Screen Language: From Film Writing to Film-Making - 7 Angebote vergleichen
| Preise | 2017 | 2018 | 2021 |
|---|---|---|---|
| Schnitt | € 13,29 | € 27,83 | € 18,90 |
| Nachfrage |
1
Screen Language: From Film Writing to Film Making
EN PB USISBN: 9780413752901 bzw. 0413752909, in Englisch, MacMillan Higher Education, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780413752901,0413752909,screen,language,film,writing,film,making,cherry,potter, Excellent Marketplace listings for "Screen Language: From Film Writing to Film Making" by Cherry Potter starting as low as $1.99! Paperback, Shipping to USA only!
9780413752901,0413752909,screen,language,film,writing,film,making,cherry,potter, Excellent Marketplace listings for "Screen Language: From Film Writing to Film Making" by Cherry Potter starting as low as $1.99! Paperback, Shipping to USA only!
2
Screen Language: From Film Writing to Film-making (Screen and Cinema)
EN NWISBN: 9780413752901 bzw. 0413752909, in Englisch, Methuen Drama, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3-5 Days.
By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in film.In this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises. An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films - John Schlesinger (director).
By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in film.In this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises. An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films - John Schlesinger (director).
3
Screen Language
EN NWISBN: 9780413752901 bzw. 0413752909, in Englisch, Methuen, United Kingdom of Great Britain and Northern Ireland, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in filmIn this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers. Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises."An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films" - John Schlesinger (director).
By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in filmIn this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers. Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises."An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films" - John Schlesinger (director).
4
Screen Language: From Film Writing To Film-making
EN NWISBN: 9780413752901 bzw. 0413752909, in Englisch, Bloomsbury, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Cherry Potter, Books, Entertainment, Screen Language: From Film Writing To Film-making, By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in filmIn this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises.An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films - John Schlesinger (director).
Cherry Potter, Books, Entertainment, Screen Language: From Film Writing To Film-making, By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in filmIn this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises.An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films - John Schlesinger (director).
5
Screen Language: From Film Writing to Film-Making
EN USISBN: 0413752909 bzw. 9780413752901, in Englisch, Bloomsbury Methuen Drama, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
arts and photography,drama,education and reference,humor and entertainment,literature and fiction,performing arts, Screen Language (Screen and Cinema), By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in filmIn this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises."An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films" - John Schlesinger (director).
arts and photography,drama,education and reference,humor and entertainment,literature and fiction,performing arts, Screen Language (Screen and Cinema), By the former Head of Script at the National Film & Television School, this is a key text for anyone interested in filmIn this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises."An excellently researched and perceptive book. I have not read a more intelligent and detailed appreciation of one of my own films" - John Schlesinger (director).
6
Screen Language: From Film Writing to Film-making
EN NWISBN: 9780413752901 bzw. 0413752909, in Englisch, Methuen, Vereinigtes Königreich Großbritannien und Nordirland, neu.
In this insightful text, Cherry Potter has used her extensive experience to provide a combination of analysis and inspiration. She uses sequences from films to present...
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