Von dem Buch Ensor haben wir 3 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Becks-Malorny, Ulrike: Ensor (ISBN: 9783836560566) TASCHEN, TASCHEN, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Ulrike Becks-Malorny: Ensor (ISBN: 9783822842966) 2001, Le Monde, France (Paris), in Deutsch, Taschenbuch.Nur diese Ausgabe anzeigen…
50%: Becks-Malorny, Ulrike: Ensor Basic Art (ISBN: 9783836560559) 2016, Taschen, in Deutsch, Taschenbuch.Nur diese Ausgabe anzeigen…
Alle lieferbaren Bücher - alle Angebote vergleichen
ISBN: 9783836560566
Bester Preis: € 4,88 (vom 01.10.2016)1
Ensor (изд. 2016 г. ) (2016)
~EN NWISBN: 9783836560566 bzw. 3836560569, vermutlich in Englisch, 96 Seiten, TASCHEN, TASCHEN, neu.
Lieferung aus: Russische Föderation, zzgl. Versandkosten.
A genuine maverick: The great Belgian painter of macabre and ghoulish scenes It was never a sure thing that James Ensor (1860-1949), the great Belgian painter of macabre and ghoulish scenes, would become a nationally revered figure. He was unusual in many ways. Apart from his training in Brussels, he spent his entire long life in Ostend, seemingly the opposite of cosmopolitan. Later on he was expelled by the group Les XX for a particularly controversial canvas: The Entry of Christ into Brussels, which he had painted in 1889.An expressionist before the term was coined, Ensor used the iconography of masks and skeletons to point up the essential horrors of life, and often underwrote his images with a sardonic gallows humour. It has been said that he appropriated the subject matter of a Bosch or Bruegel and revisioned them using the techniques of Manet or Rubens. But this is to diminish his own unique take on both art and experience. A genuine maverick in the way that so many Belgian artists are (lest we forget Magritte), James Ensor can claim a dark and distinctive place in the art histories of the last hundred years. ISBN:978-3-8365-6056-6, Книги/Книги на иностранных языках/Публицистика на иностранных языках, book, TASCHEN.
A genuine maverick: The great Belgian painter of macabre and ghoulish scenes It was never a sure thing that James Ensor (1860-1949), the great Belgian painter of macabre and ghoulish scenes, would become a nationally revered figure. He was unusual in many ways. Apart from his training in Brussels, he spent his entire long life in Ostend, seemingly the opposite of cosmopolitan. Later on he was expelled by the group Les XX for a particularly controversial canvas: The Entry of Christ into Brussels, which he had painted in 1889.An expressionist before the term was coined, Ensor used the iconography of masks and skeletons to point up the essential horrors of life, and often underwrote his images with a sardonic gallows humour. It has been said that he appropriated the subject matter of a Bosch or Bruegel and revisioned them using the techniques of Manet or Rubens. But this is to diminish his own unique take on both art and experience. A genuine maverick in the way that so many Belgian artists are (lest we forget Magritte), James Ensor can claim a dark and distinctive place in the art histories of the last hundred years. ISBN:978-3-8365-6056-6, Книги/Книги на иностранных языках/Публицистика на иностранных языках, book, TASCHEN.
2
Ensor (1949)
EN NWISBN: 9783836560566 bzw. 3836560569, in Englisch, neu.
An Expressionist before the term was coined, James Ensor (1860?1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend. For all his elusiveness, Ensor influenced generations of artists through his vivid often gruesome paintings, prints, and drawings. He is cited in particular for his use of dark satire and allegory, his innovative lighting, and for his interest in carnival and performance, showcased in The Entry of Christ into Brussels in 1889 as well as in his repertoire of self-portraits in which he employs masking, travesty, and role-playing to adopt such varied guises as Christ on the Cross and a gender-bending dandy. This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
3
Ensor (1949)
~EN HC NWISBN: 9783836560566 bzw. 3836560569, vermutlich in Englisch, Taschen GmbH, gebundenes Buch, neu.
An Expressionist before the term was coined, James Ensor (1860-1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend.For all his elusiveness, Ensor influenced generations of artists through his vivid often gruesome paintings, prints, and drawings. He is cited in particular for his use of dark satire and allegory, his innovative lighting, and for his interest in carnival and performance, showcased in The Entry of Christ into Brussels in 1889 as well as in his repertoire of self-portraits in which he employs masking, travesty, and role-playing to adopt such varied guises as Christ on the Cross and a gender-bending dandy.This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
4
Ensor (1949)
~EN NWISBN: 9783836560566 bzw. 3836560569, vermutlich in Englisch, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
An Expressionist before the term was coined, James Ensor (1860-1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend.For all his elusiveness, Ensor influenced generations of artists through his vivid often gruesome paintings, prints, and drawings. He is cited in particular for his use of dark satire and allegory, his innovative lighting, and for his interest in carnival and performance, showcased in The Entry of Christ into Brussels in 1889 as well as in his repertoire of self-portraits in which he employs masking, travesty, and role-playing to adopt such varied guises as Christ on the Cross and a gender-bending dandy.This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
An Expressionist before the term was coined, James Ensor (1860-1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend.For all his elusiveness, Ensor influenced generations of artists through his vivid often gruesome paintings, prints, and drawings. He is cited in particular for his use of dark satire and allegory, his innovative lighting, and for his interest in carnival and performance, showcased in The Entry of Christ into Brussels in 1889 as well as in his repertoire of self-portraits in which he employs masking, travesty, and role-playing to adopt such varied guises as Christ on the Cross and a gender-bending dandy.This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
5
Ensor (2016)
~EN NWISBN: 9783836560566 bzw. 3836560569, vermutlich in Englisch, 96 Seiten, Taschen, neu.
Lieferung aus: Ukraine, zzgl. Versandkosten.
An expressionist before the term was coined, James Ensor (1860–1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. Книги/Искусство. Культура. Фотография/Коллекции и собрания, Книги > Искусство. Культура. Фотография > Коллекции и собрания, 210x260 мм, book, Taschen, Категория 1го уровня:Книги|Категория 2го уровня:Искусство. Культура. Фотография|Категория 3го уровня:Коллекции и собрания.
An expressionist before the term was coined, James Ensor (1860–1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. Книги/Искусство. Культура. Фотография/Коллекции и собрания, Книги > Искусство. Культура. Фотография > Коллекции и собрания, 210x260 мм, book, Taschen, Категория 1го уровня:Книги|Категория 2го уровня:Искусство. Культура. Фотография|Категория 3го уровня:Коллекции и собрания.
6
Ensor (2016)
DE PB NWISBN: 9783836560559 bzw. 3836560550, in Deutsch, TASCHEN, Taschenbuch, neu.
Von Händler/Antiquariat, Chapitre livres et presse ancienne [7942088], PARIS, France.
Expressionniste avant l'heure, James Ensor (1860-1949) était un énigmatique " insider-outsider ". Il connaissait les personnalités incontournables du monde de l'art mais en détestait la plupart. Son style faisait le grand écart entre gothique fantastique et vision chrétienne. Pionnier cosmopolite du modernisme, il vivait en reclus dans une mansarde de la station balnéaire d'Ostende.Malgré son caractère insaisissable, Ensor a influencé des générations d'artistes à travers des tableaux, estampes et dessins saisissants, souvent macabres. Il est devenu une référence, notamment pour son usage de la satire cinglante et de l'allégorie, son emploi novateur de la lumière et son intérêt pour le carnaval et la performance qu'illustrent son Entrée du Christ à Bruxelles de 1889, ainsi que pour une large palette d'autoportraits dans lesquels il exploite masques, travestissements et jeux de rôle, prenant les traits du Christ sur la croix comme ceux d'un dandy travesti.Cette introduction à l'oeuvre d'Ensor explore la richesse et la diversité de son imagerie à travers des exemples représentatifs de sa production, à la fois macabre et hors-norme. - Nombre de page(s) : 96 - Poids : 583g - Genre : Peinture Dessin d'art Gravure BASIC ART.
Expressionniste avant l'heure, James Ensor (1860-1949) était un énigmatique " insider-outsider ". Il connaissait les personnalités incontournables du monde de l'art mais en détestait la plupart. Son style faisait le grand écart entre gothique fantastique et vision chrétienne. Pionnier cosmopolite du modernisme, il vivait en reclus dans une mansarde de la station balnéaire d'Ostende.Malgré son caractère insaisissable, Ensor a influencé des générations d'artistes à travers des tableaux, estampes et dessins saisissants, souvent macabres. Il est devenu une référence, notamment pour son usage de la satire cinglante et de l'allégorie, son emploi novateur de la lumière et son intérêt pour le carnaval et la performance qu'illustrent son Entrée du Christ à Bruxelles de 1889, ainsi que pour une large palette d'autoportraits dans lesquels il exploite masques, travestissements et jeux de rôle, prenant les traits du Christ sur la croix comme ceux d'un dandy travesti.Cette introduction à l'oeuvre d'Ensor explore la richesse et la diversité de son imagerie à travers des exemples représentatifs de sa production, à la fois macabre et hors-norme. - Nombre de page(s) : 96 - Poids : 583g - Genre : Peinture Dessin d'art Gravure BASIC ART.
7
Ensor
EN NWISBN: 9783836560566 bzw. 3836560569, in Englisch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Lade…