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100%: Langer, Susanne K.: Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art, Third Edition (ISBN: 9780674665033) Harvard University Press, Vereinigte Staaten von Amerika, 3. Ausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
62%: Langer, Susanne Katherina Knauth: Philosophy in a New Key A Study in the Symbolism of Reason Rite and Art by 1957 Hardcover (ISBN: 9780674665002) 1957, Harvard University Press, United States of America, 3. Ausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art, Third Edition
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1
Symbolbild
Philosophy in a New Key: A Study in the Symbolism of Reason, Rite and Art (1971)
EN PB USISBN: 9780674665033 bzw. 0674665031, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, The Haunted Bookshop, LLC.
Harvard University Press, 1971. Pages crisp and clean except for some dark spotting on the right edge of the book; binding square, spine uncreased. Soft cover has a glue wrinkle at the upper spine, some surface rubbing visible in the dark-colored areas and some scattered smudging and pale spotting in the light-colored areas, and mild wear at corners and spine ends, but remains overall sound. 313pp. w/index.. Third Edition. Soft Cover. Good.
Von Händler/Antiquariat, The Haunted Bookshop, LLC.
Harvard University Press, 1971. Pages crisp and clean except for some dark spotting on the right edge of the book; binding square, spine uncreased. Soft cover has a glue wrinkle at the upper spine, some surface rubbing visible in the dark-colored areas and some scattered smudging and pale spotting in the light-colored areas, and mild wear at corners and spine ends, but remains overall sound. 313pp. w/index.. Third Edition. Soft Cover. Good.
2
PHILOSOPHY IN A NEW KEY: A Study in the Symbolism of Reason, Rite, and Art (1974)
EN PB USISBN: 9780674665033 bzw. 0674665031, in Englisch, Harvard University Press, Boston, MA, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Falls Bookstore [4122020], Readsboro, VT, U.S.A.
Blue and white paper back cover with black print on front cover and blue print on spine. Some fox spots on head edge. One crease in spine. Contents are tight, sound, and unmarked. 313 page including index. Size: 5 1/2 X 8.
Blue and white paper back cover with black print on front cover and blue print on spine. Some fox spots on head edge. One crease in spine. Contents are tight, sound, and unmarked. 313 page including index. Size: 5 1/2 X 8.
3
Philosophy in a New Key : A Study in the Symbolism of Reason, Rite, and Art, Third Edition by
~EN USISBN: 9780674665033 bzw. 0674665031, vermutlich in Englisch, Harvard University Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music. By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself. The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key." Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music. By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself. The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key." Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy.
4
Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art, Third Edition
~EN NWISBN: 9780674665033 bzw. 0674665031, vermutlich in Englisch, Harvard University Press, Vereinigte Staaten von Amerika, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself.The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer''s book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key."Mrs. Langer''s book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself.The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer''s book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key."Mrs. Langer''s book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy.
5
Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art (1957)
EN HC USISBN: 9780674665002 bzw. 0674665007, in Englisch, 334 Seiten, 3. Ausgabe, Harvard University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, hippo_books.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music. By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself. The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key." Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy. , Hardcover, Edition: 3, Label: Harvard University Press, Harvard University Press, Product group: Book, Published: 1957-01-01, Studio: Harvard University Press, Sales rank: 3630624.
Von Händler/Antiquariat, hippo_books.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music. By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself. The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key." Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy. , Hardcover, Edition: 3, Label: Harvard University Press, Harvard University Press, Product group: Book, Published: 1957-01-01, Studio: Harvard University Press, Sales rank: 3630624.
6
Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art
EN USISBN: 0674665031 bzw. 9780674665033, in Englisch, Harvard University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
behavioral sciences,cognitive psychology,humanities,philosophy,politics and social sciences,psychology,science and math,social science,social sciences,textbooks, Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art, Third Edition, Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself.The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key."Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of.
behavioral sciences,cognitive psychology,humanities,philosophy,politics and social sciences,psychology,science and math,social science,social sciences,textbooks, Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art, Third Edition, Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself.The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key."Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of.
7
Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. (1976)
~EN PB USISBN: 9780674665033 bzw. 0674665031, vermutlich in Englisch, Cambridge; Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Fundus-Online GbR Borkert Schwarz Zerfaß [8335842], Berlin, Germany.
XX; 313 S.; 20,5 cm; kart. Gutes Ex.; Einband berieben u. gering fleckig. // Alfred North Whitehead (gewidmet). - Englisch. - . "The central problem of this interesting book is to ascertain precisely the functions served by myth, ritual, and especially the arts, and to develop an adequate theory of artistic significance . . . What is novel in this book is . Mrs. Langer's development of her theme within the framework of a general theory of symbolism, in accordance with her conviction that the coming period of creative philosophy will use the distinctions of symbolic analysis as its key concepts. To her task she brings an unusual equipment: a solid grounding in modern logical and philosophical analysis, a wide familiarity with relevant anthropological literature, and an expert knowledge of the materials of the arts, especially music'. . . her analyses are singularly earnest and vigorous, and her conception of the problem is fresh and generously broad." — Journal of Philosophy . (Verlagstext) // INHALT : . IV. DISCURSIVE FORMS AND PRESENTATIONAL FORMS 79 "Logical projection" - discursive form a "projection" - Carnap's conclusion: syntax of language the limit of conceivability - non-literal symbolism "emotive" - Russell and Wittgenstein on metaphysics - philosophy a development of meanings - symbolic function wider than language - limitation to language leaves too much of mentality nonsensical - rationality begins with articulation - sense-experience an articulation - conceptual character of "things" - "Gestalt" the forerunner of symbolic uses - apprehension of non-discursive forms - such forms not "linguistic" even in a derived sense - logical characteristics of language - of presentational symbolisms - primitive understanding - forms of feeling - progressive articulation of presentational forms - key to major developments of culture. - V. LANGUAGE. - All men have completely articulate language - no beasts have any language - animal communication - mutism of apes - lack of babbling-impulse in the young - enigma of linguistic origins - sometimes sought in "speech-instinct" - deaf children and "wild" children do not speak - problem rejected by philologists - Sapir's reason: it requires general theory of symbolism - its roots always sought in communication - should be sought in early symbol-functions - primitive symbolic behavior of apes - lack of "lalling-instinct" precludes speech - symbols and free forms - utilitarian view a mistake - Furness' ape - the Wild Boy of Aveyron - human "lalling" a transient instinct - conditions for learning language - Donovan's theory of origin - connotation probably before denotation - use - always propositional - Bühler and Wegener on development - emendation - generality through metaphor - Wegener on "faded metaphors" - evolution of conceptual thinking - universality of language explained. - VI. LIFE-SYMBOLS: THE ROOTS OF SACRAMENT. - Sense-images and concepts - metaphorical uses - primitive abstraction - fantasies - desire and dream - primitive imagination - confusion of symbol and meaning in dream - in savage thought - power of "sacra" - intellectual excitement in contemplation - emotional expression and gesture - ritual - mimetic rites - mimicry in play - Dewey's theory rejected - ritual as assent to sacred concepts - magic not essentially practical - familiar acts acquire strictest forms - sacrament - derivation of divinities from "sacra" - animal forms - totemism - Jane Harrison on the making of gods. - VII. LIFE-SYMBOLS: THE ROOTS OF MYTH. - Ritual and myth have different origins - dream and story - primitive - story - characters and acts symbolical - growth of fairytale - fairytale - (u.v.A.) ISBN 0674665031 Sprache: Deutsch Gewicht in Gramm: 550, Books.
XX; 313 S.; 20,5 cm; kart. Gutes Ex.; Einband berieben u. gering fleckig. // Alfred North Whitehead (gewidmet). - Englisch. - . "The central problem of this interesting book is to ascertain precisely the functions served by myth, ritual, and especially the arts, and to develop an adequate theory of artistic significance . . . What is novel in this book is . Mrs. Langer's development of her theme within the framework of a general theory of symbolism, in accordance with her conviction that the coming period of creative philosophy will use the distinctions of symbolic analysis as its key concepts. To her task she brings an unusual equipment: a solid grounding in modern logical and philosophical analysis, a wide familiarity with relevant anthropological literature, and an expert knowledge of the materials of the arts, especially music'. . . her analyses are singularly earnest and vigorous, and her conception of the problem is fresh and generously broad." — Journal of Philosophy . (Verlagstext) // INHALT : . IV. DISCURSIVE FORMS AND PRESENTATIONAL FORMS 79 "Logical projection" - discursive form a "projection" - Carnap's conclusion: syntax of language the limit of conceivability - non-literal symbolism "emotive" - Russell and Wittgenstein on metaphysics - philosophy a development of meanings - symbolic function wider than language - limitation to language leaves too much of mentality nonsensical - rationality begins with articulation - sense-experience an articulation - conceptual character of "things" - "Gestalt" the forerunner of symbolic uses - apprehension of non-discursive forms - such forms not "linguistic" even in a derived sense - logical characteristics of language - of presentational symbolisms - primitive understanding - forms of feeling - progressive articulation of presentational forms - key to major developments of culture. - V. LANGUAGE. - All men have completely articulate language - no beasts have any language - animal communication - mutism of apes - lack of babbling-impulse in the young - enigma of linguistic origins - sometimes sought in "speech-instinct" - deaf children and "wild" children do not speak - problem rejected by philologists - Sapir's reason: it requires general theory of symbolism - its roots always sought in communication - should be sought in early symbol-functions - primitive symbolic behavior of apes - lack of "lalling-instinct" precludes speech - symbols and free forms - utilitarian view a mistake - Furness' ape - the Wild Boy of Aveyron - human "lalling" a transient instinct - conditions for learning language - Donovan's theory of origin - connotation probably before denotation - use - always propositional - Bühler and Wegener on development - emendation - generality through metaphor - Wegener on "faded metaphors" - evolution of conceptual thinking - universality of language explained. - VI. LIFE-SYMBOLS: THE ROOTS OF SACRAMENT. - Sense-images and concepts - metaphorical uses - primitive abstraction - fantasies - desire and dream - primitive imagination - confusion of symbol and meaning in dream - in savage thought - power of "sacra" - intellectual excitement in contemplation - emotional expression and gesture - ritual - mimetic rites - mimicry in play - Dewey's theory rejected - ritual as assent to sacred concepts - magic not essentially practical - familiar acts acquire strictest forms - sacrament - derivation of divinities from "sacra" - animal forms - totemism - Jane Harrison on the making of gods. - VII. LIFE-SYMBOLS: THE ROOTS OF MYTH. - Ritual and myth have different origins - dream and story - primitive - story - characters and acts symbolical - growth of fairytale - fairytale - (u.v.A.) ISBN 0674665031 Sprache: Deutsch Gewicht in Gramm: 550, Books.
8
Philosophy in a New Key: Study in the Symbolism of Reason, Rite and Art (Harvard Paperbacks) (1990)
EN PB NWISBN: 9780674665033 bzw. 0674665031, in Englisch, 334 Seiten, 3. Ausgabe, Harvard University Press, Taschenbuch, neu.
Neu ab: EUR 21,67 (13 Angebote)
Gebraucht ab: EUR 7,47 (6 Angebote)
Zu den weiteren 19 Angeboten bei Amazon.de (Int.)
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, BOOKS etc.
This book has soft covers. Ex-library, With usual stamps and markings, In good all round condition. Taschenbuch, Ausgabe: 3, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1990-07-01, Studio: Harvard University Press, Verkaufsrang: 64506.
Von Händler/Antiquariat, BOOKS etc.
This book has soft covers. Ex-library, With usual stamps and markings, In good all round condition. Taschenbuch, Ausgabe: 3, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1990-07-01, Studio: Harvard University Press, Verkaufsrang: 64506.
9
Philosophy in a New Key: Study in the Symbolism of Reason, Rite and Art (Harvard Paperbacks) (1990)
EN PB USISBN: 9780674665033 bzw. 0674665031, in Englisch, 334 Seiten, 3. Ausgabe, Harvard University Press, Taschenbuch, gebraucht.
Neu ab: EUR 21,67 (13 Angebote)
Gebraucht ab: EUR 7,47 (6 Angebote)
Zu den weiteren 19 Angeboten bei Amazon.de (Int.)
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, Books Squared USA.
This book has soft covers. Ex-library, With usual stamps and markings, In good all round condition. Taschenbuch, Ausgabe: 3, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1990-07-01, Studio: Harvard University Press, Verkaufsrang: 64506.
Von Händler/Antiquariat, Books Squared USA.
This book has soft covers. Ex-library, With usual stamps and markings, In good all round condition. Taschenbuch, Ausgabe: 3, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1990-07-01, Studio: Harvard University Press, Verkaufsrang: 64506.
10
Symbolbild
Philosophy in a new key : a study in the symbolism of reason, rite, and art
EN USISBN: 9780674665002 bzw. 0674665007, in Englisch, Harvard University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, free shipping to: USA.
Von Händler/Antiquariat, Better World Books.
Harvard University Press. Used - Acceptable. Shows definite wear, and perhaps considerable marking on inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
Von Händler/Antiquariat, Better World Books.
Harvard University Press. Used - Acceptable. Shows definite wear, and perhaps considerable marking on inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
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