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100%: Norman Bryson, Editor: Michael Holly, Editor: Norman Byrson: Visual Theory: Method and Intrepretation in Art History and the Visual Arts (ISBN: 9780064304016) 1991, HarperCollins Canada / Not Applicable, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Editor: Norman Bryson, Editor: Michael Ann Holly, Editor: Keith Moxey: Visual Theory: Method and Intrepretation in Art History and the Visual Arts (ISBN: 9780064301985) 1991, HarperCollins Publishers, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Visual Theory: Method and Intrepretation in Art History and the Visual Arts
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Visual Theory: Painting and Interpretation (1991)
EN PB USISBN: 9780064301985 bzw. 0064301982, in Englisch, 288 Seiten, HarperCollins, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Pennsylvania Book Depot.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Paperback, Label: HarperCollins, HarperCollins, Produktgruppe: Book, Publiziert: 1991-02, Studio: HarperCollins, Verkaufsrang: 2563956.
Von Händler/Antiquariat, Pennsylvania Book Depot.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Paperback, Label: HarperCollins, HarperCollins, Produktgruppe: Book, Publiziert: 1991-02, Studio: HarperCollins, Verkaufsrang: 2563956.
2
Symbolbild
Visual Theory: Painting and Interpretation (1991)
EN PB NWISBN: 9780064301985 bzw. 0064301982, in Englisch, 288 Seiten, HarperCollins, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Prompt Pristine Books.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Paperback, Label: HarperCollins, HarperCollins, Produktgruppe: Book, Publiziert: 1991-02, Studio: HarperCollins, Verkaufsrang: 2563956.
Von Händler/Antiquariat, Prompt Pristine Books.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Paperback, Label: HarperCollins, HarperCollins, Produktgruppe: Book, Publiziert: 1991-02, Studio: HarperCollins, Verkaufsrang: 2563956.
3
Symbolbild
Visual Theory: Painting and Interpretation (1991)
EN PB USISBN: 9780064301985 bzw. 0064301982, in Englisch, 288 Seiten, HarperCollins, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, collectibleeditions.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Paperback, Label: HarperCollins, HarperCollins, Produktgruppe: Book, Publiziert: 1991-02, Studio: HarperCollins, Verkaufsrang: 2563956.
Von Händler/Antiquariat, collectibleeditions.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Paperback, Label: HarperCollins, HarperCollins, Produktgruppe: Book, Publiziert: 1991-02, Studio: HarperCollins, Verkaufsrang: 2563956.
4
Visual Theory: Painting and Interpretation (1991)
EN HC NWISBN: 9780064304016 bzw. 0064304019, in Englisch, HarperCollins Publishers, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Any Book.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Hardcover, Label: HarperCollins Publishers, HarperCollins Publishers, Produktgruppe: Book, Publiziert: 1991-01, Studio: HarperCollins Publishers, Verkaufsrang: 5544315.
Von Händler/Antiquariat, Any Book.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Hardcover, Label: HarperCollins Publishers, HarperCollins Publishers, Produktgruppe: Book, Publiziert: 1991-01, Studio: HarperCollins Publishers, Verkaufsrang: 5544315.
5
Visual Theory: Painting and Interpretation (1991)
EN HC USISBN: 9780064304016 bzw. 0064304019, in Englisch, HarperCollins Publishers, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, betterworldbooks_.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Hardcover, Label: HarperCollins Publishers, HarperCollins Publishers, Produktgruppe: Book, Publiziert: 1991-01, Studio: HarperCollins Publishers, Verkaufsrang: 5544315.
Von Händler/Antiquariat, betterworldbooks_.
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field. Hardcover, Label: HarperCollins Publishers, HarperCollins Publishers, Produktgruppe: Book, Publiziert: 1991-01, Studio: HarperCollins Publishers, Verkaufsrang: 5544315.
6
Visual Theory: Painting and Interpretation
EN USISBN: 0064304019 bzw. 9780064304016, in Englisch, HarperCollins Publishers, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
architecture,arts music and photography,criticism,education and reference,history and criticism, In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field.
architecture,arts music and photography,criticism,education and reference,history and criticism, In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Aruthur Danto on description and pictorial perception; Rosalind Krauss on the reception of recent French critical theory; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; and Richard Wollheim on the role of the spectator. Each of these major contributions is critically discussed by a number of other scholars in the field.
7
Visual Theory: Method and Intrepretation in Art History and the Visual Arts
EN HC NWISBN: 9780064304016 bzw. 0064304019, in Englisch, HarperCollins Publishers, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Visual-Theory~~Norman-Bryson, Visual Theory: Method and Intrepretation in Art History and the Visual Arts.
Visual-Theory~~Norman-Bryson, Visual Theory: Method and Intrepretation in Art History and the Visual Arts.
8
Visual Theory: Method and Intrepretation in Art History and the Visual Arts
EN PB NWISBN: 9780064301985 bzw. 0064301982, in Englisch, HarperCollins Publishers, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Visual-Theory~~Norman-Bryson, Visual Theory: Method and Intrepretation in Art History and the Visual Arts.
Visual-Theory~~Norman-Bryson, Visual Theory: Method and Intrepretation in Art History and the Visual Arts.
9
Visual Theory: Painting and Interpretation (1991)
EN HC NWISBN: 9780064304016 bzw. 0064304019, in Englisch, 286 Seiten, HarperCollins Canada / Not Applicable, gebundenes Buch, neu.
Lieferung aus: Kanada, Usually ships within 1 - 2 business days.
Von Händler/Antiquariat, Nearfine.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Nearfine.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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