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100%: Jolles, Adam: The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism) (ISBN: 9780271064154) 2014, Penn State University Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
88%: Jolles, Adam: The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism) (ISBN: 9780271059396) 2015, Penn State University Press, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism)
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism) (2014)
EN HC USISBN: 9780271064154 bzw. 0271064153, in Englisch, 288 Seiten, Penn State University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, RentU.
All too often, the historical avant-garde is taken to be incommensurate with and antithetical to the world inhabited by the museum. In The Curatorial Avant-Garde, by contrast, Adam Jolles demonstrates the surrealists’ radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display. This intrusion—by a group of amateur curators, with neither formal training nor professional experience in museums or galleries—ultimately altered the way in which surrealists made, displayed, and promoted their own art. Through interdisciplinary analyses of particular exhibitions and works of art in relation to the manner in which they were displayed, Jolles addresses this public face of surrealism. He directs attention to the venues, the contemporary debates those venues engendered, and the critical discourses in which they participated. In so doing, he shines new light on the movement’s artistic and intellectual development, revealing both the political stakes attached to surrealism within the historical context of interwar Europe and the movement’s instrumental role in the trajectory of modernism., Hardcover, Label: Penn State University Press, Penn State University Press, Produktgruppe: Book, Publiziert: 2014-04-11, Studio: Penn State University Press, Verkaufsrang: 1481064.
Von Händler/Antiquariat, RentU.
All too often, the historical avant-garde is taken to be incommensurate with and antithetical to the world inhabited by the museum. In The Curatorial Avant-Garde, by contrast, Adam Jolles demonstrates the surrealists’ radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display. This intrusion—by a group of amateur curators, with neither formal training nor professional experience in museums or galleries—ultimately altered the way in which surrealists made, displayed, and promoted their own art. Through interdisciplinary analyses of particular exhibitions and works of art in relation to the manner in which they were displayed, Jolles addresses this public face of surrealism. He directs attention to the venues, the contemporary debates those venues engendered, and the critical discourses in which they participated. In so doing, he shines new light on the movement’s artistic and intellectual development, revealing both the political stakes attached to surrealism within the historical context of interwar Europe and the movement’s instrumental role in the trajectory of modernism., Hardcover, Label: Penn State University Press, Penn State University Press, Produktgruppe: Book, Publiziert: 2014-04-11, Studio: Penn State University Press, Verkaufsrang: 1481064.
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism) (2014)
EN HC NWISBN: 9780271064154 bzw. 0271064153, in Englisch, 288 Seiten, Penn State University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, SuperBookDeals-.
All too often, the historical avant-garde is taken to be incommensurate with and antithetical to the world inhabited by the museum. In The Curatorial Avant-Garde, by contrast, Adam Jolles demonstrates the surrealists’ radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display. This intrusion—by a group of amateur curators, with neither formal training nor professional experience in museums or galleries—ultimately altered the way in which surrealists made, displayed, and promoted their own art. Through interdisciplinary analyses of particular exhibitions and works of art in relation to the manner in which they were displayed, Jolles addresses this public face of surrealism. He directs attention to the venues, the contemporary debates those venues engendered, and the critical discourses in which they participated. In so doing, he shines new light on the movement’s artistic and intellectual development, revealing both the political stakes attached to surrealism within the historical context of interwar Europe and the movement’s instrumental role in the trajectory of modernism., Hardcover, Label: Penn State University Press, Penn State University Press, Produktgruppe: Book, Publiziert: 2014-04-11, Studio: Penn State University Press, Verkaufsrang: 1481064.
Von Händler/Antiquariat, SuperBookDeals-.
All too often, the historical avant-garde is taken to be incommensurate with and antithetical to the world inhabited by the museum. In The Curatorial Avant-Garde, by contrast, Adam Jolles demonstrates the surrealists’ radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display. This intrusion—by a group of amateur curators, with neither formal training nor professional experience in museums or galleries—ultimately altered the way in which surrealists made, displayed, and promoted their own art. Through interdisciplinary analyses of particular exhibitions and works of art in relation to the manner in which they were displayed, Jolles addresses this public face of surrealism. He directs attention to the venues, the contemporary debates those venues engendered, and the critical discourses in which they participated. In so doing, he shines new light on the movement’s artistic and intellectual development, revealing both the political stakes attached to surrealism within the historical context of interwar Europe and the movement’s instrumental role in the trajectory of modernism., Hardcover, Label: Penn State University Press, Penn State University Press, Produktgruppe: Book, Publiziert: 2014-04-11, Studio: Penn State University Press, Verkaufsrang: 1481064.
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (2015)
EN NWISBN: 9780271059396 bzw. 0271059397, in Englisch, 270 Seiten, Pennsylvania State Univ Pr, neu.
Lieferung aus: Italien, Temporaneamente non disponibile. Se fai subito un ordine, effettueremo la consegna non appena sarà disponibile. Ti invieremo un'e-mail con una data di consegna stimata non appena avremo ulteriori informazioni. Non verranno effettuati addebiti sulla tua carta di credito fino alla spedizione dell'articolo.
Von Händler/Antiquariat, Amazon.it.
All too often, the historical avant-garde is taken to be incommensurate with and antithetical to the world inhabited by the museum. In The Curatorial Avant-Garde, by contrast, Adam Jolles demonstrates the surrealists' radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display. This intrusion--by a group of amateur curators, with neither formal training nor professional experience in museums or galleries--ultimately altered the way in which surrealists made, displayed, and promoted their own art. Through interdisciplinary analyses of particular exhibitions and works of art in relation to the manner in which they were displayed, Jolles addresses this public face of surrealism. He directs attention to the venues, the contemporary debates those venues engendered, and the critical discourses in which they participated. In so doing, he shines new light on the movement's artistic and intellectual development, revealing both the political stakes attached to surrealism within the historical context of interwar Europe and the movement's instrumental role in the trajectory of modernism. Copertina flessibile, Ausgabe: Reprint, Label: Pennsylvania State Univ Pr, Pennsylvania State Univ Pr, Produktgruppe: Libro, Publiziert: 2015-04-13, Studio: Pennsylvania State Univ Pr, Verkaufsrang: 121721.
Von Händler/Antiquariat, Amazon.it.
All too often, the historical avant-garde is taken to be incommensurate with and antithetical to the world inhabited by the museum. In The Curatorial Avant-Garde, by contrast, Adam Jolles demonstrates the surrealists' radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display. This intrusion--by a group of amateur curators, with neither formal training nor professional experience in museums or galleries--ultimately altered the way in which surrealists made, displayed, and promoted their own art. Through interdisciplinary analyses of particular exhibitions and works of art in relation to the manner in which they were displayed, Jolles addresses this public face of surrealism. He directs attention to the venues, the contemporary debates those venues engendered, and the critical discourses in which they participated. In so doing, he shines new light on the movement's artistic and intellectual development, revealing both the political stakes attached to surrealism within the historical context of interwar Europe and the movement's instrumental role in the trajectory of modernism. Copertina flessibile, Ausgabe: Reprint, Label: Pennsylvania State Univ Pr, Pennsylvania State Univ Pr, Produktgruppe: Libro, Publiziert: 2015-04-13, Studio: Pennsylvania State Univ Pr, Verkaufsrang: 121721.
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The Curatorial Avant-garde: Surrealism and Exhibition Practice in France, 1925–1941 (2015)
EN PB NWISBN: 9780271059396 bzw. 0271059397, in Englisch, Pennsylvania State Univ Pr, Taschenbuch, neu.
Von Händler/Antiquariat, Revaluation Books [2134736], Exeter, United Kingdom.
reprint edition. 270 pages. 9.75x9.50x1.00 inches. In Stock.
reprint edition. 270 pages. 9.75x9.50x1.00 inches. In Stock.
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism)
EN PB NWISBN: 9780271059396 bzw. 0271059397, in Englisch, Penn State University Press, Taschenbuch, neu.
Von Händler/Antiquariat, Russell Books [337725], Victoria, BC, Canada.
0271059397 Special order direct from the distributor.
0271059397 Special order direct from the distributor.
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941
EN HC NWISBN: 9780271064154 bzw. 0271064153, in Englisch, PENNSYLVANIA ST UNIV, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
buecher.de GmbH & Co. KG, [1].
Versandfertig in über 4 Wochen, Hardcover.
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Versandfertig in über 4 Wochen, Hardcover.
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925 1941
EN PB NWISBN: 9780271059396 bzw. 0271059397, in Englisch, Penn State University Press, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
buecher.de GmbH & Co. KG, [1].
Versandfertig in über 4 Wochen, Taschenbuch.
buecher.de GmbH & Co. KG, [1].
Versandfertig in über 4 Wochen, Taschenbuch.
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925 1941 (Refiguring Modernism) (2015)
EN PB USISBN: 9780271059396 bzw. 0271059397, in Englisch, 288 Seiten, Pennsylvania St Univ Pr, Taschenbuch, gebraucht.
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Von Händler/Antiquariat, ---SuperBookDeals---.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Mode (2014)
EN HC USISBN: 9780271064154 bzw. 0271064153, in Englisch, Penn State University Press, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Murray Media [59705792], North Miami Beach, FL, U.S.A.
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