Brahms and Bruckner as artistic antipodes : studies in musical semantics., Transl. by
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Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics (Hardback) (2015)
ISBN: 9783631660348 bzw. 3631660340, in Deutsch, Peter Lang AG, Switzerland, gebundenes Buch, neu.
Language: English Brand New Book. In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the dimension of their distance , as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner s relation to program music. The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations. (Friedrich Heller about the German edition of the book) The book is the result of Floros intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms and Bruckner s work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be absolute music, Bruckner s compositions carry significant semantic meaning when the composer desired. (Musical Borrowing).
Brahms and Bruckner as Artistic Antipodes
ISBN: 9783631660348 bzw. 3631660340, vermutlich in Englisch, Lang, Frankfurt am Main/Berlin/Bern/Bruxelles/New York/Oxford/Wien, Deutschland, neu, Hörbuch.
In the last third of the 19 th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the "dimension of their distance", as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms' early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music."The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19 th century), Floros gains convincing interpretations."(Friedrich Heller about the German edition of the book)"The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired." (Musical Borrowing).
Brahms and Bruckner as Artistic Antipodes
ISBN: 9783631660348 bzw. 3631660340, vermutlich in Englisch, https://d3k2uuz9r025mk.cloudfront.net/media/image/4b/2e/3d/1596307848_20143595198_1280x1280.jpg.
In the last third of the 19 century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms' early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music. «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19 century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Musical Borrowing) von Floros, Constantin, Floros, Constantin.
| Brahms and Bruckner as Artistic Antipodes | Peter Lang | 2015
ISBN: 9783631660348 bzw. 3631660340, vermutlich in Englisch, Peter Lang, neu.
Brahms and Bruckner as artistic antipodes : studies in musical semantics., Transl. by Ernest Bernhardt-Kabisch. (2015)
ISBN: 9783631660348 bzw. 3631660340, in Deutsch, Frankfurt, M. : PL Acad. Research, gebraucht.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Brahms and Bruckner as Artistic Antipodes : Studies in Musical Semantics
ISBN: 9783631660348 bzw. 3631660340, vermutlich in Englisch, Lang, Frankfurt am Main/Berlin/Bern/Bruxelles/New York/Oxford/Wien, Deutschland, gebundenes Buch, neu.
Hardback by Constantin Floros.
Brahms and Bruckner as Artistic Antipodes (2015)
ISBN: 9783631660348 bzw. 3631660340, vermutlich in Englisch, Lang, Frankfurt am Main/Berlin/Bern/Bruxelles/New York/Oxford/Wien, Deutschland, gebundenes Buch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen