Arte poetica. - ein Angebot gefunden
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1
Arte poetica. (1765)
~EN SIISBN: 1038480787 bzw. 9781038480781, Band: 1, vermutlich in Englisch, Lisbon, Na Officina de Francisco Borges de Sousa, 1765. signiert.
Lieferung aus: Vereinigte Staaten von Amerika, Verzendkosten naar: NLD.
Von Händler/Antiquariat, Richard C. Ramer Old & Rare Books.
Lisbon, Na Officina de Francisco Borges de Sousa, 1765.. FIRST and ONLY EDITION. 4 works in 1 volume. 4°, contemporary mottled sheep (a few pinpoint wormholes on covers, slight wear, recased with recent endleaves), spine gilt with raised bands in five compartments, crimson leather lettering piece in second compartment from head, gilt letter, text-block edges marbled. Woodcut vignette on title page. In good to very good condition. (3 ll.), 64 pp., (1 l.). *** FIRST and ONLY EDITION of this Arte poetica in verse. It is usually encountered bound with the three works which follow. That they belong together is demonstrated in the licenses and censura statements (including a Censura "Do Ordinario" by Diogo Barbosa Machado). The final leaf contains on its recto additional licenses, one of which is signed by a Craesbeck, and a few lines of errata; the verso is blank. There appear to be copies which contain an extra collective title page at the beginning, Obras em verso. Francisco de Pina e Mello (1695-1773), who rarely used the "de Sá" part of his name which appears on the title pages of the present four volumes, was born and died at Montemor-o-Velho. Coming from a family of the lower nobility, he studied at Coimbra but never took a degree, reading what interested him, being particularly influenced by the Baroque. A trip to France in 1753 put him in contact with pre-romantic French authors. He ran afoul of the Marquês de Pombal, was imprisoned, and spent his final years engrossed in literary theory. A member of the Real Academia de História, the Academia dos Aplicados, and the Academia dos Ocultos, he was something of a contradiction as a poet: bucolic and very much influenced by Gongorism, condemned by the árchadas (Correa Garção and Cruz e Silva considered him to be marginal, "o corvo do Mondego"), but finally defending Neoclassicism. In short, he is representative of the contradictions of the confused pre-romantic aesthetics of the period in a synthesis of Gongorism with French Neoclassicism. See Álvaro Manuel Machado in Dicionário de literatura portuguesa, p. 306; also Joaquim Correia in Biblos, III, 604-8. *** Innocêncio III, 35; on the author, see pp. 33-6. *** BOUND WITH: MELLO [or Melo], Francisco de Pina de Sá e de. Palacio do sol, ou panegyrico gratulatorio que ao muito alto, poderoso Rei da Gran-Bretanha, de Escocia, de Irlanda; &c. &c. &c. e a toda a Nação Britanica dedicou … pelo magnifico soccorro, que derão a Lisboa na calamidade do Terremoto. Lisbon: Na. Offic. de Joam Antonio da Costa, 1765. 4º, 35 pp., (2 ll.). Woodcut vignette on title page. Ink stain of about 5 cm. to fore-edge, seeping ever so slightly, at most about .4 cm. into outer margin. A good copy. FIRST and ONLY EDITION of this poem praising King George I and the British people for their help after the Lisbon earthquake, with some exposition of the noble lineage of the House of Brunswick (House of Hanover), and even a mention (p. 8) of Copernicus and Tycho Brahe. The final two leaves contain a "Cathalogo das obras impressas do mesmo author, as quaes se acharão na loja de Antonio da Silva da Costa, mercador de Livros, na rua Augusta, na travessa de S. Nicolão." * Innocêncio III, 35. AND BOUND WITH: MELLO [or Melo], Francisco de Pina de Sá e de. Palacio do destino, ou epithalamio nas felicissimas nupcias do Ill.mo, e Ex.mo Senhor Henrique Joseph Maria Adam de Carvalho e Mello, e da Ill.ma e Ex.ma Senhora D. Maria Antonia de Menezes. Lisbon: Na. Offic. de Joam Antonio da Costa, 1765. 4º, (8 ll.), 34 pp., (1 l.). Ink stain of about .5 cm. to fore-edge, seeping ever so slightly, at most about .4 cm. into outer margin. A good copy. FIRST and ONLY EDITION. The poem is dedicated to Sebastião Joseph de Carvalho e Mello, Conde de Oeiras (later Marquês de Pombal), and includes a flowery six-page address to him beginning on the second leaf recto. The first two pages of the main text contain an "Argumento do epithalamio." The poem celebrates the marriage of Pombal's eldest son: an obvious attempt by the author to ingratiate himself with the powerful minister who had had him imprisoned in 1762. The final leaf contains a "Cathalogo de algumas obras deste autor, as quaes se achão de Antonio da Sylva da Costa mercador de livros na rua Augusta, na travessa de S. Nicolão." Several works which would have been offensive to Pombal, defending the educational program of the Jesuits against the proposed reforms of Verney, are described as "supprimida pelo author." Pina e Mello's Gruta das parcas, a poetical work favorable to the Duque de Aveiro, is not even mentioned. * Innocêncio III, 35 (without mention of the final leaf). AND BOUND WITH: MELLO [or Melo], Francisco de Pina de Sá e de, trans. Tradução do Oedipo de Sophocles …. Lisbon: Na. Offic. de Joam Antonio da Costa, 1765. 4º, 140 pp. Woodcut vignette on title page. Ink stain of about .5 cm. to fore-edge, seeping ever so slightly, at most about .4 cm. into outer margin of the first 16 leaves. A good copy. First Edition in Portuguese of Sophocles' Oedipus at Colonus. Pina e Mello states in an "Advertencia" that he has substituted the high priest of Jupiter for the chorus in the original Greek because, in essence, it was more in accord with the Portuguese theater of the day. * Innocêncio III, 35. Gonçalves Rodrigues, A tradução em Portugal 1069 (giving incomplete transcription of title).
Von Händler/Antiquariat, Richard C. Ramer Old & Rare Books.
Lisbon, Na Officina de Francisco Borges de Sousa, 1765.. FIRST and ONLY EDITION. 4 works in 1 volume. 4°, contemporary mottled sheep (a few pinpoint wormholes on covers, slight wear, recased with recent endleaves), spine gilt with raised bands in five compartments, crimson leather lettering piece in second compartment from head, gilt letter, text-block edges marbled. Woodcut vignette on title page. In good to very good condition. (3 ll.), 64 pp., (1 l.). *** FIRST and ONLY EDITION of this Arte poetica in verse. It is usually encountered bound with the three works which follow. That they belong together is demonstrated in the licenses and censura statements (including a Censura "Do Ordinario" by Diogo Barbosa Machado). The final leaf contains on its recto additional licenses, one of which is signed by a Craesbeck, and a few lines of errata; the verso is blank. There appear to be copies which contain an extra collective title page at the beginning, Obras em verso. Francisco de Pina e Mello (1695-1773), who rarely used the "de Sá" part of his name which appears on the title pages of the present four volumes, was born and died at Montemor-o-Velho. Coming from a family of the lower nobility, he studied at Coimbra but never took a degree, reading what interested him, being particularly influenced by the Baroque. A trip to France in 1753 put him in contact with pre-romantic French authors. He ran afoul of the Marquês de Pombal, was imprisoned, and spent his final years engrossed in literary theory. A member of the Real Academia de História, the Academia dos Aplicados, and the Academia dos Ocultos, he was something of a contradiction as a poet: bucolic and very much influenced by Gongorism, condemned by the árchadas (Correa Garção and Cruz e Silva considered him to be marginal, "o corvo do Mondego"), but finally defending Neoclassicism. In short, he is representative of the contradictions of the confused pre-romantic aesthetics of the period in a synthesis of Gongorism with French Neoclassicism. See Álvaro Manuel Machado in Dicionário de literatura portuguesa, p. 306; also Joaquim Correia in Biblos, III, 604-8. *** Innocêncio III, 35; on the author, see pp. 33-6. *** BOUND WITH: MELLO [or Melo], Francisco de Pina de Sá e de. Palacio do sol, ou panegyrico gratulatorio que ao muito alto, poderoso Rei da Gran-Bretanha, de Escocia, de Irlanda; &c. &c. &c. e a toda a Nação Britanica dedicou … pelo magnifico soccorro, que derão a Lisboa na calamidade do Terremoto. Lisbon: Na. Offic. de Joam Antonio da Costa, 1765. 4º, 35 pp., (2 ll.). Woodcut vignette on title page. Ink stain of about 5 cm. to fore-edge, seeping ever so slightly, at most about .4 cm. into outer margin. A good copy. FIRST and ONLY EDITION of this poem praising King George I and the British people for their help after the Lisbon earthquake, with some exposition of the noble lineage of the House of Brunswick (House of Hanover), and even a mention (p. 8) of Copernicus and Tycho Brahe. The final two leaves contain a "Cathalogo das obras impressas do mesmo author, as quaes se acharão na loja de Antonio da Silva da Costa, mercador de Livros, na rua Augusta, na travessa de S. Nicolão." * Innocêncio III, 35. AND BOUND WITH: MELLO [or Melo], Francisco de Pina de Sá e de. Palacio do destino, ou epithalamio nas felicissimas nupcias do Ill.mo, e Ex.mo Senhor Henrique Joseph Maria Adam de Carvalho e Mello, e da Ill.ma e Ex.ma Senhora D. Maria Antonia de Menezes. Lisbon: Na. Offic. de Joam Antonio da Costa, 1765. 4º, (8 ll.), 34 pp., (1 l.). Ink stain of about .5 cm. to fore-edge, seeping ever so slightly, at most about .4 cm. into outer margin. A good copy. FIRST and ONLY EDITION. The poem is dedicated to Sebastião Joseph de Carvalho e Mello, Conde de Oeiras (later Marquês de Pombal), and includes a flowery six-page address to him beginning on the second leaf recto. The first two pages of the main text contain an "Argumento do epithalamio." The poem celebrates the marriage of Pombal's eldest son: an obvious attempt by the author to ingratiate himself with the powerful minister who had had him imprisoned in 1762. The final leaf contains a "Cathalogo de algumas obras deste autor, as quaes se achão de Antonio da Sylva da Costa mercador de livros na rua Augusta, na travessa de S. Nicolão." Several works which would have been offensive to Pombal, defending the educational program of the Jesuits against the proposed reforms of Verney, are described as "supprimida pelo author." Pina e Mello's Gruta das parcas, a poetical work favorable to the Duque de Aveiro, is not even mentioned. * Innocêncio III, 35 (without mention of the final leaf). AND BOUND WITH: MELLO [or Melo], Francisco de Pina de Sá e de, trans. Tradução do Oedipo de Sophocles …. Lisbon: Na. Offic. de Joam Antonio da Costa, 1765. 4º, 140 pp. Woodcut vignette on title page. Ink stain of about .5 cm. to fore-edge, seeping ever so slightly, at most about .4 cm. into outer margin of the first 16 leaves. A good copy. First Edition in Portuguese of Sophocles' Oedipus at Colonus. Pina e Mello states in an "Advertencia" that he has substituted the high priest of Jupiter for the chorus in the original Greek because, in essence, it was more in accord with the Portuguese theater of the day. * Innocêncio III, 35. Gonçalves Rodrigues, A tradução em Portugal 1069 (giving incomplete transcription of title).
Daten vom 01.11.2019 19:41h
ISBN (andere Schreibweisen): 1-0384-8078-7, 978-1-0384-8078-1
ISBN (andere Schreibweisen): 1-0384-8078-7, 978-1-0384-8078-1
Zuerst gefunden: 01.11.2019 19:41:31
Zuletzt gefunden: 08.01.2020 18:21:00
Kleinster Preis: € 177,78 (vom 07.11.2019 19:58:28)
Höchster Preis: € 324,62 (vom 07.11.2019 19:58:28)
Fundstellen insgesamt: 3
Zuletzt gefunden: 08.01.2020 18:21:00
Kleinster Preis: € 177,78 (vom 07.11.2019 19:58:28)
Höchster Preis: € 324,62 (vom 07.11.2019 19:58:28)
Fundstellen insgesamt: 3
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