Dadaism Author - 17 Angebote vergleichen

Lieferung aus: Vereinigte Staaten von Amerika, In Stock, plus shipping.
Emerging amid the brutality of World War I, the revolutionary Dada movement took disgust with the establishment as its starting point. From 1916 until the mid-1920s, artists in Zurich, Cologne, Hanover, Paris, and New York launched a radical assault on the politics, social values, and cultural conformity which they regarded as complicit in the devastating conflict.Dada artists shared no distinct style but rather a common wish to upturn societal structures as much as artistic standards and to replace logic and reason with the absurd, chaotic, and unpredictable. Their practice encompassed experimental theater, games, guttural sound-making, collage, photomontage, chance-based procedures, and the “readymade,” most notoriously Marcel Duchamp’s urinal, Fountain (1917). Throughout, the Dadaists considered the visual appearance of their work secondary to the ideas and critiques it expressed. In this sense, Dada may be seen as a fundamental precursor to conceptual art.With a selection of key works from some of the most famous proponents of Dada such as Tristan Tzara, Marcel Duchamp, Hannah Höch, Kurt Schwitters, Francis Picabia, and Man Ray, this book introduces this urgent, subversive, and determined 20th-century movement and its lasting influence on modern art.

A precursor to Surrealism, the Dada movement stressed the absurd and unpredictable, the illogical and chaotic, lashing out against traditional esthetics and upending artistic conventions. Emerging from the artistic and intellectual milieu of Zurich during World War I, it signaled a re-evaluation of art's cultural relevance in the shadow of industrialized war. Jean Arp, Tristan Tzara, Marcel Duchamp, and Man Ray were among the most famous proponents of Dada, creating works that dared viewers to expand their notions of what might be considered art. This book explains the impulses and theories that gave rise to Dada, the forerunner of conceptual art. Featured artists: Max Ernst, George Grosz, John Heartfield, Johannes Baader, Hannah Hoch, Raoul Hausmann, Kurt Schwitters, Johannes Theodor Baargeld, Hans Arp, Marcel Duchamp, Francis Picabia, Tristan Tzara, Man Ray.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
art,art history,arts music and photography,criticism,history,history and criticism,humanities,literature and fiction,movements and periods,surrealism, Anti-meaning: Absurdity against the establishment Emerging amid the brutality of World War I, the revolutionary Dada movement took disgust with the establishment as its starting point. From 1916 until the mid 1920s, artists in Zurich, Cologne, Hanover, Paris, and New York posed a radical assault against the politics, social values, and cultural conformity which they regarded as complicit in the devastation of conflict. Dada artists shared no distinct style but rather a common wish to upturn societal structures as much as artistic standards and to replace logic and reason with the absurd, chaotic, and unpredictable. Their practice encompassed experimental theater, games, guttural sound-making, collage, photomontage, chance-based procedures and the "readymade", most notoriously Marcel Duchamp's urinal, Fountain (1917). Throughout, the Dadaists considered the visual appearance of their work secondary to the ideas and critiques it expressed. In this sense, Dada may be seen as a fundamental precursor to conceptual art. With a selection of key works from some of the most famous proponents of Dada such as Tristan Tzara, Marcel Duchamp, Hannah H?ch, Kurt Schwitters, Francis Picabia, and Man Ray, this book introduces this urgent, subversive, and determined twentieth century movement and its lasting influence on modern art. About the Series: Each book in TASCHEN's Basic Genre series features: a detailed illustrated introduction plus a timeline of the most important political, cultural.

Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Dietmar Elger, Books, Dadaism, Anti-meaning: Absurdity against the establishment Emerging amid the brutality of World War I, the revolutionary Dada movement took disgust with the establishment as its starting point. From 1916 until the mid 1920s, artists in Zurich, Cologne, Hanover, Paris, and New York posed a radical assault against the politics, social values, and cultural conformity which they regarded as complicit in the devastation of conflict.Dada artists shared no distinct style but rather a common wish to upturn societal structures as much as artistic standards and to replace logic and reason with the absurd, chaotic, and unpredictable. Their practice encompassed experimental theater, games, guttural sound-making, collage, photomontage, chance-based procedures and the “readymade”, most notoriously Marcel Duchamp's urinal, Fountain (1917). Throughout, the Dadaists considered the visual appearance of their work secondary to the ideas and critiques it expressed. In this sense, Dada may be seen as a fundamental precursor to conceptual art.With a selection of key works from some of the most famous proponents of Dada such as Tristan Tzara, Marcel Duchamp, Hannah Höch, Kurt Schwitters, Francis Picabia, and Man Ray, this book introduces this urgent, subversive, and determined twentieth century movement and its lasting influence on modern art. About the Series:Each book in TASCHEN's Basic Genre series features:a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that perioda selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artistapproximately 100 colour illustrations with explanatory captions.

Lieferung aus: Schweiz, Versandfertig innert 1-2 Werktagen.
Dadaisme, Émergeant de l´horreur de la Première Guerre mondiale, le révolutionnaire mouvement dada a pris pour point de départ son dégoût de l´ordre établi. De 1916 jusqu´à la moitié des années 1920, des artistes à Zurich, Cologne, Hanovre, Paris et New York sont radicalement montés au créneau contre la politique, les valeurs sociales et le conformisme culturel qu´ils considéraient complices du conflit dévastateur. Les artistes dada ne possédaient pas un style commun distinctif mais partageaient le même désir de renverser les structures sociales aussi bien que les conventions artistiques et de remplacer la logique et la raison par l´absurde, le chaotique et l´imprévisible. Leur pratique englobait théâtre expérimental, jeux, sons gutturaux, collage, photomontage, procédés fondés sur le hasard et le tout-fait, dont le plus célèbre est l´urinoir de Duchamp, Fontaine (1917). Pour les dadaïstes, l´aspect visuel de l´oeuvre était moins important que les idées et critiques qu elle exprimait. En ce sens, dada peut être considéré comme un précurseur essentiel de l´art conceptuel. Grâce à une sélection d´oeuvres clés de quelques-uns des plus célèbres adeptes de dada, comme Tristan Tzara, Marcel Duchamp, Hannah Höch, Kurt Schwitters, Francis Picabia et Man Ray, ce livre présente ce mouvement fulgurant, subversif et déterminé du 20e siècle et son influence durable sur l´art moderne. gebundene Ausgabe, 05.03.2016.

Von Händler/Antiquariat, David Mirvish Books on Art [742945], Toronto, ON, Canada.
96 pp. 82 colour and b/w illustrations. An introductory history to the original 'anti-art' art movement, Dadaism, with representaive works by artists active in Zurich, Berlin, Hanover, Cologne and New York. Features works by Hans Arp, Raoul Hausmann, Hannah Hoch, George Grosz, Kurt Schwitters Max Ernst, Marcel Duchamp, Francis Picabia and others. An unread retail store copy with tight, sound binding. Sharp cornered and uncreased spine. Illustrated wraps with distributors price sticker on the back panel. Size: 8vo - over 7¾" - 9¾" tall.

Lieferung aus: Schweiz, zzgl. Versandkosten, Versandfertig innert 1-2 Werktagen.
Dadaisme, Émergeant de l'horreur de la Première Guerre mondiale, le révolutionnaire mouvement dada a pris pour point de départ son dégoût de l'ordre établi. De 1916 jusqu'à la moitié des années 1920, des artistes à Zurich, Cologne, Hanovre, Paris et New York sont radicalement montés au créneau contre la politique, les valeurs sociales et le conformisme culturel qu'ils considéraient complices du conflit dévastateur. Les artistes dada ne possédaient pas un style commun distinctif mais partageaient le même désir de renverser les structures sociales aussi bien que les conventions artistiques et de remplacer la logique et la raison par l'absurde, le chaotique et l'imprévisible. Leur pratique englobait théâtre expérimental, jeux, sons gutturaux, collage, photomontage, procédés fondés sur le hasard et le tout-fait, dont le plus célèbre est l'urinoir de Duchamp, Fontaine (1917). Pour les dadaïstes, l'aspect visuel de l'oeuvre était moins important que les idées et critiques qu elle exprimait. En ce sens, dada peut être considéré comme un précurseur essentiel de l'art conceptuel. Grâce à une sélection d'oeuvres clés de quelques-uns des plus célèbres adeptes de dada, comme Tristan Tzara, Marcel Duchamp, Hannah Höch, Kurt Schwitters, Francis Picabia et Man Ray, ce livre présente ce mouvement fulgurant, subversif et déterminé du 20e siècle et son influence durable sur l'art moderne.

Von Händler/Antiquariat, Net Bargains Bay [57829943], Bristol, UK, United Kingdom.
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Von Händler/Antiquariat, Strand Book Store, ABAA [500041], New York, NY, U.S.A.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen