[Op. 52]. Lobgesang [Solo piano] Eine Symphonie-Cantate nach Worten der heiligen Schrift . Klavierauszug zu zwei Händen ohne Worte . Op./ 52 . Pr. 3 Thlr.
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Bester Preis: 250,83 (vom 03.03.2021)
1
MENDELSSOHN, Felix 1809-1847

[Op. 52]. Lobgesang [Solo piano] Eine Symphonie-Cantate nach Worten der heiligen Schrift . Klavierauszug zu zwei Händen ohne Worte . Op./ 52 . Pr. 3 Thlr. (1843)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika ~DE FE

ISBN: 1385732954 bzw. 9781385732953, vermutlich in Deutsch, Breitkopf & Härtel [PN 6862], Erstausgabe.

250,83 ($ 303,00)¹ + Versand: 23,45 ($ 28,33)¹ = 274,28 ($ 331,33)¹
unverbindlich
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, J & J Lubrano Music Antiquarians LLC.
Leipzig: Breitkopf & Härtel [PN 6862], 1843. Folio. Publisher's original green printed wrappers with titling within decorative ruled border. 1f. (recto title, verso blank), 3-63, [i] (blank) pp. Engraved. With vocal incipits in German. Publisher's catalog of Duvernoy's piano works to verso of lower wrapper.From the library of composer Horace Middleton (1879-1961), with his small handstamp to blank upper right corner of upper wrapper. Small oval publisher's and C. Breusing, New York handstamps to blank lower margin of title. Wrappers slighlty worn and soiled. Minor internal wear; a few leaves detached.A clean and attractive copy overall. First Edition of this arrangement. Wehner MWV A 18, 24. Not in Krause, Ward Jones, or Hoboken. Scarce (no copies located in the U.S.).One of the most gifted and versatile prodigies, Mendelssohn stood at the forefront of German music during the 1830s and 40s, as conductor, pianist, organist and, above all, composer. His musical style, fully developed before he was 20, drew upon a variety of influences, including the complex chromatic counterpoint of Bach, the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree, his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music OnlineHorace Middleton was a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s. He was best known for the music he composed for the Greek plays performed at the college. See obituary, Millbrook Round Table, November 23, 1961.
2
MENDELSSOHN, Felix 1809-1847

[Op. 52]. Lobgesang [Piano solo] Eine Symphonie-Cantate nach Worten der heiligen Schrift . Klavierauszug zu zwei Händen ohne Worte . Op./ 52 . Pr. 3 Thlr. (1843)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika ~DE FE

ISBN: 1385732954 bzw. 9781385732953, vermutlich in Deutsch, Breitkopf & Härtel [PN 6862], Erstausgabe.

254,28 ($ 303,00)¹ + Versand: 23,77 ($ 28,33)¹ = 278,05 ($ 331,33)¹
unverbindlich
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, J & J Lubrano Music Antiquarians LLC.
Leipzig: Breitkopf & Härtel [PN 6862], 1843. Folio. Publisher's original green printed wrappers with titling within decorative ruled border. 1f. (recto title, verso blank), 3-63, [i] (blank) pp. Engraved. With vocal incipits in German. Publisher's catalog of Duvernoy's piano works to verso of lower wrapper.From the library of composer Horace Middleton (1879-1961), with his small handstamp to blank upper right corner of upper wrapper. Small oval publisher's and C. Breusing, New York handstamps to blank lower margin of title. Wrappers slightly worn and soiled. Minor internal wear; a few leaves detached.A clean and attractive copy overall. First Edition of this arrangement. Wehner MWV A 18, 24. Not in Krause, Ward Jones, or Hoboken. Scarce (no copies located in the U.S.).One of the most gifted and versatile prodigies, Mendelssohn stood at the forefront of German music during the 1830s and 40s, as conductor, pianist, organist and, above all, composer. His musical style, fully developed before he was 20, drew upon a variety of influences, including the complex chromatic counterpoint of Bach, the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree, his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music OnlineHorace Middleton was a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s. He was best known for the music he composed for the Greek plays performed at the college. See obituary, Millbrook Round Table, November 23, 1961.
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