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Von Händler/Antiquariat, Wordlife books [57892997], Earlwood, NSW, Australia.
Scarce English/German text on Art and design. 2003 First Edition. Slightest age toning to edges of text block, otherwise new. Otherwise as new, unopened. 224 pages. Please ask for a quote on shipping. Distributed in the US, printed in Germany. Books.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: DEU.
Von Händler/Antiquariat, AB Books.
Hatje Cantz Verlag / D. A. P. (Distribution). New. 2003. Paperback. 3775712739 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- Text in English and German. 224 pp. (2 foldout, one sheet of stickers) with 278 ills. (176 col. ). 27 x 22 cm.

Von Händler/Antiquariat, A&M Bookstore / artecontemporanea [52026], Milano, MI, Italy.
"Olaf Nicolai questions the processes of perception in order to elicit a different kind of reception. "Questions of form, moods, attitudes and style are not just vain play with surfaces. They are questions of [the] organizational forms of activities," he explains. In his works, Nicolai displays attitudes and styles, combining and collecting them. He integrates classical artistic techniques and the act of collecting; he secures evidence and constructs archives as the activities of his artistic production. His surprising, often overwhelming installations combine current questions of the natural sciences and the liberal arts with conceptional works that refer to biology, architecture, aesthetics, iconography, history, and the general processes of civilization and urban life. Focused on the construction and exploration of new aesthetic contexts, Nicolai's work often reflects the difference between nature and art, or naturalness and artificiality. This first big monograph is published on the occasion of Nicolai's receipt of the Kunstpreis from the city of Wolfsburg." Text n English and German by: Nicolai Olaf, Esche Charles, Haglund Magnus, Stange Raimar, Steiner Barbara, Plath Nils, Zizek Slavoj, cm 22x27; pp. 224 (2 foldout, one sheet of stickers); 176 COL 102 BW ills.; paperback, as new. Books.

Lieferung aus: Italien, Versandkosten nach: CHE.
Von Händler/Antiquariat, artecontemporanea.
Hatje Cantz Verlag, Ostfildern, 2002. fine. Olaf Nicolai questions the processes of perception in order to elicit a different kind of reception. "Questions of form, moods, attitudes and style are not just vain play with surfaces. They are questions of [the] organizational forms of activities," he explains. In his works, Nicolai displays attitudes and styles, combining and collecting them. He integrates classical artistic techniques and the act of collecting; he secures evidence and constructs archives as the activities of his artistic production. His surprising, often overwhelming installations combine current questions of the natural sciences and the liberal arts with conceptual works that refer to biology, architecture, aesthetics, iconography, history, and the general processes of civilization and urban life. Focused on the construction and exploration of new aesthetic contexts, Nicolai's work often reflects the difference between nature and art, or naturalness and artificiality. This first big monograph is published on the occasion of Nicolai's receipt of the Kunstpreis from the city of Wolfsburg., Essays by Charles Esche, Magnus Haglund, Raimar Stange and Barbara Steiner.

Lieferung aus: Italien, Versandkosten nach: CHE.
Von Händler/Antiquariat, artecontemporanea.
Hatje Cantz Verlag, Ostfildern, 2002. fine. Olaf Nicolai questions the processes of perception in order to elicit a different kind of reception. "Questions of form, moods, attitudes and style are not just vain play with surfaces. They are questions of [the] organizational forms of activities," he explains. In his works, Nicolai displays attitudes and styles, combining and collecting them. He integrates classical artistic techniques and the act of collecting; he secures evidence and constructs archives as the activities of his artistic production. His surprising, often overwhelming installations combine current questions of the natural sciences and the liberal arts with conceptual works that refer to biology, architecture, aesthetics, iconography, history, and the general processes of civilization and urban life. Focused on the construction and exploration of new aesthetic contexts, Nicolai's work often reflects the difference between nature and art, or naturalness and artificiality. This first big monograph is published on the occasion of Nicolai's receipt of the Kunstpreis from the city of Wolfsburg., Essays by Charles Esche, Magnus Haglund, Raimar Stange and Barbara Steiner.

Lieferung aus: Italien, Versandkosten nach: CHE.
Von Händler/Antiquariat, artecontemporanea.
Hatje Cantz Verlag, Ostfildern, 2002. fine. Olaf Nicolai questions the processes of perception in order to elicit a different kind of reception. "Questions of form, moods, attitudes and style are not just vain play with surfaces. They are questions of [the] organizational forms of activities," he explains. In his works, Nicolai displays attitudes and styles, combining and collecting them. He integrates classical artistic techniques and the act of collecting; he secures evidence and constructs archives as the activities of his artistic production. His surprising, often overwhelming installations combine current questions of the natural sciences and the liberal arts with conceptual works that refer to biology, architecture, aesthetics, iconography, history, and the general processes of civilization and urban life. Focused on the construction and exploration of new aesthetic contexts, Nicolai's work often reflects the difference between nature and art, or naturalness and artificiality. This first big monograph is published on the occasion of Nicolai's receipt of the Kunstpreis from the city of Wolfsburg., Essays by Charles Esche, Magnus Haglund, Raimar Stange and Barbara Steiner.

Lieferung aus: Deutschland, zzgl. Versandkosten.
Von Händler/Antiquariat, Seiten-Weise, [3846663].
Buch ist altersentsprechend noch sehr gut erhalten, wirkt innen wie ungelesen, nur minimale Lagerspuren außen (leichte Kratzerchen, minimale Druckstellen – nichts Schlimmes!). Buchseiten innen sind glatt und sauber, selbstverständlich KEINE Eintragungen, losen Seiten O.ä. Begehrte TOP-RARITÄT, deshalb leider teurer. Achtung: Hier SICHERER Kauf beim Profi mit allen Käuferrechten und Rechnung inkl. MWSt. – KEIN „Privatverkauf“! Schneller Versand aus DEUTSCHLAND - nachverfolgbar mit Sendungsnummer. In his artistic oeuvre, Olaf Nicolai questions the processes of perception in order to elicit a different kind of reception. "Questions of form, moods, attitudes and style are not just vain play with surfaces. They are questions of organisational forms of activities", he writes in his essay "Show Case". In his works, Nicolai displays attitudes and styles, combining and collecting them. He integrates classical artistic techniques and collecting, the securing of evidence and archiving as the activities of an artistic production. In his surprising, often overwhelming installations, Nicolai combines current questions of natural sciences and the liberal arts with conceptual works that refer to biology, architecture, aesthetics, iconography, history and general processes of civilisation and urban life. His focus is on the construction and exploration of new aesthetic contexts, often reflecting the difference between nature and art, naturalness and artificiality. The monograph is published to mark the occasion of Olaf Nicolai receiving the Kunstpreis award of the city of Wolfsburg in 2002. 2003, Softcover, wie neu, 280x250 mm, 1050g, 160, Internationaler Versand, Banküberweisung.

Lieferung aus: Deutschland, Versandkosten nach: Schweiz.
Von Händler/Antiquariat, Leipziger Antiquariat e.K. [2313397].
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