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100%: Tracey Bashkoff, Thomas Kellein (Editor), Nancy Spector (Editor), Hiroshi Sugimoto (Photographer), Norman Bryson (Contributor): Portraits (ISBN: 9780892072897) 2003, Guggenheim Museum, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
56%: Tracey Bashkoff, Nancy Spector, Thomas Kellein, Carol Armstrong, Hiroshi Sugimoto, Norman Bryson: Portraits (Guggenheim Museum Publications) (ISBN: 9780810969285) 2000, Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
50%: Illustrator: John Everett Millais, Contributor: Peter Funnell, Contributor: Kate Flint, Contributor: Malcolm Warner: : PORTRAITS (ISBN: 9780691007205) 1999, Princeton University Press, Vereinigte Staaten von Amerika, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
33%: Bill Burke; Andy Grundberg [Preface]; Raymond Carver [Contributor]: Portraits (First Edition, First Printing) (ISBN: 9780880011624) 1987, The Ecco Press, New York, Erstausgabe, in Englisch.Nur diese Ausgabe anzeigen…
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ISBN: 9780892072897
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Sugimoto Portraits (2000)
EN HC USISBN: 9780810969285 bzw. 0810969289, in Englisch, Guggenheim Museum, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: LIE.
Von Händler/Antiquariat, Hall Street Books.
Guggenheim Museum. Used - Good. 2000 - Hardcover - Used - Good - - Light abrasion across the center of the dust jacket's back cover. - - Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Von Händler/Antiquariat, Hall Street Books.
Guggenheim Museum. Used - Good. 2000 - Hardcover - Used - Good - - Light abrasion across the center of the dust jacket's back cover. - - Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
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MILLAIS : PORTRAITS (1999)
ENISBN: 9780691007205 bzw. 0691007209, in Englisch, Princeton University Press.
Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: SGP.
Von Händler/Antiquariat, Second Story Books.
Princeton, New Jersey: Princeton University Press, 1999. First North American Edition. small Qto. VG+/ - no DJ. solid matte black wraps spine with with tiny white lettering down spine, adjacent panels strikingly illustrated in color. profusely illustrated with small to large figures, sketches and paintings throughout the unmarked textblock. perused interior, condition as new with trim edges. 224 pp. ISBN# 0691007209. ART (BRITISH). Rockville.
Von Händler/Antiquariat, Second Story Books.
Princeton, New Jersey: Princeton University Press, 1999. First North American Edition. small Qto. VG+/ - no DJ. solid matte black wraps spine with with tiny white lettering down spine, adjacent panels strikingly illustrated in color. profusely illustrated with small to large figures, sketches and paintings throughout the unmarked textblock. perused interior, condition as new with trim edges. 224 pp. ISBN# 0691007209. ART (BRITISH). Rockville.
3
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- Portraits (2000)
EN HC USISBN: 9780810969285 bzw. 0810969289, in Englisch, Solomon R. Guggenheim Foundation, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: LIE.
Von Händler/Antiquariat, Hennessey + Ingalls.
Solomon R. Guggenheim Foundation, September 2000. Hardcover. Used - Very Good. Japanese artist Hiroshi Sugimoto is renowned for his elegant photographic series of seascapes, theaters, museum dioramas, and Buddhist statuary. His new series presents life-size, black-and-white portraits of historical figures -- Henry VIII and each of his wives, Voltaire, Benjamin Franklin, Oscar Wilde, and Emperor Hirohito, among others -- photographed in wax museums, isolated against black backgrounds, and dramatically lit so as to create haunting Rembrandtesque images. The series, which also includes a 25-foot, five-panel photograph of a wax effigy of Leonardo's Last Supper, emulates the grand tradition of portraiture and recalls the wax figures' sources in famous paintings by Holbein, David, van Dyck, and Vermeer. This book, published to accompany an exhibition of commissioned work for the Deutsche Guggenheim Berlin that also travels to the Guggenheim Museo Bilbao, includes texts by a team of art historians and an interview with Sugimoto, offering fresh insights into the work of this contemporary artist. Slight scratching/scuffing on cover.
Von Händler/Antiquariat, Hennessey + Ingalls.
Solomon R. Guggenheim Foundation, September 2000. Hardcover. Used - Very Good. Japanese artist Hiroshi Sugimoto is renowned for his elegant photographic series of seascapes, theaters, museum dioramas, and Buddhist statuary. His new series presents life-size, black-and-white portraits of historical figures -- Henry VIII and each of his wives, Voltaire, Benjamin Franklin, Oscar Wilde, and Emperor Hirohito, among others -- photographed in wax museums, isolated against black backgrounds, and dramatically lit so as to create haunting Rembrandtesque images. The series, which also includes a 25-foot, five-panel photograph of a wax effigy of Leonardo's Last Supper, emulates the grand tradition of portraiture and recalls the wax figures' sources in famous paintings by Holbein, David, van Dyck, and Vermeer. This book, published to accompany an exhibition of commissioned work for the Deutsche Guggenheim Berlin that also travels to the Guggenheim Museo Bilbao, includes texts by a team of art historians and an interview with Sugimoto, offering fresh insights into the work of this contemporary artist. Slight scratching/scuffing on cover.
4
Tracey Bashkoff, Contributor: Norman Bryson, Editor: Thomas Kellein, Editor: Nancy Spector, Photographer: Hiroshi Sugimoto
Portraits (2003)
EN HC NWISBN: 9780892072897 bzw. 089207289X, in Englisch, 170 Seiten, Guggenheim Museum, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, Real shipping costs can differ.
Von Händler/Antiquariat, SB Books Co.
New Lower Price Hiroshi Sugimoto here turns to the wax figures he first explored in his Dioramas series. Combining poetic imagination and noble elegance, this body of work presents life-size black-and-white portraits of historical figures--Henry VIII, each of his six wives and Oscar Wilde, among others--photographed in wax museums and dramatically lit so as to create haunting images. Featuring an interview with the artist by Tracey Bashkoff and essays by Carol Armstrong, Norman Bryson, Thomas Kellein and Nancy Spector, this book offers fresh insights into the work of this important contemporary artist. Portraits was created specially for the Deutsche Guggenheim Berlin and was exhibited at the former Guggenheim Soho. Hardcover, Label: Guggenheim Museum, Guggenheim Museum, Product group: Book, Published: 2003-07, Studio: Guggenheim Museum, Sales rank: 13474925.
Von Händler/Antiquariat, SB Books Co.
New Lower Price Hiroshi Sugimoto here turns to the wax figures he first explored in his Dioramas series. Combining poetic imagination and noble elegance, this body of work presents life-size black-and-white portraits of historical figures--Henry VIII, each of his six wives and Oscar Wilde, among others--photographed in wax museums and dramatically lit so as to create haunting images. Featuring an interview with the artist by Tracey Bashkoff and essays by Carol Armstrong, Norman Bryson, Thomas Kellein and Nancy Spector, this book offers fresh insights into the work of this important contemporary artist. Portraits was created specially for the Deutsche Guggenheim Berlin and was exhibited at the former Guggenheim Soho. Hardcover, Label: Guggenheim Museum, Guggenheim Museum, Product group: Book, Published: 2003-07, Studio: Guggenheim Museum, Sales rank: 13474925.
5
Tracey Bashkoff, Contributor: Norman Bryson, Editor: Thomas Kellein, Editor: Nancy Spector, Photographer: Hiroshi Sugimoto
Portraits (2003)
EN HC USISBN: 9780892072897 bzw. 089207289X, in Englisch, 170 Seiten, Guggenheim Museum, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, Real shipping costs can differ.
Von Händler/Antiquariat, Hinoyama#US.
New Lower Price Hiroshi Sugimoto here turns to the wax figures he first explored in his Dioramas series. Combining poetic imagination and noble elegance, this body of work presents life-size black-and-white portraits of historical figures--Henry VIII, each of his six wives and Oscar Wilde, among others--photographed in wax museums and dramatically lit so as to create haunting images. Featuring an interview with the artist by Tracey Bashkoff and essays by Carol Armstrong, Norman Bryson, Thomas Kellein and Nancy Spector, this book offers fresh insights into the work of this important contemporary artist. Portraits was created specially for the Deutsche Guggenheim Berlin and was exhibited at the former Guggenheim Soho. Hardcover, Label: Guggenheim Museum, Guggenheim Museum, Product group: Book, Published: 2003-07, Studio: Guggenheim Museum, Sales rank: 13474925.
Von Händler/Antiquariat, Hinoyama#US.
New Lower Price Hiroshi Sugimoto here turns to the wax figures he first explored in his Dioramas series. Combining poetic imagination and noble elegance, this body of work presents life-size black-and-white portraits of historical figures--Henry VIII, each of his six wives and Oscar Wilde, among others--photographed in wax museums and dramatically lit so as to create haunting images. Featuring an interview with the artist by Tracey Bashkoff and essays by Carol Armstrong, Norman Bryson, Thomas Kellein and Nancy Spector, this book offers fresh insights into the work of this important contemporary artist. Portraits was created specially for the Deutsche Guggenheim Berlin and was exhibited at the former Guggenheim Soho. Hardcover, Label: Guggenheim Museum, Guggenheim Museum, Product group: Book, Published: 2003-07, Studio: Guggenheim Museum, Sales rank: 13474925.
6
Illustrator: John Everett Millais, Contributor: Peter Funnell, Contributor: Kate Flint, Contributor: Malcolm Warner
Portraits (1999)
EN PB NW FEISBN: 9780691007205 bzw. 0691007209, in Englisch, 224 Seiten, Princeton University Press, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, -Daily Deals-.
John Everett Millais (1829-1896) was one of the most celebrated figures of Victorian art. As a young man, he founded the Pre-Raphaelite Brotherhood with Dante Gabriel Rossetti and William Holman Hunt. In later years, he rose to wealth, acclaim, and social prestige as a landscapist, illustrator, and painter of subject and genre pictures and as the most successful British portrait painter of his generation. This lavishly illustrated book, published to accompany a major exhibition at the National Portrait Gallery in London, is the first comprehensive survey of Millais's portraits. It is also a historically important record of High Victorian England, containing the artist's memorable images of such leading political and cultural figures as Gladstone, Disraeli, Tennyson, Ruskin, Carlyle, and Lillie Langtry. The book includes 100 color reproductions as well as essays by eminent scholars that place Millais's work in the context of his public and private life, making this an authoritative and visually compelling study of the artist's extraordinary contributions to portraiture. Peter Funnell begins the book by describing Millais's astonishing popularity and the artist's public persona, examining his practice as a portraitist and assessing the view common among later critics that Millais's mature work failed to fulfill his youthful promise. Leonée Ormond examines Millais's early portraits, from his precocious boyhood sketches to his magnificent portrait of Ruskin (1853-54) and his paintings of Ruskin's wife, Effie, who famously left her husband to marry Millais. Malcolm Warner interprets Millais's portraits of children--including the elegiac painting Autumn Leaves (1855-56) and the melancholy Nina Lehmann (1869)--as reflections of Millais's nostalgic ideas about the naturalness, innocence, and beauty of childhood. H. C. G. Matthew assesses Millais's portraits of men of power, which include paintings of four Prime Ministers (Gladstone, Disraeli, Salisbury, and Rosebery). Kate Flint discusses Millais's portraits of women, which ranged from likenesses of family and friends to glamorous paintings of the rich, aristocratic, and beautiful. Each essay is followed by its own thematic catalogue of portraits. The elegantly written essays and stunning reproductions are supplemented by Warner's extensive documentation about individual works of art, drawings from Millais's sketchbooks, and photographs of the artist in his studio. In its words and images, in its scholarship and its accessibility to the general reader, this is an exceptional book about one of the most influential artists of the nineteenth century. , Paperback, Ausgabe: First Edition, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 1999-02-22, Studio: Princeton University Press, Verkaufsrang: 2777403.
Von Händler/Antiquariat, -Daily Deals-.
John Everett Millais (1829-1896) was one of the most celebrated figures of Victorian art. As a young man, he founded the Pre-Raphaelite Brotherhood with Dante Gabriel Rossetti and William Holman Hunt. In later years, he rose to wealth, acclaim, and social prestige as a landscapist, illustrator, and painter of subject and genre pictures and as the most successful British portrait painter of his generation. This lavishly illustrated book, published to accompany a major exhibition at the National Portrait Gallery in London, is the first comprehensive survey of Millais's portraits. It is also a historically important record of High Victorian England, containing the artist's memorable images of such leading political and cultural figures as Gladstone, Disraeli, Tennyson, Ruskin, Carlyle, and Lillie Langtry. The book includes 100 color reproductions as well as essays by eminent scholars that place Millais's work in the context of his public and private life, making this an authoritative and visually compelling study of the artist's extraordinary contributions to portraiture. Peter Funnell begins the book by describing Millais's astonishing popularity and the artist's public persona, examining his practice as a portraitist and assessing the view common among later critics that Millais's mature work failed to fulfill his youthful promise. Leonée Ormond examines Millais's early portraits, from his precocious boyhood sketches to his magnificent portrait of Ruskin (1853-54) and his paintings of Ruskin's wife, Effie, who famously left her husband to marry Millais. Malcolm Warner interprets Millais's portraits of children--including the elegiac painting Autumn Leaves (1855-56) and the melancholy Nina Lehmann (1869)--as reflections of Millais's nostalgic ideas about the naturalness, innocence, and beauty of childhood. H. C. G. Matthew assesses Millais's portraits of men of power, which include paintings of four Prime Ministers (Gladstone, Disraeli, Salisbury, and Rosebery). Kate Flint discusses Millais's portraits of women, which ranged from likenesses of family and friends to glamorous paintings of the rich, aristocratic, and beautiful. Each essay is followed by its own thematic catalogue of portraits. The elegantly written essays and stunning reproductions are supplemented by Warner's extensive documentation about individual works of art, drawings from Millais's sketchbooks, and photographs of the artist in his studio. In its words and images, in its scholarship and its accessibility to the general reader, this is an exceptional book about one of the most influential artists of the nineteenth century. , Paperback, Ausgabe: First Edition, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 1999-02-22, Studio: Princeton University Press, Verkaufsrang: 2777403.
7
Illustrator: John Everett Millais, Contributor: Peter Funnell, Contributor: Kate Flint, Contributor: Malcolm Warner
Portraits (1999)
EN PB US FEISBN: 9780691007205 bzw. 0691007209, in Englisch, 224 Seiten, Princeton University Press, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, OldBeachBooks.
John Everett Millais (1829-1896) was one of the most celebrated figures of Victorian art. As a young man, he founded the Pre-Raphaelite Brotherhood with Dante Gabriel Rossetti and William Holman Hunt. In later years, he rose to wealth, acclaim, and social prestige as a landscapist, illustrator, and painter of subject and genre pictures and as the most successful British portrait painter of his generation. This lavishly illustrated book, published to accompany a major exhibition at the National Portrait Gallery in London, is the first comprehensive survey of Millais's portraits. It is also a historically important record of High Victorian England, containing the artist's memorable images of such leading political and cultural figures as Gladstone, Disraeli, Tennyson, Ruskin, Carlyle, and Lillie Langtry. The book includes 100 color reproductions as well as essays by eminent scholars that place Millais's work in the context of his public and private life, making this an authoritative and visually compelling study of the artist's extraordinary contributions to portraiture. Peter Funnell begins the book by describing Millais's astonishing popularity and the artist's public persona, examining his practice as a portraitist and assessing the view common among later critics that Millais's mature work failed to fulfill his youthful promise. Leonée Ormond examines Millais's early portraits, from his precocious boyhood sketches to his magnificent portrait of Ruskin (1853-54) and his paintings of Ruskin's wife, Effie, who famously left her husband to marry Millais. Malcolm Warner interprets Millais's portraits of children--including the elegiac painting Autumn Leaves (1855-56) and the melancholy Nina Lehmann (1869)--as reflections of Millais's nostalgic ideas about the naturalness, innocence, and beauty of childhood. H. C. G. Matthew assesses Millais's portraits of men of power, which include paintings of four Prime Ministers (Gladstone, Disraeli, Salisbury, and Rosebery). Kate Flint discusses Millais's portraits of women, which ranged from likenesses of family and friends to glamorous paintings of the rich, aristocratic, and beautiful. Each essay is followed by its own thematic catalogue of portraits. The elegantly written essays and stunning reproductions are supplemented by Warner's extensive documentation about individual works of art, drawings from Millais's sketchbooks, and photographs of the artist in his studio. In its words and images, in its scholarship and its accessibility to the general reader, this is an exceptional book about one of the most influential artists of the nineteenth century. , Paperback, Ausgabe: First Edition, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 1999-02-22, Studio: Princeton University Press, Verkaufsrang: 2777403.
Von Händler/Antiquariat, OldBeachBooks.
John Everett Millais (1829-1896) was one of the most celebrated figures of Victorian art. As a young man, he founded the Pre-Raphaelite Brotherhood with Dante Gabriel Rossetti and William Holman Hunt. In later years, he rose to wealth, acclaim, and social prestige as a landscapist, illustrator, and painter of subject and genre pictures and as the most successful British portrait painter of his generation. This lavishly illustrated book, published to accompany a major exhibition at the National Portrait Gallery in London, is the first comprehensive survey of Millais's portraits. It is also a historically important record of High Victorian England, containing the artist's memorable images of such leading political and cultural figures as Gladstone, Disraeli, Tennyson, Ruskin, Carlyle, and Lillie Langtry. The book includes 100 color reproductions as well as essays by eminent scholars that place Millais's work in the context of his public and private life, making this an authoritative and visually compelling study of the artist's extraordinary contributions to portraiture. Peter Funnell begins the book by describing Millais's astonishing popularity and the artist's public persona, examining his practice as a portraitist and assessing the view common among later critics that Millais's mature work failed to fulfill his youthful promise. Leonée Ormond examines Millais's early portraits, from his precocious boyhood sketches to his magnificent portrait of Ruskin (1853-54) and his paintings of Ruskin's wife, Effie, who famously left her husband to marry Millais. Malcolm Warner interprets Millais's portraits of children--including the elegiac painting Autumn Leaves (1855-56) and the melancholy Nina Lehmann (1869)--as reflections of Millais's nostalgic ideas about the naturalness, innocence, and beauty of childhood. H. C. G. Matthew assesses Millais's portraits of men of power, which include paintings of four Prime Ministers (Gladstone, Disraeli, Salisbury, and Rosebery). Kate Flint discusses Millais's portraits of women, which ranged from likenesses of family and friends to glamorous paintings of the rich, aristocratic, and beautiful. Each essay is followed by its own thematic catalogue of portraits. The elegantly written essays and stunning reproductions are supplemented by Warner's extensive documentation about individual works of art, drawings from Millais's sketchbooks, and photographs of the artist in his studio. In its words and images, in its scholarship and its accessibility to the general reader, this is an exceptional book about one of the most influential artists of the nineteenth century. , Paperback, Ausgabe: First Edition, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 1999-02-22, Studio: Princeton University Press, Verkaufsrang: 2777403.
8
Sugimoto Portr (2000)
EN HC NW FEISBN: 9780810969285 bzw. 0810969289, in Englisch, 170 Seiten, Guggenheim Museum Pubns, gebundenes Buch, neu, Erstausgabe.
Neu ab: CDN$ 154.34 (6 Angebote)
Gebraucht ab: CDN$ 82.25 (9 Angebote)
Zu den weiteren 15 Angeboten bei Amazon.ca
Lieferung aus: Kanada, Usually ships within 1 - 2 business days.
Von Händler/Antiquariat, Nearfine.
Sugimoto: Portraits is the definitive discussion to date of the thought-provoking contemporary photographer Hiroshi Sugimoto. Following a career that has focused on formal studies of museum dioramas, cinema interiors, and exquisite seascapes, Sugimoto accepted a commission from the Guggenheim to create a series of life-size black-and-white portraits of waxwork figures. His latest method of working enables him to take pictures of people who existed long before the invention of the camera: "I wanted to be the first sixteenth-century photographer," he says of his carefully constructed portraits of Henry VIII and his six wives. He notes that during the 18th century, wax figures played the same role of preserving a likeness as a portrait photograph. Seventy-five of Sugimoto's waxwork portraits are reproduced here in richly textured duotones. Context for this latest direction taken by the artist is provided by examples of his earlier work and famous portraits by Holbein, Rembrandt, and others. An extensive bibliography and chronology complete the academic contribution of this elegant book. The many-layered conceptual questions related to "the archaeology of time" that his works inspire are explored in several essays, but the most successful chapter is a lively interview with Sugimoto himself. He tells how he photographed a tableau based on Leonardo da Vinci's Last Supper that he discovered with delight in a small Japanese town; he is fascinated by the ironies of a Japanese man photographing an icon of Western art exhibited in Japan, fabricated in wax by Mexican workers using a European tradition. --John Stevenson, Hardcover, Ausgabe: First Edition, Label: Guggenheim Museum Pubns, Guggenheim Museum Pubns, Produktgruppe: Book, Publiziert: 2000-09, Studio: Guggenheim Museum Pubns, Verkaufsrang: 3876100.
Von Händler/Antiquariat, Nearfine.
Sugimoto: Portraits is the definitive discussion to date of the thought-provoking contemporary photographer Hiroshi Sugimoto. Following a career that has focused on formal studies of museum dioramas, cinema interiors, and exquisite seascapes, Sugimoto accepted a commission from the Guggenheim to create a series of life-size black-and-white portraits of waxwork figures. His latest method of working enables him to take pictures of people who existed long before the invention of the camera: "I wanted to be the first sixteenth-century photographer," he says of his carefully constructed portraits of Henry VIII and his six wives. He notes that during the 18th century, wax figures played the same role of preserving a likeness as a portrait photograph. Seventy-five of Sugimoto's waxwork portraits are reproduced here in richly textured duotones. Context for this latest direction taken by the artist is provided by examples of his earlier work and famous portraits by Holbein, Rembrandt, and others. An extensive bibliography and chronology complete the academic contribution of this elegant book. The many-layered conceptual questions related to "the archaeology of time" that his works inspire are explored in several essays, but the most successful chapter is a lively interview with Sugimoto himself. He tells how he photographed a tableau based on Leonardo da Vinci's Last Supper that he discovered with delight in a small Japanese town; he is fascinated by the ironies of a Japanese man photographing an icon of Western art exhibited in Japan, fabricated in wax by Mexican workers using a European tradition. --John Stevenson, Hardcover, Ausgabe: First Edition, Label: Guggenheim Museum Pubns, Guggenheim Museum Pubns, Produktgruppe: Book, Publiziert: 2000-09, Studio: Guggenheim Museum Pubns, Verkaufsrang: 3876100.
9
Sugimoto Portraits (Guggenheim Museum Publications)
EN USISBN: 0810969289 bzw. 9780810969285, in Englisch, Guggenheim Museum, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
arts music and photography,collections catalogs and exhibitions,collections catalogues and exhibitions,individual artists,photography,portraits, Sugimoto Portraits, Sugimoto: Portraits is the definitive discussion to date of the thought-provoking contemporary photographer Hiroshi Sugimoto. Following a career that has focused on formal studies of museum dioramas, cinema interiors, and exquisite seascapes, Sugimoto accepted a commission from the Guggenheim to create a series of life-size black-and-white portraits of waxwork figures. His latest method of working enables him to take pictures of people who existed long before the invention of the camera: "I wanted to be the first sixteenth-century photographer," he says of his carefully constructed portraits of Henry VIII and his six wives. He notes that during the 18th century, wax figures played the same role of preserving a likeness as a portrait photograph. Seventy-five of Sugimoto's waxwork portraits are reproduced here in richly textured duotones. Context for this latest direction taken by the artist is provided by examples of his earlier work and famous portraits by Holbein, Rembrandt, and others. An extensive bibliography and chronology complete the academic contribution of this elegant book. The many-layered conceptual questions related to "the archaeology of time" that his works inspire are explored in several essays, but the most successful chapter is a lively interview with Sugimoto himself. He tells how he photographed a tableau based on Leonardo da Vinci's Last Supper that he discovered with delight in a small Japanese town; he is fascinated by the ironies of.
arts music and photography,collections catalogs and exhibitions,collections catalogues and exhibitions,individual artists,photography,portraits, Sugimoto Portraits, Sugimoto: Portraits is the definitive discussion to date of the thought-provoking contemporary photographer Hiroshi Sugimoto. Following a career that has focused on formal studies of museum dioramas, cinema interiors, and exquisite seascapes, Sugimoto accepted a commission from the Guggenheim to create a series of life-size black-and-white portraits of waxwork figures. His latest method of working enables him to take pictures of people who existed long before the invention of the camera: "I wanted to be the first sixteenth-century photographer," he says of his carefully constructed portraits of Henry VIII and his six wives. He notes that during the 18th century, wax figures played the same role of preserving a likeness as a portrait photograph. Seventy-five of Sugimoto's waxwork portraits are reproduced here in richly textured duotones. Context for this latest direction taken by the artist is provided by examples of his earlier work and famous portraits by Holbein, Rembrandt, and others. An extensive bibliography and chronology complete the academic contribution of this elegant book. The many-layered conceptual questions related to "the archaeology of time" that his works inspire are explored in several essays, but the most successful chapter is a lively interview with Sugimoto himself. He tells how he photographed a tableau based on Leonardo da Vinci's Last Supper that he discovered with delight in a small Japanese town; he is fascinated by the ironies of.
10
Symbolbild
Millais. Portraits.
EN USISBN: 0691007209 bzw. 9780691007205, in Englisch, Princeton Princeton University Press, 1999. gebraucht.
Lieferung aus: Deutschland, Versandart: STD, Versand nach: DE.
Von Händler/Antiquariat, Buchhandlung Kurt Götz, [3022].
John Everett Millais (1829-1896), 224 S. zahlreiche Textabb. und 55 Farbtafeln. 22 x 27 cm. kart.
Von Händler/Antiquariat, Buchhandlung Kurt Götz, [3022].
John Everett Millais (1829-1896), 224 S. zahlreiche Textabb. und 55 Farbtafeln. 22 x 27 cm. kart.
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