Shadow Substance: Essays on the History of Photography - in Honor of
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Von Händler/Antiquariat, Better World Books.
The Amorphous Institute Press. Used - Good. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!

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Von Händler/Antiquariat, Grendel Books, ABAA/ILAB.
Bloomfield Hills:: Amorphous Institute Press,. As New. 1990. Paperback. 0910331014 . Illustrated. Paperback. As new in oversize pictorial wraps. Still in original shrinkwrap. .

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Von Händler/Antiquariat, lazymoonbookshop.
This volume features about fifty photo historians from fifteen countries offering substantial and previously unpublished essays in honor of Dr. Heinz K. Henisch, the founding editor of the international quarterly History of Photography. The recognized authorities in the field, including Estelle Jussim, Ulrich Keller, Naomi Rosenblum, Mart Haworth-Booth, and others, are represented here and cover a wide range of topics from the earliest daguerreotypes to contemporary photography, with essays on nineteenth century practitioners, photojournalism, and twentieth-century aesthetics.This meaty collection of fifty-six essays is one no serious library, scholar, or student of photography should be without., Paperback, Ausgabe: 1st, Label: The Amorphous Institute Press, The Amorphous Institute Press, Produktgruppe: Book, Publiziert: 1990-12-31, Studio: The Amorphous Institute Press, Verkaufsrang: 2011741.

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Shadow and Substance: Essays on the History of Photography Collins, Kathleen / Collins, Kathleen, This volume features about fifty photo historians from fifteen countries offering substantial and previously unpublished essays in honor of Dr. Heinz K. Henisch, the founding editor of the international quarterly "History of Photography." The recognized authorities in the field, including Estelle Jussim, Ulrich Keller, Naomi Rosenblum, Mart Haworth-Booth, and others, are represented here and cover a wide range of topics from the earliest daguerreotypes to contemporary photography, with essays on nineteenth century practitioners, photojournalism, and twentieth-century aesthetics. This meaty collection of fifty-six essays in one no serious library, scholar, or student of photography should be without.

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