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100%: Andrew V. Uroskie: Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (ISBN: 9780226842998) 2014, University of Chicago Press, United States of America, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Andrew V. Uroskie: Between the Black Box and the White Cube, Expanded Cinema and Postwar Art (ISBN: 9780226109022) 2014, University of Chicago Press, Vereinigte Staaten von Amerika, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
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Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
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| Preise | Feb. 17 | Juli 17 | Okt. 17 | Juni 19 |
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1
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
ENISBN: 9780226842998 bzw. 0226842991, in Englisch, University of Chicago Press.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780226842998,0226842991,between,black,white,cube,expanded, Excellent Marketplace listings for "Between the Black Box and the White Cube: Expanded Cinema and Postwar Art" by Andrew V. Uroskie starting as low as $23.18! Marketplace, Shipping to USA only!
9780226842998,0226842991,between,black,white,cube,expanded, Excellent Marketplace listings for "Between the Black Box and the White Cube: Expanded Cinema and Postwar Art" by Andrew V. Uroskie starting as low as $23.18! Marketplace, Shipping to USA only!
2
Between the Black Box and the White Cube
EN NWISBN: 9780226842998 bzw. 0226842991, in Englisch, University of Chicago Press, United States of America, neu.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.
3
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (2014)
EN PB NWISBN: 9780226842998 bzw. 0226842991, in Englisch, 288 Seiten, University Of Chicago Press, Taschenbuch, neu.
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Von Händler/Antiquariat, allnewbooks.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the black box” of the movie theater and the white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art., Paperback, Этикетка: University Of Chicago Press, University Of Chicago Press, Группа продуктов: Book, Опубликовано: 2014-02-27, Дата выпуска: 2014-02-27, Студия: University Of Chicago Press, Продажи звание: 789121.
Von Händler/Antiquariat, allnewbooks.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the black box” of the movie theater and the white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art., Paperback, Этикетка: University Of Chicago Press, University Of Chicago Press, Группа продуктов: Book, Опубликовано: 2014-02-27, Дата выпуска: 2014-02-27, Студия: University Of Chicago Press, Продажи звание: 789121.
4
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (2014)
EN NW EB DLISBN: 9780226109022 bzw. 022610902X, in Englisch, 284 Seiten, University of Chicago Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Электронные книги для скачивания, Бесплатная доставка.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art., Kindle Edition, Формат: Kindle eBook, Этикетка: University of Chicago Press, University of Chicago Press, Группа продуктов: eBooks, Опубликовано: 2014-02-27, Дата выпуска: 2014-02-27, Студия: University of Chicago Press, Продажи звание: 1184986.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art., Kindle Edition, Формат: Kindle eBook, Этикетка: University of Chicago Press, University of Chicago Press, Группа продуктов: eBooks, Опубликовано: 2014-02-27, Дата выпуска: 2014-02-27, Студия: University of Chicago Press, Продажи звание: 1184986.
5
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
EN NWISBN: 9780226842998 bzw. 0226842991, in Englisch, University of Chicago Press, United States of America, neu.
Today, the moving image is ubiquitous in global contemporary art. This book tells the story of the postwar expanded cinema. It travels back to the 1950s and 1960s when...
6
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (2014)
EN NW EB DLISBN: 9780226109022 bzw. 022610902X, in Englisch, 284 Seiten, University of Chicago Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, ebook for download, Free shipping.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art., Kindle Edition, Format: Kindle eBook, Label: University of Chicago Press, University of Chicago Press, Product group: eBooks, Published: 2014-02-27, Release date: 2014-02-27, Studio: University of Chicago Press, Sales rank: 1184986.
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art., Kindle Edition, Format: Kindle eBook, Label: University of Chicago Press, University of Chicago Press, Product group: eBooks, Published: 2014-02-27, Release date: 2014-02-27, Studio: University of Chicago Press, Sales rank: 1184986.
7
Between the Black Box and the White Cube, Expanded Cinema and Postwar Art (2014)
EN NW EBISBN: 9780226109022 bzw. 022610902X, in Englisch, University Of Chicago Press, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 022610902X;ISBN13: 9780226109022; Engels | Ebook | 2014.
bol.com.
Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 022610902X;ISBN13: 9780226109022; Engels | Ebook | 2014.
8
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
~EN PB NWISBN: 9780226842998 bzw. 0226842991, vermutlich in Englisch, University of Chicago Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Between-the-Black-Box-and-the-White-Cube~~Andrew-V-Uroskie, Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Paperback.
Between-the-Black-Box-and-the-White-Cube~~Andrew-V-Uroskie, Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Paperback.
9
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
EN NWISBN: 9780226842998 bzw. 0226842991, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Australien, zzgl. Versandkosten.
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art - University textbook for learning.
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art - University textbook for learning.
10
Between the Black Box and the White Cube
EN NW EB DLISBN: 9780226109022 bzw. 022610902X, in Englisch, University of Chicago Press, Vereinigte Staaten von Amerika, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Expanded Cinema and Postwar Art, Expanded Cinema and Postwar Art.
Expanded Cinema and Postwar Art, Expanded Cinema and Postwar Art.
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