New Frontier: Art and Television, 1960-65 - 8 Angebote vergleichen
Bester Preis: € 1,21 (vom 28.03.2018)1
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The New Frontier: Art and Television, 1960-65 (1960)
EN PB USISBN: 9780967095226 bzw. 0967095220, in Englisch, Austin Museum of Art, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Discover Books.
Austin Museum of Art. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, that'll have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included.
Von Händler/Antiquariat, Discover Books.
Austin Museum of Art. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, that'll have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included.
2
The New Frontier. Art and television 1960-65 (2000)
~EN PB US FEISBN: 9780967095226 bzw. 0967095220, vermutlich in Englisch, Austin Museum of Art, Austin, Texas, Taschenbuch, gebraucht, Erstausgabe.
Von Händler/Antiquariat, A&M Bookstore / artecontemporanea [52026], Milano, MI, Italy.
"Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as "a vast wasteland," during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium." Text: Ferrer Elizabeth, Shamaly Erica et al. cm 29x23; pp. 102; COL e BN; paperback. Books.
"Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as "a vast wasteland," during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium." Text: Ferrer Elizabeth, Shamaly Erica et al. cm 29x23; pp. 102; COL e BN; paperback. Books.
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Berman Wallace, Conner Bruce, Friedlander Lee, Gotz K.O., Hopper Dennis, Jahrling Rolf, Johnson Ray, Kienholz Edward, Leve Manfred, Maciunas George, Moore Peter, Mulas Ugo, Ono Yoko, Paik Nam June, Rauschenberg Robert, Rosenquist James, Vostell Wolf, Warh
The New Frontier. , Art and television 1960-65 (2000)
~EN PB USISBN: 9780967095226 bzw. 0967095220, vermutlich in Englisch, Austin Museum of Art, Austin, Texas, Taschenbuch, gebraucht.
Lieferung aus: Italien, Versandkosten nach: DEU.
Von Händler/Antiquariat, artecontemporanea.
Austin Museum of Art, Austin, Texas, 2000. paperback. fine. Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as "a vast wasteland," during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium.
Von Händler/Antiquariat, artecontemporanea.
Austin Museum of Art, Austin, Texas, 2000. paperback. fine. Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as "a vast wasteland," during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium.
4
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New Frontier: Art and Television, 1960-65 (1960)
~EN PB USISBN: 9780967095226 bzw. 0967095220, vermutlich in Englisch, Austin Museum of Art, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Hennessey + Ingalls.
Austin Museum of Art, January 2001. Trade Paperback. Used - Very Good. Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as 'a vast wasteland,' during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium.
Von Händler/Antiquariat, Hennessey + Ingalls.
Austin Museum of Art, January 2001. Trade Paperback. Used - Very Good. Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as 'a vast wasteland,' during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium.
5
Symbolbild
The New Frontier: Art and Television, 1960-65 (2001)
EN PB USISBN: 9780967095226 bzw. 0967095220, in Englisch, Austin Museum of Art, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, Owls Books, OH, Toledo, [RE:4].
Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Paperback.
Von Händler/Antiquariat, Owls Books, OH, Toledo, [RE:4].
Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Paperback.
6
Symbolbild
New Frontier: Art and Television, 1960-65 (2001)
~EN PBISBN: 9780967095226 bzw. 0967095220, vermutlich in Englisch, Austin Museum of Art January 2001, Taschenbuch.
Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as 'a vast wasteland,' during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium.
Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as 'a vast wasteland,' during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium.
7
Symbolbild
The New Frontier: Art and Television, 1960-65 (1960)
EN USISBN: 9780967095226 bzw. 0967095220, in Englisch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, allianz.
Very Good. Used book in very good condition. Some cover wear, may contain a few marks. 100% guaranteed. 032518.
Von Händler/Antiquariat, allianz.
Very Good. Used book in very good condition. Some cover wear, may contain a few marks. 100% guaranteed. 032518.
8
Symbolbild
The New Frontier: Art and Television, 1960-65 (1960)
EN USISBN: 9780967095226 bzw. 0967095220, in Englisch, Austin Museum of Art, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, free shipping to: USA.
Von Händler/Antiquariat, Better World Books.
Austin Museum of Art. Used - Very Good. Great condition for a used book! Minimal wear.
Von Händler/Antiquariat, Better World Books.
Austin Museum of Art. Used - Very Good. Great condition for a used book! Minimal wear.
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