European cinema at large. -- Contents: Curators' Introduction; A Rebellion à la Polonaise / Mateusz Werner; Was There at Least a Bit of the New Wave in Polish Cinema? / Tadeusz Lubelski; Skolimowski, Krolikiewicz, Zulawski, Uklanski: Excerpts from the History of Polish New Wave / Lukasz Ronduda; Games, Masks, Yearnings, Escapes...: Four Views on Jerzy Skolimowski's Early Work / Konrad Klejsa; A Thing about Krolikiewicz / Kuba Mikurda; Andrzej Zulawski's The Third Part of the Night, The Devil, and On the Silver Globe as Specimens of Polish New Wave Auteur Cinema / Piotr Kletowski; Personal Search by Andrzej Kostenko and Witold Leszczynski / Edwin Bendyk; Creative Document - a Paradoxical Genre: Skiing Scenes with Franz Klammer, Wanda Gosciminska. A Textile Worker, Inhale-Exhale / Stefan Czyzewski; Not Having to Stick to the Point: The Fly Killer by Marek Piwowski / Iwona Kurz; Between Events: Winding Paths by Andrzej Baranski / Piotr Marecki; The Hydro-Riddle: An Intertextual Cartoon / Katarzyna Boratyn; Film Program -- "Polish New Wave presents cinema that examines and experiments with its own cinematic form. The direct inspiration for this project came from Summer Love, a recent feature film by contemporary artist Piotr Uklanski, which brings together the fields of contemporary art and professional film production. Existing in two parallel spheres (mass culture and the art institution), Summer Love can be described as the latest, radical new-wave gesture of Polish cinema. The idea of situating contemporary interdisciplinary artwork within the new-wave tradition has been further developed by the curators, serving as a pretext for the reconstruction of the history of Polish New Wave. The film program presents a selection of feature and documentary films made in the years 1964-2006. Part of an ongoing research into Polish cinema, this program features the works of filmmakers interested in the radicalisation of the filmic language. All of the works presented, each in their own way, transgress the traditional methods of narrative building characteristic of their genres. This unconventional treatment of the cinematic form situates these films somewhere between cinema and contemporary art. Due to the conscious conceptualisation and formal innovation, the majority of the works presented here could not enter mainstream circulation and were never fully appreciated by the conservative Polish film community..." ("Curators' Introduction").

Von Händler/Antiquariat, killarneybooks [64862402], Ennis, Co.Clare, Ireland.
Scarce hardcover, fully bilingual (English & Polish), 221 pages, b&w photos in text, pictorial endpapers, NOT ex-library. Minor signs of careful handling, a clean and bright copy with unmarked text and firm binding, free of inscriptions and stamps. Published without a dust jacket. -- The Polish New Wave project and its accompanying publication is a long overdue and illuminating attempt to capture the phenomenon of Polish New Wave. Although the term was occasionally used in discourse on Polish cinema, it never caught on or gained a coherent meaning, in contrast to neighbouring Czechoslovakia, not to mention France. It is thus not surprising that the impulse to investigate Polish New Wave was a recent film, Piotr Uklanski's Summer Love. Some of the contributing authors put this invisibility or marginalisation of the true New Wave in Polish cinema at the centre of their analysis. Others focus on specific examples of New Wave, the films of Jerzy Skolimowski, Grzegorz Krolikiewicz, Marek Piwowski or Andrzej Zulawski. While examples presented are quite varied, comprising features and documentary films belonging to different periods of Polish history, they are linked by the directors' urge to break free of the established patterns of filmmaking. Although Polish New Wave concerns specifically Polish cinema, the observations it contains and the approaches it offers should also be useful to researchers interested in European cinema at large. -- Contents: Curators' Introduction; A Rebellion à la Polonaise / Mateusz Werner; Was There at Least a Bit of the New Wave in Polish Cinema? / Tadeusz Lubelski; Skolimowski, Krolikiewicz, Zulawski, Uklanski: Excerpts from the History of Polish New Wave / Lukasz Ronduda; Games, Masks, Yearnings, Escapes.: Four Views on Jerzy Skolimowski's Early Work / Konrad Klejsa; A Thing about Krolikiewicz / Kuba Mikurda; Andrzej Zulawski's The Third Part of the Night, The Devil, and On the Silver Globe as Specimens of Polish New Wave Auteur Cinema / Piotr Kletowski; Personal Search by Andrzej Kostenko and Witold Leszczynski / Edwin Bendyk; Creative Document - a Paradoxical Genre: Skiing Scenes with Franz Klammer, Wanda Gosciminska. A Textile Worker, Inhale-Exhale / Stefan Czyzewski; Not Having to Stick to the Point: The Fly Killer by Marek Piwowski / Iwona Kurz; Between Events: Winding Paths by Andrzej Baranski / Piotr Marecki; The Hydro-Riddle: An Intertextual Cartoon / Katarzyna Boratyn; Film Program -- "Polish New Wave presents cinema that examines and experiments with its own cinematic form. The direct inspiration for this project came from Summer Love, a recent feature film by contemporary artist Piotr Uklanski, which brings together the fields of contemporary art and professional film production. Existing in two parallel spheres (mass culture and the art institution), Summer Love can be described as the latest, radical new-wave gesture of Polish cinema. The idea of situating contemporary interdisciplinary artwork within the new-wave tradition has been further developed by the curators, serving as a pretext for the reconstruction of the history of Polish New Wave. The film program presents a selection of feature and documentary films made in the years 1964-2006. Part of an ongoing research into Polish cinema, this program features the works of filmmakers interested in the radicalisation of the filmic language. All of the works presented, each in their own way, transgress the traditional methods of narrative building characteristic of their genres. This unconventional treatment of the cinematic form situates these films somewhere between cinema and contemporary art. Due to the conscious conceptualisation and formal innovation, the majority of the works presented here could not enter mainstream circulation and were never fully appreciated by the conservative Polish film community." ("Curators' Introduction"), Books.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, Real shipping costs can differ.
Von Händler/Antiquariat, rustbuffbooks.
Contents: A Rebellion à la Polonaise; Was There at Least a Bit of the New Wave in Polish Cinema?; Skolimowski, Krolikiewicz, Zulawski, Uklanski: Excerpts from the History of Polish New Wave; Games, Masks, Yearnings, Escapes: Four Views on Skolimowski's Early Work; A Thing about Krolikiewicz; Zulawski's The Third Part of the Night, The Devil & On the Silver Globe as Specimens of Polish New Wave Auteur Cinema; Personal Search by Kostenko & Leszczynski; Creative Document, a Paradoxical Genre: Skiing Scenes with Franz Klammer, Wanda Gosciminska. A Textile Worker, Inhale-Exhale; Not Having to Stick to the Point: The Fly Killer by Piwowski; Between Events: Winding Paths by Baranski; Hydro-Riddle: An Intertextual Cartoon; Film Program -- The book presents the cinema that examines and experiments with its own cinematic form. The direct inspiration for this project came from Summer Love, a recent film which can be seen as the latest, radical new-wave gesture of Polish cinema. The idea of situating contemporary interdisciplinary artwork within the new-wave tradition has been further developed by the curators, serving as a pretext for the reconstruction of the history of Polish New Wave. The film program presents a selection of feature and documentary films made in the years 1964-2006. Part of an ongoing research into Polish cinema, this program features the works of filmmakers interested in the radicalisation of the filmic language. All of the works presented, each in their own way, transgress the traditional methods of narrative building characteristic of their genres. This unconventional treatment of the cinematic form situates these films somewhere between cinema and contemporary art. Due to the conscious conceptualisation and formal innovation, the majority of the works presented here could not enter mainstream circulation and were never fully appreciated by the conservative Polish film community.", Hardcover, Edition: 1st, Label: Adam Mickiewicz Institute, Adam Mickiewicz Institute, Product group: Book, Published: 2008, Studio: Adam Mickiewicz Institute, Sales rank: 19697480.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, Real shipping costs can differ.
Von Händler/Antiquariat, killarneybookseu.
Contents: A Rebellion à la Polonaise; Was There at Least a Bit of the New Wave in Polish Cinema?; Skolimowski, Krolikiewicz, Zulawski, Uklanski: Excerpts from the History of Polish New Wave; Games, Masks, Yearnings, Escapes: Four Views on Skolimowski's Early Work; A Thing about Krolikiewicz; Zulawski's The Third Part of the Night, The Devil & On the Silver Globe as Specimens of Polish New Wave Auteur Cinema; Personal Search by Kostenko & Leszczynski; Creative Document, a Paradoxical Genre: Skiing Scenes with Franz Klammer, Wanda Gosciminska. A Textile Worker, Inhale-Exhale; Not Having to Stick to the Point: The Fly Killer by Piwowski; Between Events: Winding Paths by Baranski; Hydro-Riddle: An Intertextual Cartoon; Film Program -- The book presents the cinema that examines and experiments with its own cinematic form. The direct inspiration for this project came from Summer Love, a recent film which can be seen as the latest, radical new-wave gesture of Polish cinema. The idea of situating contemporary interdisciplinary artwork within the new-wave tradition has been further developed by the curators, serving as a pretext for the reconstruction of the history of Polish New Wave. The film program presents a selection of feature and documentary films made in the years 1964-2006. Part of an ongoing research into Polish cinema, this program features the works of filmmakers interested in the radicalisation of the filmic language. All of the works presented, each in their own way, transgress the traditional methods of narrative building characteristic of their genres. This unconventional treatment of the cinematic form situates these films somewhere between cinema and contemporary art. Due to the conscious conceptualisation and formal innovation, the majority of the works presented here could not enter mainstream circulation and were never fully appreciated by the conservative Polish film community.", Hardcover, Label: Adam Mickiewicz Institute & Centre for Contemporary Art Ujazdowski Castle, Adam Mickiewicz Institute & Centre for Contemporary Art Ujazdowski Castle, Product group: Book, Published: 2008, Studio: Adam Mickiewicz Institute & Centre for Contemporary Art Ujazdowski Castle.

Von Händler/Antiquariat, ANARTIST [204969], New York, NY, U.S.A.
Softcover, 224 pages; in English and Polish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.