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100%: Michael Simon: Native American Representation in "The Last of the Mohicans": A Diachronic Analysis (Paperback) (ISBN: 9783346307125) GRIN Verlag, United States, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Simon, Michael: Native American Representation in "The Last of the Mohicans" (eBook, PDF) (ISBN: 9783346307118) 2017, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
Native American Representation in "The Last of the Mohicans": A Diachronic Analysis (Paperback)
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Bester Preis: € 13,99 (vom 30.01.2021)1
Native American Representation in "The Last of the Mohicans": A Diachronic Analysis (Paperback) (2020)
~EN PB NWISBN: 9783346307125 bzw. 3346307123, vermutlich in Englisch, GRIN Verlag, United States, Taschenbuch, neu.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English. Brand new Book. Seminar paper from the year 2017 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Anglistik und Amerikanistik), course: Seminar "Native American Studies", language: English, abstract: This paper focuses on the evolving policies relevant in the twentieth century and the underlying ideologies by looking at the representation of Native Americans in popular culture. Both, contemporary policy and ideology, are formative powers that influence popular culture. Then again, popular culture, especially the medium of film, is a purveyor of national ideologies, values, and trends to society. Here, it will be argued that the shifting policies on Native Americans are reflected in their representation in the cinematic productions of "The last of the Mohicans". A diachronic analysis will help to filter out both changes and consistencies of the popular perspective on American Indians in film throughout the last century. In order to do so, four filmic versions of "The last of the Mohicans" will be examined: the 1920 silent movie, the 1936, the 1977, as well as the 1992 release. Analyzing representational tools, their functions, and the preferred reading within each movie - as coined by Stuart Hall - and a comparison between the movies will constitute the theoretical approach and will help to pinpoint ideological functions and the role of policy at the time of each of the adaptions. The focus of scene analysis will be on the depiction of violence on the one hand, and on relationship dynamics between Native Americans and Whites on the other hand. Books.
Language: English. Brand new Book. Seminar paper from the year 2017 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Anglistik und Amerikanistik), course: Seminar "Native American Studies", language: English, abstract: This paper focuses on the evolving policies relevant in the twentieth century and the underlying ideologies by looking at the representation of Native Americans in popular culture. Both, contemporary policy and ideology, are formative powers that influence popular culture. Then again, popular culture, especially the medium of film, is a purveyor of national ideologies, values, and trends to society. Here, it will be argued that the shifting policies on Native Americans are reflected in their representation in the cinematic productions of "The last of the Mohicans". A diachronic analysis will help to filter out both changes and consistencies of the popular perspective on American Indians in film throughout the last century. In order to do so, four filmic versions of "The last of the Mohicans" will be examined: the 1920 silent movie, the 1936, the 1977, as well as the 1992 release. Analyzing representational tools, their functions, and the preferred reading within each movie - as coined by Stuart Hall - and a comparison between the movies will constitute the theoretical approach and will help to pinpoint ideological functions and the role of policy at the time of each of the adaptions. The focus of scene analysis will be on the depiction of violence on the one hand, and on relationship dynamics between Native Americans and Whites on the other hand. Books.
2
Native American Representation in "The Last of the Mohicans" : A Diachronic Analysis (2017)
~EN PB NWISBN: 9783346307125 bzw. 3346307123, vermutlich in Englisch, GRIN Verlag, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Druck auf Anfrage Neuware - Seminar paper from the year 2017 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Anglistik und Amerikanistik), course: Seminar 'Native American Studies', language: English, abstract: This paper focuses on the evolving policies relevant in the twentieth century and the underlying ideologies by looking at the representation of Native Americans in popular culture. Both, contemporary policy and ideology, are formative powers that influence popular culture. Then again, popular culture, especially the medium of film, is a purveyor of national ideologies, values, and trends to society. Here, it will be argued that the shifting policies on Native Americans are reflected in their representation in the cinematic productions of 'The last of the Mohicans'. A diachronic analysis will help to filter out both changes and consistencies of the popular perspective on American Indians in film throughout the last century. In order to do so, four filmic versions of 'The last of the Mohicans' will be examined: the 1920 silent movie, the 1936, the 1977, as well as the 1992 release. Analyzing representational tools, their functions, and the preferred reading within each movie - as coined by Stuart Hall - and a comparison between the movies will constitute the theoretical approach and will help to pinpoint ideological functions and the role of policy at the time of each of the adaptions. The focus of scene analysis will be on the depiction of violence on the one hand, and on relationship dynamics between Native Americans and Whites on the other hand. 24 pp. Englisch, Books.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Druck auf Anfrage Neuware - Seminar paper from the year 2017 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Anglistik und Amerikanistik), course: Seminar 'Native American Studies', language: English, abstract: This paper focuses on the evolving policies relevant in the twentieth century and the underlying ideologies by looking at the representation of Native Americans in popular culture. Both, contemporary policy and ideology, are formative powers that influence popular culture. Then again, popular culture, especially the medium of film, is a purveyor of national ideologies, values, and trends to society. Here, it will be argued that the shifting policies on Native Americans are reflected in their representation in the cinematic productions of 'The last of the Mohicans'. A diachronic analysis will help to filter out both changes and consistencies of the popular perspective on American Indians in film throughout the last century. In order to do so, four filmic versions of 'The last of the Mohicans' will be examined: the 1920 silent movie, the 1936, the 1977, as well as the 1992 release. Analyzing representational tools, their functions, and the preferred reading within each movie - as coined by Stuart Hall - and a comparison between the movies will constitute the theoretical approach and will help to pinpoint ideological functions and the role of policy at the time of each of the adaptions. The focus of scene analysis will be on the depiction of violence on the one hand, and on relationship dynamics between Native Americans and Whites on the other hand. 24 pp. Englisch, Books.
3
Native American Representation in "The Last of the Mohicans" (eBook, PDF) (2017)
~EN NWISBN: 9783346307118 bzw. 3346307115, vermutlich in Englisch, GRIN Verlag, neu.
Lieferung aus: Deutschland, Sofort per Download lieferbar, Versandkostenfrei innerhalb von Deutschland.
Seminar paper from the year 2017 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Anglistik und Amerikanistik), course: Seminar "Native American Studies", language: English, abstract: This paper focuses on the evolving policies relevant in the twentieth century and the underlying ideologies by looking at the representation of Native Americans in popular culture. Both, contemporary policy and ideology, are formative powers that influence popular culture. Then again, popular culture, especially the medium of film, is a purveyor of national ideologies, values, and trends to society. Here, it will be argued that the shifting policies on Native Americans are reflected in their representation in the cinematic productions of "The last of the Mohicans". A diachronic analysis will help to filter out both changes and consistencies of the popular perspective on American Indians in film throughout the last century. In order to do so, four filmic versions of "The last of the Mohicans" will be examined: the 1920 silent movie, the 1936, the 1977, as well as the 1992 release. Analyzing representational tools, their functions, and the preferred reading within each movie - as coined by Stuart Hall - and a comparison between the movies will constitute the theoretical approach and will help to pinpoint ideological functions and the role of policy at the time of each of the adaptions. The focus of scene analysis will be on the depiction of violence on the one hand, and on relationship dynamics between Native Americans and Whites on the other hand.
Seminar paper from the year 2017 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Anglistik und Amerikanistik), course: Seminar "Native American Studies", language: English, abstract: This paper focuses on the evolving policies relevant in the twentieth century and the underlying ideologies by looking at the representation of Native Americans in popular culture. Both, contemporary policy and ideology, are formative powers that influence popular culture. Then again, popular culture, especially the medium of film, is a purveyor of national ideologies, values, and trends to society. Here, it will be argued that the shifting policies on Native Americans are reflected in their representation in the cinematic productions of "The last of the Mohicans". A diachronic analysis will help to filter out both changes and consistencies of the popular perspective on American Indians in film throughout the last century. In order to do so, four filmic versions of "The last of the Mohicans" will be examined: the 1920 silent movie, the 1936, the 1977, as well as the 1992 release. Analyzing representational tools, their functions, and the preferred reading within each movie - as coined by Stuart Hall - and a comparison between the movies will constitute the theoretical approach and will help to pinpoint ideological functions and the role of policy at the time of each of the adaptions. The focus of scene analysis will be on the depiction of violence on the one hand, and on relationship dynamics between Native Americans and Whites on the other hand.
4
Native American Representation in "The Last of the Mohicans":A Diachronic Analysis (2017)
~EN PB NW RPISBN: 9783346307125 bzw. 3346307123, vermutlich in Englisch, GRIN Verlag, Taschenbuch, neu, Nachdruck.
Von Händler/Antiquariat, Ria Christie Collections [59718070], Uxbridge, United Kingdom.
PRINT ON DEMAND Book; New; Publication Year 2017; Fast Shipping from the UK. Books.
PRINT ON DEMAND Book; New; Publication Year 2017; Fast Shipping from the UK. Books.
6
Native American Representation in The Last of the Mohicans
~EN PB NWISBN: 3346307123 bzw. 9783346307125, vermutlich in Englisch, GRIN Verlag, Taschenbuch, neu.
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