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ISBN: 9780955672699
Bester Preis: € 122,92 (vom 16.03.2018)1
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9780955672699 (2008)
EN HC USISBN: 9780955672699 bzw. 0955672694, in Englisch, LAZARIDES GALLERY, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Green Apple Books and Music [66873], san francisco, CA, U.S.A.
Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.
Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.
2
EN USISBN: 0955672694 bzw. 9780955672699, in Englisch, LAZARIDES GALLERY, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
used books,books, Rarely do we see a street artist with the skills and complexity of David Choe. Rapidly establishing himself as one of the greats of the genre, Choe is compellingly repulsive. His complex and pulchritudinous pictures, seductive, appealing and ambitious yet equally mischievous, brutal and insular demonstrate what an angry, intelligent talent can truly achieve. Choe sculpts and paints in oils, acrylics, crayon and mixed media. His credibility as an "artist," albeit one inclined to utilise public spaces every so often, is hardly in doubt. Influences flow through comic book culture to gothic art, impressionism and the surreal. The content of Choe's work is equally complex and in contrast to the slick, succinct, populist messages of some of his contemporaries. The fictional military heroes of GI Joe wield boomboxes above Arabic slogans; hip young metropolitan ladies whisper their cruel conspiracies; seedy delights beckon from behind pretty vistas; grown men scream for ice cream; absurdist animals rope humans into their incomprehensible schemes. On the street, base titillating yet supposedly "tasteful" advertising becomes doctored with intestines and tribal fetishes, echoing the sensual abyss of de Sade. Pictures titles include I Fuck Nerds. Equally, Choe's figurative and collage work displays sensitivity and intricacy rarely matched by Manhattan's girly fashion illustrator set. We should be grateful, not offended, by the insights into Choe's potent imagination and agenda; and the A.
used books,books, Rarely do we see a street artist with the skills and complexity of David Choe. Rapidly establishing himself as one of the greats of the genre, Choe is compellingly repulsive. His complex and pulchritudinous pictures, seductive, appealing and ambitious yet equally mischievous, brutal and insular demonstrate what an angry, intelligent talent can truly achieve. Choe sculpts and paints in oils, acrylics, crayon and mixed media. His credibility as an "artist," albeit one inclined to utilise public spaces every so often, is hardly in doubt. Influences flow through comic book culture to gothic art, impressionism and the surreal. The content of Choe's work is equally complex and in contrast to the slick, succinct, populist messages of some of his contemporaries. The fictional military heroes of GI Joe wield boomboxes above Arabic slogans; hip young metropolitan ladies whisper their cruel conspiracies; seedy delights beckon from behind pretty vistas; grown men scream for ice cream; absurdist animals rope humans into their incomprehensible schemes. On the street, base titillating yet supposedly "tasteful" advertising becomes doctored with intestines and tribal fetishes, echoing the sensual abyss of de Sade. Pictures titles include I Fuck Nerds. Equally, Choe's figurative and collage work displays sensitivity and intricacy rarely matched by Manhattan's girly fashion illustrator set. We should be grateful, not offended, by the insights into Choe's potent imagination and agenda; and the A.
3
9780955672699 (2008)
EN HC USISBN: 9780955672699 bzw. 0955672694, in Englisch, 64 Seiten, LAZARIDES GALLERY, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, Real shipping costs can differ.
Von Händler/Antiquariat, henney1313.
Rarely do we see a street artist with the skills and complexity of David Choe. Rapidly establishing himself as one of the greats of the genre, Choe is compellingly repulsive. His complex and pulchritudinous pictures, seductive, appealing and ambitious yet equally mischievous, brutal and insular demonstrate what an angry, intelligent talent can truly achieve. Choe sculpts and paints in oils, acrylics, crayon and mixed media. His credibility as an "artist," albeit one inclined to utilise public spaces every so often, is hardly in doubt. Influences flow through comic book culture to gothic art, impressionism and the surreal. The content of Choe's work is equally complex and in contrast to the slick, succinct, populist messages of some of his contemporaries. The fictional military heroes of GI Joe wield boomboxes above Arabic slogans; hip young metropolitan ladies whisper their cruel conspiracies; seedy delights beckon from behind pretty vistas; grown men scream for ice cream; absurdist animals rope humans into their incomprehensible schemes. On the street, base titillating yet supposedly "tasteful" advertising becomes doctored with intestines and tribal fetishes, echoing the sensual abyss of de Sade. Pictures titles include I Fuck Nerds. Equally, Choe's figurative and collage work displays sensitivity and intricacy rarely matched by Manhattan's girly fashion illustrator set. We should be grateful, not offended, by the insights into Choe's potent imagination and agenda; and the alluring, intricate slag smelted from its process of reconciliation. Hardcover, color. Hardcover, Label: LAZARIDES GALLERY, LAZARIDES GALLERY, Product group: Book, Published: 2008-01-01, Studio: LAZARIDES GALLERY, Sales rank: 18121903.
Von Händler/Antiquariat, henney1313.
Rarely do we see a street artist with the skills and complexity of David Choe. Rapidly establishing himself as one of the greats of the genre, Choe is compellingly repulsive. His complex and pulchritudinous pictures, seductive, appealing and ambitious yet equally mischievous, brutal and insular demonstrate what an angry, intelligent talent can truly achieve. Choe sculpts and paints in oils, acrylics, crayon and mixed media. His credibility as an "artist," albeit one inclined to utilise public spaces every so often, is hardly in doubt. Influences flow through comic book culture to gothic art, impressionism and the surreal. The content of Choe's work is equally complex and in contrast to the slick, succinct, populist messages of some of his contemporaries. The fictional military heroes of GI Joe wield boomboxes above Arabic slogans; hip young metropolitan ladies whisper their cruel conspiracies; seedy delights beckon from behind pretty vistas; grown men scream for ice cream; absurdist animals rope humans into their incomprehensible schemes. On the street, base titillating yet supposedly "tasteful" advertising becomes doctored with intestines and tribal fetishes, echoing the sensual abyss of de Sade. Pictures titles include I Fuck Nerds. Equally, Choe's figurative and collage work displays sensitivity and intricacy rarely matched by Manhattan's girly fashion illustrator set. We should be grateful, not offended, by the insights into Choe's potent imagination and agenda; and the alluring, intricate slag smelted from its process of reconciliation. Hardcover, color. Hardcover, Label: LAZARIDES GALLERY, LAZARIDES GALLERY, Product group: Book, Published: 2008-01-01, Studio: LAZARIDES GALLERY, Sales rank: 18121903.
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