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100%: The Academy Volume 17 (ISBN: 9781236444974) 1880, RareBooksClub, in Englisch, Band: 17, Taschenbuch.
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60%: The Academy Volume 26 (ISBN: 9781236008077) 1884, RareBooksClub, in Englisch, Bände: 1 und 26, Taschenbuch.
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The Academy Volume 17 - 2 Angebote vergleichen
Bester Preis: € 135,88 (vom 20.09.2016)1
The Academy Volume 26 (1884)
EN PB NW RPISBN: 9781236008077 bzw. 1236008073, Bände: 1 und 26, in Englisch, RareBooksClub, Taschenbuch, neu, Nachdruck.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, BuySomeBooks.
RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 746 pages. Dimensions: 9.7in. x 7.4in. x 1.5in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 Excerpt: . . . conclusive. Mr. Arnolds argument, although directed to tho matter of authorship only, is much to the point here; and, as a short summary cannot do justice to it, I must refer to the Introduction to his Select English Works of Wyclif, p. vi. seqq, where he shows how the commentator preaches obedience to the rule of prelates, how he looks forward with joy to the spread of monasticism, how he refrains from assailing Rome, how he condemns the kings of his own day who fight against holy church and by their taliage bringen the simple folk into sinne. That Wyclif should have written in this way is incredible. But is it possible that, in spite of the existence of many such expressions, Wyclif translated the work for the sake of the plain speaking, and the fearless denunciation of abuses, which characterise the great mass of the commentary The answer must, I think, be in the negative, for many reasons. The translator himself forbids his reader to entertain any such supposition. He does take some liberties with his original, but I have not noted one single passage where, e. g. , the attack on bad prelates is strengthened, or where tho conventual system is depreciated. There is even a passage where the wording is modified to avoid saying, as the French does, that it the church shall have no need of prelates. The changes are simply those which a plain man might make, writing for the unlearned, and thinking less of reform than of practical edification. In all his lengthy Introduction to the Bible, Wyclif gives no hint that he had issued an earlier translation of the Apocalypse, now to be withdrawn in favour of a new one. There is, however, one passage in which he may possibly allude to this among other commentaries (F. and M. , vol. i. , p. 58): --. . . This item ships from La Vergne,TN.
Von Händler/Antiquariat, BuySomeBooks.
RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 746 pages. Dimensions: 9.7in. x 7.4in. x 1.5in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 Excerpt: . . . conclusive. Mr. Arnolds argument, although directed to tho matter of authorship only, is much to the point here; and, as a short summary cannot do justice to it, I must refer to the Introduction to his Select English Works of Wyclif, p. vi. seqq, where he shows how the commentator preaches obedience to the rule of prelates, how he looks forward with joy to the spread of monasticism, how he refrains from assailing Rome, how he condemns the kings of his own day who fight against holy church and by their taliage bringen the simple folk into sinne. That Wyclif should have written in this way is incredible. But is it possible that, in spite of the existence of many such expressions, Wyclif translated the work for the sake of the plain speaking, and the fearless denunciation of abuses, which characterise the great mass of the commentary The answer must, I think, be in the negative, for many reasons. The translator himself forbids his reader to entertain any such supposition. He does take some liberties with his original, but I have not noted one single passage where, e. g. , the attack on bad prelates is strengthened, or where tho conventual system is depreciated. There is even a passage where the wording is modified to avoid saying, as the French does, that it the church shall have no need of prelates. The changes are simply those which a plain man might make, writing for the unlearned, and thinking less of reform than of practical edification. In all his lengthy Introduction to the Bible, Wyclif gives no hint that he had issued an earlier translation of the Apocalypse, now to be withdrawn in favour of a new one. There is, however, one passage in which he may possibly allude to this among other commentaries (F. and M. , vol. i. , p. 58): --. . . This item ships from La Vergne,TN.
2
The Academy Volume 17 (1880)
EN PB NW RPISBN: 9781236444974 bzw. 1236444973, Band: 17, in Englisch, RareBooksClub, Taschenbuch, neu, Nachdruck.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, BuySomeBooks.
RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 840 pages. Dimensions: 9.7in. x 7.4in. x 1.7in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1880 Excerpt: . . . the initial letter was illuminated, an unusual occurrence among Chancery documents. --Mr. S. A. Moore exhibited a few documents from Dartmouth, bearing the seals of the Corporation at various dates, and a specimen of the seal of Cornworthy Priory. FINE ART. Salon Ulustri de 1879. Publie sous la direction de F. G. Dumas. (Paris: Baschet; London: British and Foreign Artists Association. ) When the Salon opened last spring, M. Dumas produced a Catalogue Illustre, which was a much more serious work than the Illustrated Catalogue as known to us; it was approved by the Administration, and sold side by side with the official catalogue of the Exhibition. Not only were the get-up, the printing, and the paper better than those which we seem to think sufficiently good for a like purpose, but the illustrations themselves--drawn in every instance by the authors of the works represented--were of an order which contrasted with the rather comic sketches to which we are accustomed. Under these conditions, the publication had a great success; at the close of the Exhibition, M. Dumas decided to give a permanent form to the work, and as soon a3 this was known he received contributions from all sides to the already important collection of drawings in his hands. It was at first proposed to accompany the new and enlarged issue of the drawings with a few lines from the criticisms by which the appearance of the pictures which they represented had been greeted in the journals of the day, but these furnished, only in rare instances, exactly that which was appropriate. Thereupon M. Dumas called the poets instead of the critics to his aid, and the result is a collection of verse which will be, perhaps, as curiously interesting to the students of modern French poetical litera. . . This item ships from La Vergne,TN.
Von Händler/Antiquariat, BuySomeBooks.
RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 840 pages. Dimensions: 9.7in. x 7.4in. x 1.7in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1880 Excerpt: . . . the initial letter was illuminated, an unusual occurrence among Chancery documents. --Mr. S. A. Moore exhibited a few documents from Dartmouth, bearing the seals of the Corporation at various dates, and a specimen of the seal of Cornworthy Priory. FINE ART. Salon Ulustri de 1879. Publie sous la direction de F. G. Dumas. (Paris: Baschet; London: British and Foreign Artists Association. ) When the Salon opened last spring, M. Dumas produced a Catalogue Illustre, which was a much more serious work than the Illustrated Catalogue as known to us; it was approved by the Administration, and sold side by side with the official catalogue of the Exhibition. Not only were the get-up, the printing, and the paper better than those which we seem to think sufficiently good for a like purpose, but the illustrations themselves--drawn in every instance by the authors of the works represented--were of an order which contrasted with the rather comic sketches to which we are accustomed. Under these conditions, the publication had a great success; at the close of the Exhibition, M. Dumas decided to give a permanent form to the work, and as soon a3 this was known he received contributions from all sides to the already important collection of drawings in his hands. It was at first proposed to accompany the new and enlarged issue of the drawings with a few lines from the criticisms by which the appearance of the pictures which they represented had been greeted in the journals of the day, but these furnished, only in rare instances, exactly that which was appropriate. Thereupon M. Dumas called the poets instead of the critics to his aid, and the result is a collection of verse which will be, perhaps, as curiously interesting to the students of modern French poetical litera. . . This item ships from La Vergne,TN.
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