Cues / Hinweise: Writings & Conversations / Schriften und Gespräche (Edition MusikTexte)
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Writings & Conversations
~EN PB USISBN: 9783980315135 bzw. 3980315134, vermutlich in Englisch, Taschenbuch, gebraucht.
Von Händler/Antiquariat, ThriftBooks [54239181], AURORA, IL, U.S.A.
A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.
A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.
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Cues writings and conversations = Hinweise. Schriften und Gespräche. Edition Musiktexte 005. (1998)
DE USISBN: 9783980315135 bzw. 3980315134, in Deutsch, Köln : Musiktexte, gebraucht.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Händler/Antiquariat, Fundus-Online GbR Borkert/ Schwarz/ Zerfaß, [3280044].
544 S. Originalbroschur. Ein gutes und sauberes Exemplar. - Jeweils mit deutscher bzw. englischer Übersetzung. - Frederic Rzewski: The Algebra of Everyday Life -- In General and on Own Work: Choice and Necessity. At work -- Immobility in Motion. New and Electronic Music -- Precise Actions under Variously Indeterminate Conditions. On Form -- "... something hazardous with which we may try ourselves". Questions -- Whole New Areas of Unpredictability. Electricity and Music -- Taking Chances. From a conversation with Victor Schonfield -- "... let the listeners be just as free as the players". Fragments to make up an interview -- What Are We Doing? Conversation with lidi Ivanji -- "There is no such thing as nothing". Conversation with Walter Zimmermann -- Using the Past to Serve the Present. On political texts and new music -- Under the Influence. On John Cage -- Before the Fact. On notation -- "I can't shake Webern's influence". Conversation with Gerald Gable -- Open to Whom and to What. On the theory of open form in new music -- Revolutionary Noise. Floating rhythm and experimental percussion -- What is our-work? On experimental music now -- Quiet Music. On a Composition Seminar in Boswil -- In a Kind of No-Man's Land. Conversation with Cole Gagne -- "Anything you want to know you can know!" Conversation with Markus Trunk -- Changes and Continuities. Sketch of a Statement -- On My Work. Statement -- Free to Exercise Identity. Music-Work-Experiment-Politics -- About Others' Work: A Music with Real Life in It. Re Charles Ives -- Randomly Fixed Points. On the music of Anton Webern -- Anarchic Individualism and Socialism. Letter to Heinz-Klaus Metzger -- Benign Ghosts. On John Cage -- Burdocks. For Mercé -- "... then some music was really happening." -- John Cage, Morton Feldman: Radio Happenings I-V (GG) -- Tender and Tough as Nails. Three Statements on Morton Feldman -- The Sound Doesn't Look Back. On Morton Feldman's Piano Piece 19)2 -- "... how he made all the difference." Thinking of David Tudor -- Towards a New Unity. Rzewski's "The People United Will never Be Defeated" -- Moral Issues and Musical Practices. Briefly on Cornelius Cardew and John Cage. On the Death of Cornelius Cardew -- A Dimension of Perfectly Ordinary Reality. For Keith Rowe's -- Surprise and Discovery. Parker and Prévost -- A Drama of Struggle. On Dieter Schnebels Marsyas -- Closely Listened To. For Ernstalbrecht Stiebler -- Classics: Discontinuities. Orestes by Euripides -- Prose Scores: Prose Collection (GG/US) -- Instrumentalist(s) - Singer(s) -- Program Notes. ISBN 9783980315135, 1998. gebraucht gut, 898g, Internationaler Versand, Selbstabholung und Barzahlung, PayPal, offene Rechnung, Banküberweisung.
Von Händler/Antiquariat, Fundus-Online GbR Borkert/ Schwarz/ Zerfaß, [3280044].
544 S. Originalbroschur. Ein gutes und sauberes Exemplar. - Jeweils mit deutscher bzw. englischer Übersetzung. - Frederic Rzewski: The Algebra of Everyday Life -- In General and on Own Work: Choice and Necessity. At work -- Immobility in Motion. New and Electronic Music -- Precise Actions under Variously Indeterminate Conditions. On Form -- "... something hazardous with which we may try ourselves". Questions -- Whole New Areas of Unpredictability. Electricity and Music -- Taking Chances. From a conversation with Victor Schonfield -- "... let the listeners be just as free as the players". Fragments to make up an interview -- What Are We Doing? Conversation with lidi Ivanji -- "There is no such thing as nothing". Conversation with Walter Zimmermann -- Using the Past to Serve the Present. On political texts and new music -- Under the Influence. On John Cage -- Before the Fact. On notation -- "I can't shake Webern's influence". Conversation with Gerald Gable -- Open to Whom and to What. On the theory of open form in new music -- Revolutionary Noise. Floating rhythm and experimental percussion -- What is our-work? On experimental music now -- Quiet Music. On a Composition Seminar in Boswil -- In a Kind of No-Man's Land. Conversation with Cole Gagne -- "Anything you want to know you can know!" Conversation with Markus Trunk -- Changes and Continuities. Sketch of a Statement -- On My Work. Statement -- Free to Exercise Identity. Music-Work-Experiment-Politics -- About Others' Work: A Music with Real Life in It. Re Charles Ives -- Randomly Fixed Points. On the music of Anton Webern -- Anarchic Individualism and Socialism. Letter to Heinz-Klaus Metzger -- Benign Ghosts. On John Cage -- Burdocks. For Mercé -- "... then some music was really happening." -- John Cage, Morton Feldman: Radio Happenings I-V (GG) -- Tender and Tough as Nails. Three Statements on Morton Feldman -- The Sound Doesn't Look Back. On Morton Feldman's Piano Piece 19)2 -- "... how he made all the difference." Thinking of David Tudor -- Towards a New Unity. Rzewski's "The People United Will never Be Defeated" -- Moral Issues and Musical Practices. Briefly on Cornelius Cardew and John Cage. On the Death of Cornelius Cardew -- A Dimension of Perfectly Ordinary Reality. For Keith Rowe's -- Surprise and Discovery. Parker and Prévost -- A Drama of Struggle. On Dieter Schnebels Marsyas -- Closely Listened To. For Ernstalbrecht Stiebler -- Classics: Discontinuities. Orestes by Euripides -- Prose Scores: Prose Collection (GG/US) -- Instrumentalist(s) - Singer(s) -- Program Notes. ISBN 9783980315135, 1998. gebraucht gut, 898g, Internationaler Versand, Selbstabholung und Barzahlung, PayPal, offene Rechnung, Banküberweisung.
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Cues writings and conversations = Hinweise. Schriften und Gespräche. Edition Musiktexte 005. (1998)
DEISBN: 9783980315135 bzw. 3980315134, in Deutsch.
Lieferung aus: Deutschland, Versandkosten in die BRD.
Von Händler/Antiquariat, Fundus-Online GbR.
Köln, Musiktexte, 544 S. Originalbroschur. Ein gutes und sauberes Exemplar. - Jeweils mit deutscher bzw. englischer Übersetzung. - Frederic Rzewski: The Algebra of Everyday Life -- In General and on Own Work: Choice and Necessity. At work -- Immobility in Motion. New and Electronic Music -- Precise Actions under Variously Indeterminate Conditions. On Form -- "... something hazardous with which we may try ourselves". Questions -- Whole New Areas of Unpredictability. Electricity and Music -- Taking Chances. From a conversation with Victor Schonfield -- "... let the listeners be just as free as the players". Fragments to make up an interview -- What Are We Doing? Conversation with lidi Ivanji -- "There is no such thing as nothing". Conversation with Walter Zimmermann -- Using the Past to Serve the Present. On political texts and new music -- Under the Influence. On John Cage -- Before the Fact. On notation -- "I can't shake Webern's influence". Conversation with Gerald Gable -- Open to Whom and to What. On the theory of open form in new music -- Revolutionary Noise. Floating rhythm and experimental percussion -- What is our-work? On experimental music now -- Quiet Music. On a Composition Seminar in Boswil -- In a Kind of No-Man's Land. Conversation with Cole Gagne -- "Anything you want to know you can know!" Conversation with Markus Trunk -- Changes and Continuities. Sketch of a Statement -- On My Work. Statement -- Free to Exercise Identity. Music-Work-Experiment-Politics -- About Others' Work: A Music with Real Life in It. Re Charles Ives -- Randomly Fixed Points. On the music of Anton Webern -- Anarchic Individualism and Socialism. Letter to Heinz-Klaus Metzger -- Benign Ghosts. On John Cage -- Burdocks. For Mercé -- "... then some music was really happening." -- John Cage, Morton Feldman: Radio Happenings I-V (GG) -- Tender and Tough as Nails. Three Statements on Morton Feldman -- The Sound Doesn't Look Back. On Morton Feldman's Piano Piece 19)2 -- "... how he made all the difference." Thinking of David Tudor -- Towards a New Unity. Rzewski's "The People United Will never Be Defeated" -- Moral Issues and Musical Practices. Briefly on Cornelius Cardew and John Cage. On the Death of Cornelius Cardew -- A Dimension of Perfectly Ordinary Reality. For Keith Rowe's -- Surprise and Discovery. Parker and Prévost -- A Drama of Struggle. On Dieter Schnebels Marsyas -- Closely Listened To. For Ernstalbrecht Stiebler -- Classics: Discontinuities. Orestes by Euripides -- Prose Scores: Prose Collection (GG/US) -- Instrumentalist(s) - Singer(s) -- Program Notes. ISBN 9783980315135Musik [Musik] 1998.
Von Händler/Antiquariat, Fundus-Online GbR.
Köln, Musiktexte, 544 S. Originalbroschur. Ein gutes und sauberes Exemplar. - Jeweils mit deutscher bzw. englischer Übersetzung. - Frederic Rzewski: The Algebra of Everyday Life -- In General and on Own Work: Choice and Necessity. At work -- Immobility in Motion. New and Electronic Music -- Precise Actions under Variously Indeterminate Conditions. On Form -- "... something hazardous with which we may try ourselves". Questions -- Whole New Areas of Unpredictability. Electricity and Music -- Taking Chances. From a conversation with Victor Schonfield -- "... let the listeners be just as free as the players". Fragments to make up an interview -- What Are We Doing? Conversation with lidi Ivanji -- "There is no such thing as nothing". Conversation with Walter Zimmermann -- Using the Past to Serve the Present. On political texts and new music -- Under the Influence. On John Cage -- Before the Fact. On notation -- "I can't shake Webern's influence". Conversation with Gerald Gable -- Open to Whom and to What. On the theory of open form in new music -- Revolutionary Noise. Floating rhythm and experimental percussion -- What is our-work? On experimental music now -- Quiet Music. On a Composition Seminar in Boswil -- In a Kind of No-Man's Land. Conversation with Cole Gagne -- "Anything you want to know you can know!" Conversation with Markus Trunk -- Changes and Continuities. Sketch of a Statement -- On My Work. Statement -- Free to Exercise Identity. Music-Work-Experiment-Politics -- About Others' Work: A Music with Real Life in It. Re Charles Ives -- Randomly Fixed Points. On the music of Anton Webern -- Anarchic Individualism and Socialism. Letter to Heinz-Klaus Metzger -- Benign Ghosts. On John Cage -- Burdocks. For Mercé -- "... then some music was really happening." -- John Cage, Morton Feldman: Radio Happenings I-V (GG) -- Tender and Tough as Nails. Three Statements on Morton Feldman -- The Sound Doesn't Look Back. On Morton Feldman's Piano Piece 19)2 -- "... how he made all the difference." Thinking of David Tudor -- Towards a New Unity. Rzewski's "The People United Will never Be Defeated" -- Moral Issues and Musical Practices. Briefly on Cornelius Cardew and John Cage. On the Death of Cornelius Cardew -- A Dimension of Perfectly Ordinary Reality. For Keith Rowe's -- Surprise and Discovery. Parker and Prévost -- A Drama of Struggle. On Dieter Schnebels Marsyas -- Closely Listened To. For Ernstalbrecht Stiebler -- Classics: Discontinuities. Orestes by Euripides -- Prose Scores: Prose Collection (GG/US) -- Instrumentalist(s) - Singer(s) -- Program Notes. ISBN 9783980315135Musik [Musik] 1998.
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Christian Wolff, Herausgeber: Gisela Gronemeyer, Gisela Gronemeyer, Herausgeber: Reinhard Oehlschlägel, Vorwort: Frederic Rzewski, Monika Lichtenfeld, Ursula Stiebler, Markus Trunk
Cues / Hinweise: Writings & Conversations / Schriften und Gespräche (Edition MusikTexte) (1998)
EN PB NWISBN: 9783980315135 bzw. 3980315134, in Englisch, 544 Seiten, Edition MusikTexte, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen, Versandkostenfrei. Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, MusikTexte.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, MusikTexte.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
7
Cues: Writings & Conversations / Hinweise: Schriften und Gesprache (1998)
EN PB US FEISBN: 9783980315135 bzw. 3980315134, in Englisch, 544 Seiten, Verlag MusikTexte, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, zzgl. Versandkosten (wenn der Anbieter in Ihr Land liefert).
Von Händler/Antiquariat, grogan2.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, grogan2.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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