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Rethinking Character in Contemporary British Theatre
12 Angebote vergleichen
Bester Preis: € 63,49 (vom 06.02.2018)Rethinking Character in Contemporary British Theatre (2015)
ISBN: 9783110333916 bzw. 3110333910, vermutlich in Englisch, Walter de Gruyter, neu, E-Book.
The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane's Crave and 4.48 Psychosis, Ed Thomas's Stone City Blue and Tim Crouch's ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated. PDF, 13.11.2015.
Rethinking Character in Contemporary British Theatre (2015)
ISBN: 9783110411225 bzw. 3110411229, vermutlich in Englisch, Walter de Gruyter, neu, E-Book.
The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane's Crave and 4.48 Psychosis, Ed Thomas's Stone City Blue and Tim Crouch's ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated. ePUB, 13.11.2015.
Rethinking Character in Contemporary British Theatre - Aesthetics, Politics, Subjectivity
ISBN: 9783110411225 bzw. 3110411229, in Deutsch, Walter De Gmbh Gruyter, neu, E-Book, elektronischer Download.
Rethinking Character in Contemporary British Theatre: The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane`s Crave and 4.48 Psychosis, Ed Thomas`s Stone City Blue and Tim Crouch`s ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated. Englisch, Ebook.
Rethinking Character in Contemporary British Theatre - Aesthetics, Politics, Subjectivity
ISBN: 9783110333916 bzw. 3110333910, in Deutsch, Walter De Gmbh Gruyter, neu, E-Book, elektronischer Download.
Rethinking Character in Contemporary British Theatre: The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane`s Crave and 4.48 Psychosis, Ed Thomas`s Stone City Blue and Tim Crouch`s ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated. Englisch, Ebook.
Rethinking Character in Contemporary British Theatre - Aesthetics, Politics, Subjectivity
ISBN: 9783110333916 bzw. 3110333910, vermutlich in Englisch, De Gruyter, neu, E-Book, elektronischer Download.
Rethinking Character in Contemporary British Theatre: The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane`s Crave and 4.48 Psychosis, Ed Thomas`s Stone City Blue and Tim Crouch`s ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated. Englisch, Ebook.
Rethinking Character in Contemporary British Theatre (2015)
ISBN: 9783110333916 bzw. 3110333910, vermutlich in Englisch, De Gruyter Mouton, neu, E-Book.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Rethinking Character in Contemporary British Theatre (2015)
ISBN: 9783110333916 bzw. 3110333910, vermutlich in Englisch, De Gruyter Mouton, neu, E-Book.
Rethinking Character in Contemporary British Theatre
ISBN: 9783110411225 bzw. 3110411229, vermutlich in Englisch, Rethinking Character in Contemporary British Theatre - eBook als epub von Cristina Delgado-García - Gruyter Walter de GmbH - 9783110411225, neu, E-Book, elektronischer Download.
Rethinking Character in Contemporary British Theatre
ISBN: 9783110411225 bzw. 3110411229, in Deutsch, de Gruyter, Berlin/New York, Deutschland, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen