The Blind Spot als von - 6 Angebote vergleichen
Preise | 2017 | 2020 | 2023 |
---|---|---|---|
Schnitt | € 19,90 | € 19,90 | € 19,90 |
Nachfrage |
1
The Blind Spot (2017)
~EN HC NW
ISBN: 9783496015925 bzw. 3496015926, vermutlich in Englisch, Reimer, Berlin, Deutschland, gebundenes Buch, neu.
Lieferung aus: Deutschland, 4 Werktage.
Katalog zur Ausstellung in der Kunsthalle Bremen vom 5. August bis 19. November 2017.Mit, Katalog zur Ausstellung in der Kunsthalle Bremen vom 5. August bis 19. November 2017.Mit Werken von Fritz Behn, Paul Gauguin, Katsushika Hokusai, Ge, Gebunden, Geisteswissenschaften/Kunst/Musik.
Katalog zur Ausstellung in der Kunsthalle Bremen vom 5. August bis 19. November 2017.Mit, Katalog zur Ausstellung in der Kunsthalle Bremen vom 5. August bis 19. November 2017.Mit Werken von Fritz Behn, Paul Gauguin, Katsushika Hokusai, Ge, Gebunden, Geisteswissenschaften/Kunst/Musik.
2
The Blind Spot als von Anna Brus, Anna Greve, Yvette Mutumba
DE HC NW
ISBN: 9783496015925 bzw. 3496015926, in Deutsch, Reimer, Berlin, Deutschland, gebundenes Buch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten.
The Blind Spot ab 19.9 EURO Bremen, Colonialism and Art, The Blind Spot ab 19.9 EURO Bremen, Colonialism and Art.
The Blind Spot ab 19.9 EURO Bremen, Colonialism and Art, The Blind Spot ab 19.9 EURO Bremen, Colonialism and Art.
3
The Blind Spot - Bremen, Colonialism and Art
DE HC NW
ISBN: 9783496015925 bzw. 3496015926, in Deutsch, Dietrich Reimer, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
The Blind Spot: In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic. The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the history of the Kunstverein in Bremen within the context of the city`s trade and global connections and investigate the colonial implications of works by, amongst others, Ernst Ludwig Kirchner, Emil Nolde and Fritz Behn. These European perspectives are set in dialogue with works by modern and contemporary artists from the African and Asian continent. Thus, the book not only enables a postcolonial perspective on the collection of the Kunsthalle Bremen, but also on early modern art in general. Funded by the Program Fellowship International Museum of LOGO, Englisch, Buch.
The Blind Spot: In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic. The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the history of the Kunstverein in Bremen within the context of the city`s trade and global connections and investigate the colonial implications of works by, amongst others, Ernst Ludwig Kirchner, Emil Nolde and Fritz Behn. These European perspectives are set in dialogue with works by modern and contemporary artists from the African and Asian continent. Thus, the book not only enables a postcolonial perspective on the collection of the Kunsthalle Bremen, but also on early modern art in general. Funded by the Program Fellowship International Museum of LOGO, Englisch, Buch.
4
The Blind Spot
DE HC NW
ISBN: 9783496015925 bzw. 3496015926, in Deutsch, Reimer, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandkostenfrei innerhalb von Deutschland.
In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic. The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic. The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the history of the Kunstverein in Bremen within the context of the city´s trade and global connections and investigate the colonial implications of works by, amongst others, Ernst Ludwig Kirchner, Emil Nolde and Fritz Behn. These European perspectives are set in dialogue with works by modern and contemporary artists from the African and Asian continent. Thus, the book not only enables a postcolonial perspective on the collection of the Kunsthalle Bremen, but also on early modern art in general. Funded by the Program Fellowship International Museum of LOGO Lieferzeit 1-2 Werktage.
In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic. The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic. The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the history of the Kunstverein in Bremen within the context of the city´s trade and global connections and investigate the colonial implications of works by, amongst others, Ernst Ludwig Kirchner, Emil Nolde and Fritz Behn. These European perspectives are set in dialogue with works by modern and contemporary artists from the African and Asian continent. Thus, the book not only enables a postcolonial perspective on the collection of the Kunsthalle Bremen, but also on early modern art in general. Funded by the Program Fellowship International Museum of LOGO Lieferzeit 1-2 Werktage.
6
The Blind Spot - Bremen, Colonialism and Art (2017)
~DE HC NW FE
ISBN: 9783496015925 bzw. 3496015926, vermutlich in Deutsch, 192 Seiten, Reimer, Dietrich, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, verschiedene Anbieter.
2017, Gebunden, Neuware, 702g, 1, 192.
Von Händler/Antiquariat, verschiedene Anbieter.
2017, Gebunden, Neuware, 702g, 1, 192.
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