- Goodbye, World! Looking at Art in the Digital Age
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Bester Preis: € 21,98 (vom 01.10.2018)1
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- Goodbye, World! Looking at Art in the Digital Age (Paperback) (2018)
DE PB NWISBN: 9783956793097 bzw. 3956793099, in Deutsch, Sternberg Press, United States, Taschenbuch, neu.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English. Brand new Book. The way we see the world has changed drastically since nASA released the blue marble image taken in 1972. no longer a placid slow-moving orb, the world is a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language that has emerged through post-millennial technologies, and argues for a new, post-digital condition. Part memoir, part critical analysis, this book is for anyone who is interested in the changing world of the internet. Kholeif is a writer, curator, and editor whose work focuses on the intersection of art, politics, urbanism, and emerging technologies. He is the Manilow senior curator and director of global initiatives at the Museum of Contemporary Art, Chicago.
Language: English. Brand new Book. The way we see the world has changed drastically since nASA released the blue marble image taken in 1972. no longer a placid slow-moving orb, the world is a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language that has emerged through post-millennial technologies, and argues for a new, post-digital condition. Part memoir, part critical analysis, this book is for anyone who is interested in the changing world of the internet. Kholeif is a writer, curator, and editor whose work focuses on the intersection of art, politics, urbanism, and emerging technologies. He is the Manilow senior curator and director of global initiatives at the Museum of Contemporary Art, Chicago.
2
Goodbye, World! Looking at Art in the Digital Age (2000)
DE PB NWISBN: 9783956793097 bzw. 3956793099, in Deutsch, 212 Seiten, Sternberg Press, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, Sternberg Press, [4872229].
The way we see the world has changed drastically since NASA released the blue marble image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Bergers Ways of Seeing and Alvin Tofflers Future Shock, this bookpart memoir, part critical analysisshould prove essential for anyone interested in the changing world of the internet. Goodbye, World! weaves through digital cultures, illustrating how both life and art have changed in the twenty-first century. Omar Kholeifs critical eye is as alert to the issues facing artists as it is to those confronting the contemporary viewer. Sofia Victorino, Daskalopoulos Director of Education and Public Programmes, Whitechapel Gallery Omar Kholeifs insightful new book, built upon knowledge accumulated from research and practice, distills a fast-moving world mired with image overload, where the continuous reproduction of popular, or indeed viral images, contrary to general belief, can in itself offer a refreshing experience and hold an intrinsic value of its own. With Goodbye, World!, Kholeif has emerged as one of the leading contemporary historians of the digital age. Sultan Sooud Al Qassemi, Director's Fellow at MIT Media Lab, founder of Barjeel Art Foundation Through deft juxtapositions of image, text, and digital detritus, Kholeif presents a visceral take on the strange implications of a world in which images, politics, subjectivities, and affects are recombined in a post-internet era. An Arcades Project for the twenty-first century. Trevor Paglen, artist Omar Kholeif pushes forward our rapidly evolving understanding of contemporary art in the digital age. Goodbye, World! is an essential survey of the widening field of digital forms and formats and the growing number of artists that give this art its expression. Moreover, it is a fresh and necessary exploration of the very ontology of the work of art that digital movements force us to reevaluate. Ken Stewart, Assistant Dean and Director of Communications and Public Programs, Harvard University Graduate School of Design, 52018, Softcover, Neuware, 13 x 19.5 cm, 288g, 212, Internationaler Versand, PayPal, Lastschrift, Banküberweisung, Selbstabholung und Barzahlung.
Von Händler/Antiquariat, Sternberg Press, [4872229].
The way we see the world has changed drastically since NASA released the blue marble image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Bergers Ways of Seeing and Alvin Tofflers Future Shock, this bookpart memoir, part critical analysisshould prove essential for anyone interested in the changing world of the internet. Goodbye, World! weaves through digital cultures, illustrating how both life and art have changed in the twenty-first century. Omar Kholeifs critical eye is as alert to the issues facing artists as it is to those confronting the contemporary viewer. Sofia Victorino, Daskalopoulos Director of Education and Public Programmes, Whitechapel Gallery Omar Kholeifs insightful new book, built upon knowledge accumulated from research and practice, distills a fast-moving world mired with image overload, where the continuous reproduction of popular, or indeed viral images, contrary to general belief, can in itself offer a refreshing experience and hold an intrinsic value of its own. With Goodbye, World!, Kholeif has emerged as one of the leading contemporary historians of the digital age. Sultan Sooud Al Qassemi, Director's Fellow at MIT Media Lab, founder of Barjeel Art Foundation Through deft juxtapositions of image, text, and digital detritus, Kholeif presents a visceral take on the strange implications of a world in which images, politics, subjectivities, and affects are recombined in a post-internet era. An Arcades Project for the twenty-first century. Trevor Paglen, artist Omar Kholeif pushes forward our rapidly evolving understanding of contemporary art in the digital age. Goodbye, World! is an essential survey of the widening field of digital forms and formats and the growing number of artists that give this art its expression. Moreover, it is a fresh and necessary exploration of the very ontology of the work of art that digital movements force us to reevaluate. Ken Stewart, Assistant Dean and Director of Communications and Public Programs, Harvard University Graduate School of Design, 52018, Softcover, Neuware, 13 x 19.5 cm, 288g, 212, Internationaler Versand, PayPal, Lastschrift, Banküberweisung, Selbstabholung und Barzahlung.
3
Goodbye, World! Looking at Art in the Digital Age (2018)
EN PB NW FEISBN: 9783956793097 bzw. 3956793099, in Englisch, 212 Seiten, Sternberg Press, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Deutschland, Gewöhnlich versandfertig in 24 Stunden, Versandkostenfrei.
Von Händler/Antiquariat, Amazon.de.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Amazon.de.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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