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ISBN: 9780226197005
Bester Preis: € 12,65 (vom 31.03.2020)1
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Anyone (2015)
EN NW EBISBN: 9780226197005 bzw. 022619700X, in Englisch, University Of Chicago Press, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
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Milton’s God Where I-95 meets The Pike, a ponderous thunderhead flowered— stewed a minute, then flipped like a flash card, tattered edges crinkling in, linings so dark with excessive bright that, standing, waiting, at the overpass edge, the onlooker couldn’t decide until the end, or even then, what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment up... Milton’s God Where I-95 meets The Pike, a ponderous thunderhead flowered— stewed a minute, then flipped like a flash card, tattered edges crinkling in, linings so dark with excessive bright that, standing, waiting, at the overpass edge, the onlooker couldn’t decide until the end, or even then, what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment upon small scenes—natural and domestic, political and religious—across America’s East and Midwest. The book’s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist); and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil’s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: “To stand sometime / outside my faith . . . or keep waiting / to be claimed in it.” Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of “what it is to feel: / moods, half moods, / swarming, then darting loose.” Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 022619700X;ISBN13: 9780226197005; Engels | Ebook | 2015.
bol.com.
Milton’s God Where I-95 meets The Pike, a ponderous thunderhead flowered— stewed a minute, then flipped like a flash card, tattered edges crinkling in, linings so dark with excessive bright that, standing, waiting, at the overpass edge, the onlooker couldn’t decide until the end, or even then, what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment up... Milton’s God Where I-95 meets The Pike, a ponderous thunderhead flowered— stewed a minute, then flipped like a flash card, tattered edges crinkling in, linings so dark with excessive bright that, standing, waiting, at the overpass edge, the onlooker couldn’t decide until the end, or even then, what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment upon small scenes—natural and domestic, political and religious—across America’s East and Midwest. The book’s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist); and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil’s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: “To stand sometime / outside my faith . . . or keep waiting / to be claimed in it.” Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of “what it is to feel: / moods, half moods, / swarming, then darting loose.” Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 022619700X;ISBN13: 9780226197005; Engels | Ebook | 2015.
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Anyone
~EN NW EB DLISBN: 9780226197005 bzw. 022619700X, vermutlich in Englisch, University Of Chicago Press, neu, E-Book, elektronischer Download.
Anyone: Milton`s GodWhere I-95 meets The Pike,a ponderous thunderhead flowered-  stewed a minute, then flippedlike a flash card, tatterededges crinkling in, linings so darkwith excessive bright  that, standing, waiting, at the overpass edge,the onlooker couldn`t decide  until the end, or even then,what was revealed and what had been hidden.    Using a variety of forms and achieving a range of musical effects, Nate Klug`s Anyone traces the unraveling of astonishment upon small scenes-natural and domestic, political and religious-across America`s East and Midwest. The book`s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist) and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil`s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: "e To stand sometime / outside my faith . . . or keep waiting / to be claimed in it."e Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of "e what it is to feel: /  moods, half moods, / swarming, then darting loose."e, Englisch, Ebook.
3
Anyone
EN NW EB DLISBN: 9780226197005 bzw. 022619700X, in Englisch, University of Chicago Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
Milton's GodWhere I-95 meets The Pike,a ponderous thunderhead flowered— stewed a minute, then flippedlike a flash card, tatterededges crinkling in, linings so darkwith excessive bright that, standing, waiting, at the overpass edge,the onlooker couldn’t decide until the end, or even then,what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment upon small scenes—natural and domestic, political and religious—across America’s East and Midwest. The book’s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist); and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil’s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: “To stand sometime / outside my faith . . . or keep waiting / to be claimed in it.” Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of “what it is to feel: / moods, half moods, / swarming, then darting loose.”.
Milton's GodWhere I-95 meets The Pike,a ponderous thunderhead flowered— stewed a minute, then flippedlike a flash card, tatterededges crinkling in, linings so darkwith excessive bright that, standing, waiting, at the overpass edge,the onlooker couldn’t decide until the end, or even then,what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment upon small scenes—natural and domestic, political and religious—across America’s East and Midwest. The book’s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist); and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil’s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: “To stand sometime / outside my faith . . . or keep waiting / to be claimed in it.” Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of “what it is to feel: / moods, half moods, / swarming, then darting loose.”.
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