Moving Pictures. Contemporary Photography and Video from Collections. Text in Englisch / Text English. Mit Beiträgen von Lisa Dennison, Nancy Spector, Joan Young und John Hanhardt.
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Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Charm City Books.
HARDCOVER. SIGNED by HIROSHI SUGIMOTO. MOVING PICTURES: CONTEMPORARY PHOTOGRAPHY AND VIDEO FROM THE GUGGENHEIM COLLECTION by Marina Abramovic, Maria-Christina Villasenor, Joan Young, Vito Acconci, and Hiroshi Sugimoto, (Photographer) (2003). SIGNED to the Contents page by Hiroshi Sugimoto, a photographer featured in this book. Like New and Never owned. This is a FIRST Edition, FIRST Printing copy as stated on the copyright page issued without a Dust jacket. The book is in Like New/Brand New condition with no issues. Book has no tears, marks, creases, remainder marks, library markings, or black lines on the edges. Not inscribed to anyone. Not price-clipped, not a Book Club Edition (BCE), or signed on a bookplate. True Collectible Quality. First Edition, First Printing, hand SIGNED to the Contents page. No inscription; full signature only. *From an event, and signed, at the Guggenheim Museum in November 2003.* This book will be carefully wrapped and shipped with free delivery confirmation. **** Hiroshi Sugimoto has exhibited extensively in major museums and galleries throughout the world, and his work is held in numerous public collections, including the Metropolitan Museum of Art, New York; Museum of Contemporary Art, Tokyo; National Gallery, London; National Museum of Modern Art, Tokyo; Smithsonian, Washington, DC; and Tate, London, among others. Sugimoto divides his time between Tokyo and New York City. Sugimoto has spoken of his work as an expression of 'time exposed', or photographs serving as a time capsule for a series of events in time. His work also focuses on the transience of life and the conflict between life and death. Sugimoto is also deeply influenced by the writings and works of Marcel Duchamp, as well as the Dadaist and Surrealist movements as a whole. He has also expressed a great deal of interest in late 20th century modern architecture. His use of an 8×10 large-format camera and extremely long exposures has garnered Sugimoto a reputation as a photographer of the highest technical ability. He is equally acclaimed for the conceptual and philosophical aspects of his work. MOVING PICTURES was published on November 1, 2003. ISBN: 978-0892-0726-99 & 08-9207-2695. BS13741.

Lieferung aus: Irland, Versandkosten nach: CHE.
Von Händler/Antiquariat, MW Books Ltd.
New York : Guggenheim Museum ; London : Thames & Hudson, 2003. First Edition. Hardcover. An exceptional copy; fine in the original patterned boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 228 pages; Physical desc.: 228 p. : Ill. (chiefly col.) ; 23 x 24 cm. Catalogue of an exhibition held at the Solomon R. Guggenheim Museum, New York, 28 June 2002 - 12 January 2003 and at the Guggenheim Bilbao, 8 October 2003 - 18 May 2004. Subject: Solomon R. Guggenheim Museum --Photography - New York (State) - New York --Video art --New York --Catalogs. Summary: During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli and Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, Andreas Gursky, Candida Höfer, Thomas Ruff, Jorge Sasse, Thomas Struth, Olafur Eliasson, Roni Horn, Gabriel Orozco, Hiroshi Sugimoto, Matthew Barney, Gregory Crewdson, Anna Gaskell, Sam Taylor-Wood, Oliver Boberg, James Casebere, Thomas Demand, Vanessa Beecroft, Wolfgang Tillmans, Patty Chang, Trisha Donnelly, Stan Douglas, Pierre Huyghe, William Kentridge, Steve McQueen, Shirin Neshat, John Pilson and Gillian Wearing. Edited by John G. Hanhardt and Nancy Spector. Essays by John G. Hanhardt, Nancy Spector, Maria-Christina Villaseñor and Joan Young Clothbound.

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Von Händler/Antiquariat, Browsing Is Arousing.
NY: Guggenheim Museum, 2003. 1st. Hardcover. Very Good/None. Hardcover, 228 pages. During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, others. Record # 362307.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, Monroe Street Books, VT, Middlebury, [RE:3].
Never been opened, still in plastic shrink wrap. In new condition. Record # 455434. Hardcover.

Von Händler/Antiquariat, Altstadt Antiquariat Goslar [61606036], Goslar, Germany.
zahlreiche meist farbige Abbildungen, 228 S. Dieser Katalog erschien anläßlich der gleichnamigen Ausstellung: Solomon R. Guggenheim Museum, New York, 28. Juni 2002 - 12. Januar 2003; Guggenheim Museum Bilbao, 8. Oktober 2003 - 18. Mai 2004. Sprache: Deutsch Gewicht in Gramm: 550 quer Gr.-8°, OPappband, Einband mit geringen gebrauchsspuren, ansonsten sehr gut. Books.

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Von Händler/Antiquariat, Altstadt Antiquariat Goslar, [5914431].
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Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

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Von Privat, Bookducker, [3549962].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen