In Terms of Painting by 9783957633095 (Paperback, 2016)
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1
In Terms of Painting (2016)
EN PB NW FEISBN: 9783957633095 bzw. 3957633095, in Englisch, 304 Seiten, Revolver, Taschenbuch, neu, Erstausgabe.
Neu ab: EUR 25,00 (37 Angebote)
Gebraucht ab: EUR 25,00 (1 Angebote)
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Lieferung aus: Deutschland, Gewöhnlich versandfertig in 24 Stunden.
Von Händler/Antiquariat, Amazon.de.
This publication reconsiders the role of painting in the United States between 1965 and 1975. It examines how "painting" was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving anti-formalist discourse of the 1970s, as an increasingly defensible form of artistic practice, or by being conceptually integrated into another medium. This edited volume thus provides a historical grounding currently missing from the international discussion of the validity and potential of painting in contemporary art (Joselit 2009; Moss/Stakemeier 2012; Graw 2013; Graw/Geimer 2013). In reframing the role of painting during 1965 and 1975 the publication complicates the well-established history of postmodernism as being based on the assumed resentment toward the medium of painting. It does so by shedding new light on what happened to painting in the subsequent art critical and art historical discourse. The contributions discuss the vocabulary used, the illustrations chosen, and the arguments put forth by artists, critics, curators and art historians. The book is the first to historically, critically, and systematically analyze the rhetorical and institutional dismissal of painting, and to offer a perspective that includes neglected painterly positions (e.g. Jo Baer, Mary Heilman, or David Novros) as well as the pictorial structures of new media (e.g. Installation Art, Land Art, or Experimental Film). Taschenbuch, Ausgabe: 1, Label: Revolver, Revolver, Produktgruppe: Book, Publiziert: 2016-06-01, Studio: Revolver, Verkaufsrang: 424424.
Von Händler/Antiquariat, Amazon.de.
This publication reconsiders the role of painting in the United States between 1965 and 1975. It examines how "painting" was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving anti-formalist discourse of the 1970s, as an increasingly defensible form of artistic practice, or by being conceptually integrated into another medium. This edited volume thus provides a historical grounding currently missing from the international discussion of the validity and potential of painting in contemporary art (Joselit 2009; Moss/Stakemeier 2012; Graw 2013; Graw/Geimer 2013). In reframing the role of painting during 1965 and 1975 the publication complicates the well-established history of postmodernism as being based on the assumed resentment toward the medium of painting. It does so by shedding new light on what happened to painting in the subsequent art critical and art historical discourse. The contributions discuss the vocabulary used, the illustrations chosen, and the arguments put forth by artists, critics, curators and art historians. The book is the first to historically, critically, and systematically analyze the rhetorical and institutional dismissal of painting, and to offer a perspective that includes neglected painterly positions (e.g. Jo Baer, Mary Heilman, or David Novros) as well as the pictorial structures of new media (e.g. Installation Art, Land Art, or Experimental Film). Taschenbuch, Ausgabe: 1, Label: Revolver, Revolver, Produktgruppe: Book, Publiziert: 2016-06-01, Studio: Revolver, Verkaufsrang: 424424.
2
Symbolbild
In Terms of Painting (2016)
DE PB NWISBN: 9783957633095 bzw. 3957633095, in Deutsch, Revolver Publishing Jun 2016, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, Rheinberg-Buch [53870650], Bergisch Gladbach, Germany.
Neuware - This book reconsiders the role of painting during the 1960s and 1970s. The assembled essays examine how 'painting' was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving antiformalist discourse of the 1970s, as a parallel activity within an artist's oeuvre, or by being conceptually integrated into another medium. Besides a reconsideration of artists such as Donald Judd, John Baldessari, and Robert Morris, this book provides in-depth analyses of lesser-known artistic positions, for example, those of David Novros, Roy Colmer, Mary Heilmann, and Jo Baer, and of positions whose relation to painting has remained largely unexamined up to now, such as Bruce Conner's, Walter De Maria's, and Fred Sandback'S. By treating the activity, the material foundations, and the concept of painting as symptomatic of the post-medium condition, this book reframes the history of postmodernism and provides historical and theoretical approaches for the current discourse on contemporary painting. 303 pp. Englisch.
Von Händler/Antiquariat, Rheinberg-Buch [53870650], Bergisch Gladbach, Germany.
Neuware - This book reconsiders the role of painting during the 1960s and 1970s. The assembled essays examine how 'painting' was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving antiformalist discourse of the 1970s, as a parallel activity within an artist's oeuvre, or by being conceptually integrated into another medium. Besides a reconsideration of artists such as Donald Judd, John Baldessari, and Robert Morris, this book provides in-depth analyses of lesser-known artistic positions, for example, those of David Novros, Roy Colmer, Mary Heilmann, and Jo Baer, and of positions whose relation to painting has remained largely unexamined up to now, such as Bruce Conner's, Walter De Maria's, and Fred Sandback'S. By treating the activity, the material foundations, and the concept of painting as symptomatic of the post-medium condition, this book reframes the history of postmodernism and provides historical and theoretical approaches for the current discourse on contemporary painting. 303 pp. Englisch.
3
Symbolbild
In Terms of Painting (2016)
DE PB NWISBN: 9783957633095 bzw. 3957633095, in Deutsch, Revolver Publishing Jun 2016, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, sparbuchladen [52968077], Göttingen, Germany.
Neuware - This book reconsiders the role of painting during the 1960s and 1970s. 303 pp. Englisch.
Von Händler/Antiquariat, sparbuchladen [52968077], Göttingen, Germany.
Neuware - This book reconsiders the role of painting during the 1960s and 1970s. 303 pp. Englisch.
4
Symbolbild
In Terms of Painting
DE HC NWISBN: 9783957633095 bzw. 3957633095, in Deutsch, Revolver / Revolver Publishing, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandkostenfrei innerhalb von Deutschland.
This book reconsiders the role of painting during the 1960s and 1970s. The assembled essays examine how ´´painting´´ was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving antiformalist discourse of the 1970s, as a parallel activity within an artist´s oeuvre, or by being conceptually integrated into another medium. Besides a reconsideration of artists such as Donald Judd, John Baldessari, and Robert Morris, this book provides in-depth This book reconsiders the role of painting during the 1960s and 1970s. The assembled essays examine how ´´painting´´ was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving antiformalist discourse of the 1970s, as a parallel activity within an artist´s oeuvre, or by being conceptually integrated into another medium. Besides a reconsideration of artists such as Donald Judd, John Baldessari, and Robert Morris, this book provides in-depth analyses of lesser-known artistic positions, for example, those of David Novros, Roy Colmer, Mary Heilmann, and Jo Baer, and of positions whose relation to painting has remained largely unexamined up to now, such as Bruce Conner´s, Walter De Maria´s, and Fred Sandback´s. By treating the activity, the material foundations, and the concept of painting as symptomatic of the post-medium condition, this book reframes the history of postmodernism and provides historical and theoretical approaches for the current discourse on contemporary painting. Lieferzeit 1-2 Werktage.
This book reconsiders the role of painting during the 1960s and 1970s. The assembled essays examine how ´´painting´´ was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving antiformalist discourse of the 1970s, as a parallel activity within an artist´s oeuvre, or by being conceptually integrated into another medium. Besides a reconsideration of artists such as Donald Judd, John Baldessari, and Robert Morris, this book provides in-depth This book reconsiders the role of painting during the 1960s and 1970s. The assembled essays examine how ´´painting´´ was present and practiced during this defining period of postmodernism: as an embattled parameter in the evolving antiformalist discourse of the 1970s, as a parallel activity within an artist´s oeuvre, or by being conceptually integrated into another medium. Besides a reconsideration of artists such as Donald Judd, John Baldessari, and Robert Morris, this book provides in-depth analyses of lesser-known artistic positions, for example, those of David Novros, Roy Colmer, Mary Heilmann, and Jo Baer, and of positions whose relation to painting has remained largely unexamined up to now, such as Bruce Conner´s, Walter De Maria´s, and Fred Sandback´s. By treating the activity, the material foundations, and the concept of painting as symptomatic of the post-medium condition, this book reframes the history of postmodernism and provides historical and theoretical approaches for the current discourse on contemporary painting. Lieferzeit 1-2 Werktage.
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