A Companion to Art Theory (Blackwell Companions in Cultural Studies)
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Preface.Introduction.Notes on Contributors.What is a Theory of Art? Learning from Alberti: Carolyn Wilde.Part I: Tradition and the Academy:.1. The Classical Concept of Mimesis: Gran Srbom (University of Uppsala).2. Medieval Art Theory: Hugh Bredin (The Queen's University of Belfast).3. Neoplatonist Aesthetics: Suzanne Stern-Gillet (Bolton Institute).4. Renaissance Art Theories: Franois Quiviger(Warburg Institute).5. Touch, Tactility, and the Reception of Sculpture in Early Modern Italy: Geraldine Johnson (Harvard Center for Italian Renaissance Studies).6. The Spiritual Exercises of Leonardo Da Vinci: Robert Williams (University of California, Santa Barbara).7. Academic Theory 1550-1800: Paul Duro(University of Rochester).8. Rhetorical Categories of the Academy: Caroline van Eck(Free University).9. The Picturesque and its Development: Andrew Ballantyne(University of Bath).Part II: Around Modernism:.10. The Aesthetics of Kant and Hegel: Jason Gaiger(The Open University).11. E.H. Gombrich and the Tradition of Hegel : David Summers.12. German Romanticism and French Aesthetic Theory : Wendy Mercer(University College London).13. Expression: Natural, Personal, Pictorial: Richard Shiff (University of Austin at Texas).14. Reading Artists' Words: Richard Hobbs (University of Bristol).15. Nietzsche and the Artist: Michael White (University of Bristol).16. Wittgenstein, Description, and Adrian Stokes (on Czanne): Paul Smith(University of Bristol).17. Modernism and the Idea of the Avant-Garde : Paul Wood (The Open University).18. On the Intention of Modern(ist) Art: Fred Orton (University of Leeds).19. Anti-Art and the Concept of Art: Paul Humble (University of Central Lancashire).20. Marcel Duchamp's Readymades and Anti-Aesthetic Reflex: David Hopkins(University of Saint Andrews).Part III: Critical Theory and Postmodernism:.21. Marxism and Critical Art History: David Craven.22. Walter Benjamin and Art Theory: Howard Caygill(Goldsmiths College).23. Bakhtin and the Visual Arts: Deborah Haynes(Montana State University).24. Pierce's Visuality and the Semiotics of Art: Michael Leja(School of Architecture & Planning).25. Conceptual Art: Charles Harrison (The Open University).26. Barthes on Art: Margaret Iversen (University of Es***).27. Foucault and Art: Roy Boyne(University of Durham).28. Derrida and the Parergon: Robin Marriner (Bath Spa University College).29. Lyotard's Concept of the Sublime: Ren van de Vall (Maastricht University).30. Deleuze on Francis Bacon: Ian Heywood (Leeds Metropolitan University).31. Feminisms and Art Theory: Marsha Meskimmon (University of Loughborough).32. Psycho-Phallus (Qu'est-ce que c'est?): Mignon Nixon (Courtauld Institute of Art).Part IV: Interpretation and the Institution of Art:.33. The Rules of Representation: John Willats.34. Gombrich and Psychology: Richard Woodfield(Nottingham Trent University).35. Hermeneutics and Art Theory: Nick Davey (University of Dundee).36. Reciprocity and Reception Theory: Michael Anne Holly (Center for Advanced Study in the Visual Arts).37. The Paradox of Creative Interpretation in Art: Carl Hausman (Penn State University).38. Interdiscipliniarity and Visual Culture: Charlotte Klonk (University of Warwick).39. Against Curatorial Imperalism: Paul Crowther (University of Oxford).40. The Institutional Theory of Art: Theory and Anti-Theory: Garry Hagberg (Bard University).

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A Companion to Art Theory: InhaltsangabePlates.Notes on Contributors.Preface.Part I: Tradition and the Academy:.Introduction: Alberti and the Formation of Modern Art Theory (Carolyn Wilde).1. The Classical Concept of Mimesis: G& #246 ran S& #246 rbom (University of Uppsala).2. Medieval Art Theory: Hugh Bredin (The Queen&apos s University of Belfast).3. Neoplatonist Aesthetics: Suzanne Stern-Gillet (Bolton Institute).4. Renaissance Art Theories: Fran& #231 ois Quiviger(Warburg Institute).5. Touch, Tactility, and the Reception of Sculpture in Early Modern Italy: Geraldine Johnson (Harvard Center for Italian Renaissance Studies).6. The Spiritual Exercises of Leonardo Da Vinci: Robert Williams (University of California, Santa Barbara).7. Academic Theory 1550-1800: Paul Duro(University of Rochester).8. Rhetorical Categories of the Academy: Caroline van Eck(Free University).9. The Picturesque and its Development: Andrew Ballantyne(University of Bath).Part II: Around Modernism:.10. The Aesthetics of Kant and Hegel: Jason Gaiger(The Open University)..11. E.H. Gombrich and the Tradition of Hegel : David Summers.12. German Romanticism and French Aesthetic Theory : Wendy Mercer(University College London).13. Expression: Natural, Personal, Pictorial: Richard Shiff (University of Austin at Texas).14. Reading Artists& apos Words: Richard Hobbs (University of Bristol).15. Nietzsche and the Artist: Michael White (University of Bristol).16. Wittgenstein, Description, and Adrian Stokes (on C& #233 zanne): Paul Smith(University of Bristol).17. Modernism and the Idea of the Avant-Garde : Paul Wood (The Open University).18. On the Intention of Modern(ist) Art: Fred Orton (University of Leeds).19. Anti-Art and the Concept of Art: Paul Humble (University of Central Lancashire).20. Marcel Duchamp&apos s Readymades and Anti-Aesthetic Reflex: David Hopkins(University of Saint Andrews).Part III: Critical Theory and Postmodernism:.21. Marxism and Critical Art History: David Craven.22. Walter Benjamin and Art Theory: Howard Caygill(Goldsmiths College).23. Bakhtin and the Visual Arts: Deborah Haynes(Montana State University).24. Pierce&apos s Visuality and the Semiotics of Art: Michael Leja(School of Architecture & Planning).25. Conceptual Art: Charles Harrison (The Open University).26. Barthes on Art: Margaret Iversen (University of Es***).27. Foucault and Art: Roy Boyne(University of Durham).28. Derrida and the Parergon: Robin Marriner (Bath Spa University College).29. Lyotard& apos s Concept of the Sublime: Ren& #233 van de Vall (Maastricht University).30. Deleuze on Francis Bacon: Ian Heywood (Leeds Metropolitan University).31. Feminisms and Art Theory: Marsha Meskimmon (University of Loughborough).32. Psycho-Phallus (Qu&apos est-ce que c&apos est ): Mignon Nixon (Courtauld Institute of Art).Part IV: Interpretation and the Institution of Art:.33. The Rules of Representation: John Willats.34. Gombrich and Psychology: Richard Woodfield(Nottingham Trent University).35. Hermeneutics and Art Theory: Nick Davey (University of Dundee).36. Reciprocity and Reception Theory: Michael Anne Holly (Center for Advanced Study in the Visual Arts).37. The Paradox of Creative Interpretation in Art: Carl Hausman (Penn State University).38. Interdiscipliniarity and Visual Culture: Charlotte Klonk (University of Warwick).39. Against Curatorial Imperalism: Paul Crowther (University of Oxford).40. The Institutional Theory of Art: Theory and Anti-Theory: Ga, Englisch, Ebook.

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A Companion to Art Theory: InhaltsangabePlates.Notes on Contributors.Preface.Part I: Tradition and the Academy:.Introduction: Alberti and the Formation of Modern Art Theory (Carolyn Wilde).1. The Classical Concept of Mimesis: G&#246 ran S&#246 rbom (University of Uppsala).2. Medieval Art Theory: Hugh Bredin (The Queen&apos s University of Belfast).3. Neoplatonist Aesthetics: Suzanne Stern-Gillet (Bolton Institute).4. Renaissance Art Theories: Fran&#231 ois Quiviger(Warburg Institute).5. Touch, Tactility, and the Reception of Sculpture in Early Modern Italy: Geraldine Johnson (Harvard Center for Italian Renaissance Studies).6. The Spiritual Exercises of Leonardo Da Vinci: Robert Williams (University of California, Santa Barbara).7. Academic Theory 1550-1800: Paul Duro(University of Rochester).8. Rhetorical Categories of the Academy: Caroline van Eck(Free University).9. The Picturesque and its Development: Andrew Ballantyne(University of Bath).Part II: Around Modernism:.10. The Aesthetics of Kant and Hegel: Jason Gaiger(The Open University)..11. E.H. Gombrich and the Tradition of Hegel : David Summers.12. German Romanticism and French Aesthetic Theory : Wendy Mercer(University College London).13. Expression: Natural, Personal, Pictorial: Richard Shiff (University of Austin at Texas).14. Reading Artists&apos Words: Richard Hobbs (University of Bristol).15. Nietzsche and the Artist: Michael White (University of Bristol).16. Wittgenstein, Description, and Adrian Stokes (on C&#233 zanne): Paul Smith(University of Bristol).17. Modernism and the Idea of the Avant-Garde : Paul Wood (The Open University).18. On the Intention of Modern(ist) Art: Fred Orton (University of Leeds).19. Anti-Art and the Concept of Art: Paul Humble (University of Central Lancashire).20. Marcel Duchamp&apos s Readymades and Anti-Aesthetic Reflex: David Hopkins(University of Saint Andrews).Part III: Critical Theory and Postmodernism:.21. Marxism and Critical Art History: David Craven.22. Walter Benjamin and Art Theory: Howard Caygill(Goldsmiths College).23. Bakhtin and the Visual Arts: Deborah Haynes(Montana State University).24. Pierce&apos s Visuality and the Semiotics of Art: Michael Leja(School of Architecture & Planning).25. Conceptual Art: Charles Harrison (The Open University).26. Barthes on Art: Margaret Iversen (University of Essex).27. Foucault and Art: Roy Boyne(University of Durham).28. Derrida and the Parergon: Robin Marriner (Bath Spa University College).29. Lyotard&apos s Concept of the Sublime: Ren&#233 van de Vall (Maastricht University).30. Deleuze on Francis Bacon: Ian Heywood (Leeds Metropolitan University).31. Feminisms and Art Theory: Marsha Meskimmon (University of Loughborough).32. Psycho-Phallus (Qu&apos est-ce que c&apos est ): Mignon Nixon (Courtauld Institute of Art).Part IV: Interpretation and the Institution of Art:.33. The Rules of Representation: John Willats.34. Gombrich and Psychology: Richard Woodfield(Nottingham Trent University).35. Hermeneutics and Art Theory: Nick Davey (University of Dundee).36. Reciprocity and Reception Theory: Michael Anne Holly (Center for Advanced Study in the Visual Arts).37. The Paradox of Creative Interpretation in Art: Carl Hausman (Penn State University).38. Interdiscipliniarity and Visual Culture: Charlotte Klonk (University of Warwick).39. Against Curatorial Imperalism: Paul Crowther (University of Oxford).40. The Institutional Theory of Art: Theory and Anti-Theory: Ga, Englisch, Ebook.

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Hardcover. The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 552 pages. 1.125.

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