Images Women - 11 Angebote vergleichen
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Rabindranath Tagore : Images of Women : Selected Poems (2004)
EN HC USISBN: 9788175411968 bzw. 8175411961, in Englisch, Shipra, Delhi, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Vedams eBooks (P) Ltd [573945], New Delhi, India.
Contents Acknowledgements. 1. Introduction. 2. Manasi/she who is in the Mind (1890)/Narir Ukti/woman's statement. 3. Citra/the multicoloured (1896)/Ratre o Prabhate/in the night and in the morning Urbasi/Urbashi. 4. Caitali/chaitra harvest (1896)/Manasi/fancied by the mind./Nari/woman and Priya/beloved. 5. Katha/stories (1900)/Parisodh/requital. 6. Utsarga/dedication (1914)/no. 43/no. 43. 7. Balaka/wild geese (1916)/no. 23/no. 23. 8. Palataka/the Runway (1918). Ciradiner Daga/indelible mark. Mukti/emancipation and Niskriti/deliverance. 9. Mahua/Indian Butter tree (1929)/Sabala/the strong. 10. Punasca/postscript (1932)/Chemra kagajer jhuri/basket of Shredded papers. 11. Punasca/postscript (1932)/Sadharan meye/ordinary woman. 12. Prahasini/satire (1935)/Adhunika/modern woman. 13. Syamali/she who is dark 1936/Bamsioala/the flute player. 14. Arogya/recovery (1941)/no. 23/no. 23. 15. Ses Lekhan/last writing (1941)/no. 15/no. 15. 16. Citrangada/chitrangada (1936)/I am Cirangada/I am Chitranganda. Notes. Index. Key to transliteration. Rabindranath Tagore is known outside Bengal mainly as the poet of Gitanjali and has been stereotyped in the west as a mystic poet for the deeply spiritual poems in his Nobel Prize winning book. But the principal driving force of his poetry was humanism. Image of women in his poetry is one aspect of this humanism and is focused in the book. The women's liberation and the phrase gender equality was not in the English vocabulary when these poems were written. Nor did women had the right to vote in many `first world countries. We hear Tagore's voice speaking about women in the first phase of his poetry up to 1914. In the second phase we hear mostly women's voice muted in a man's world finding expression in the poems. 141 pp.
Contents Acknowledgements. 1. Introduction. 2. Manasi/she who is in the Mind (1890)/Narir Ukti/woman's statement. 3. Citra/the multicoloured (1896)/Ratre o Prabhate/in the night and in the morning Urbasi/Urbashi. 4. Caitali/chaitra harvest (1896)/Manasi/fancied by the mind./Nari/woman and Priya/beloved. 5. Katha/stories (1900)/Parisodh/requital. 6. Utsarga/dedication (1914)/no. 43/no. 43. 7. Balaka/wild geese (1916)/no. 23/no. 23. 8. Palataka/the Runway (1918). Ciradiner Daga/indelible mark. Mukti/emancipation and Niskriti/deliverance. 9. Mahua/Indian Butter tree (1929)/Sabala/the strong. 10. Punasca/postscript (1932)/Chemra kagajer jhuri/basket of Shredded papers. 11. Punasca/postscript (1932)/Sadharan meye/ordinary woman. 12. Prahasini/satire (1935)/Adhunika/modern woman. 13. Syamali/she who is dark 1936/Bamsioala/the flute player. 14. Arogya/recovery (1941)/no. 23/no. 23. 15. Ses Lekhan/last writing (1941)/no. 15/no. 15. 16. Citrangada/chitrangada (1936)/I am Cirangada/I am Chitranganda. Notes. Index. Key to transliteration. Rabindranath Tagore is known outside Bengal mainly as the poet of Gitanjali and has been stereotyped in the west as a mystic poet for the deeply spiritual poems in his Nobel Prize winning book. But the principal driving force of his poetry was humanism. Image of women in his poetry is one aspect of this humanism and is focused in the book. The women's liberation and the phrase gender equality was not in the English vocabulary when these poems were written. Nor did women had the right to vote in many `first world countries. We hear Tagore's voice speaking about women in the first phase of his poetry up to 1914. In the second phase we hear mostly women's voice muted in a man's world finding expression in the poems. 141 pp.
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Rabindranath Tagore : Images of Women : Selected Poems (2004)
EN HC USISBN: 9788175411968 bzw. 8175411961, in Englisch, Shipra, Delhi, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Vedams eBooks (P) Ltd [573945], New Delhi, India.
Contents Acknowledgements. 1. Introduction. 2. Manasi/she who is in the Mind (1890)/Narir Ukti/woman's statement. 3. Citra/the multicoloured (1896)/Ratre o Prabhate/in the night and in the morning Urbasi/Urbashi. 4. Caitali/chaitra harvest (1896)/Manasi/fancied by the mind./Nari/woman and Priya/beloved. 5. Katha/stories (1900)/Parisodh/requital. 6. Utsarga/dedication (1914)/no. 43/no. 43. 7. Balaka/wild geese (1916)/no. 23/no. 23. 8. Palataka/the Runway (1918). Ciradiner Daga/indelible mark. Mukti/emancipation and Niskriti/deliverance. 9. Mahua/Indian Butter tree (1929)/Sabala/the strong. 10. Punasca/postscript (1932)/Chemra kagajer jhuri/basket of Shredded papers. 11. Punasca/postscript (1932)/Sadharan meye/ordinary woman. 12. Prahasini/satire (1935)/Adhunika/modern woman. 13. Syamali/she who is dark 1936/Bamsioala/the flute player. 14. Arogya/recovery (1941)/no. 23/no. 23. 15. Ses Lekhan/last writing (1941)/no. 15/no. 15. 16. Citrangada/chitrangada (1936)/I am Cirangada/I am Chitranganda. Notes. Index. Key to transliteration. Rabindranath Tagore is known outside Bengal mainly as the poet of Gitanjali and has been stereotyped in the west as a mystic poet for the deeply spiritual poems in his Nobel Prize winning book. But the principal driving force of his poetry was humanism. Image of women in his poetry is one aspect of this humanism and is focused in the book. The women's liberation and the phrase gender equality was not in the English vocabulary when these poems were written. Nor did women had the right to vote in many `first world countries. We hear Tagore's voice speaking about women in the first phase of his poetry up to 1914. In the second phase we hear mostly women's voice muted in a man's world finding expression in the poems. 141 pp.
Contents Acknowledgements. 1. Introduction. 2. Manasi/she who is in the Mind (1890)/Narir Ukti/woman's statement. 3. Citra/the multicoloured (1896)/Ratre o Prabhate/in the night and in the morning Urbasi/Urbashi. 4. Caitali/chaitra harvest (1896)/Manasi/fancied by the mind./Nari/woman and Priya/beloved. 5. Katha/stories (1900)/Parisodh/requital. 6. Utsarga/dedication (1914)/no. 43/no. 43. 7. Balaka/wild geese (1916)/no. 23/no. 23. 8. Palataka/the Runway (1918). Ciradiner Daga/indelible mark. Mukti/emancipation and Niskriti/deliverance. 9. Mahua/Indian Butter tree (1929)/Sabala/the strong. 10. Punasca/postscript (1932)/Chemra kagajer jhuri/basket of Shredded papers. 11. Punasca/postscript (1932)/Sadharan meye/ordinary woman. 12. Prahasini/satire (1935)/Adhunika/modern woman. 13. Syamali/she who is dark 1936/Bamsioala/the flute player. 14. Arogya/recovery (1941)/no. 23/no. 23. 15. Ses Lekhan/last writing (1941)/no. 15/no. 15. 16. Citrangada/chitrangada (1936)/I am Cirangada/I am Chitranganda. Notes. Index. Key to transliteration. Rabindranath Tagore is known outside Bengal mainly as the poet of Gitanjali and has been stereotyped in the west as a mystic poet for the deeply spiritual poems in his Nobel Prize winning book. But the principal driving force of his poetry was humanism. Image of women in his poetry is one aspect of this humanism and is focused in the book. The women's liberation and the phrase gender equality was not in the English vocabulary when these poems were written. Nor did women had the right to vote in many `first world countries. We hear Tagore's voice speaking about women in the first phase of his poetry up to 1914. In the second phase we hear mostly women's voice muted in a man's world finding expression in the poems. 141 pp.
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Francisco Goya, Janis A. Tomlinson, F. Calvo Serraller, National Gallery of Art (U. S.), Corporate Author: Museo Del Prado
Images Women (2002)
EN HC NWISBN: 9780894682933 bzw. 0894682938, in Englisch, 320 Seiten, Natl Gallery of Art, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Wisepenny.
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This text examines the representations of women within Goya's multifaceted art, and in so doing, it sheds light on the evolution of his artistic creativity as well as on the roles assumed by women in late-18th- and early-19th-century Spain. Hardcover, Label: Natl Gallery of Art, Natl Gallery of Art, Produktgruppe: Book, Publiziert: 2002-03, Studio: Natl Gallery of Art, Verkaufsrang: 4324920.
Von Händler/Antiquariat, Wisepenny.
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This text examines the representations of women within Goya's multifaceted art, and in so doing, it sheds light on the evolution of his artistic creativity as well as on the roles assumed by women in late-18th- and early-19th-century Spain. Hardcover, Label: Natl Gallery of Art, Natl Gallery of Art, Produktgruppe: Book, Publiziert: 2002-03, Studio: Natl Gallery of Art, Verkaufsrang: 4324920.
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Francisco Goya, Janis A. Tomlinson, F. Calvo Serraller, National Gallery of Art (U. S.), Corporate Author: Museo Del Prado
Images Women (2002)
EN HC USISBN: 9780894682933 bzw. 0894682938, in Englisch, 320 Seiten, Natl Gallery of Art, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, midtownscholarbookstore.
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This text examines the representations of women within Goya's multifaceted art, and in so doing, it sheds light on the evolution of his artistic creativity as well as on the roles assumed by women in late-18th- and early-19th-century Spain. Hardcover, Label: Natl Gallery of Art, Natl Gallery of Art, Produktgruppe: Book, Publiziert: 2002-03, Studio: Natl Gallery of Art, Verkaufsrang: 4324920.
Von Händler/Antiquariat, midtownscholarbookstore.
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This text examines the representations of women within Goya's multifaceted art, and in so doing, it sheds light on the evolution of his artistic creativity as well as on the roles assumed by women in late-18th- and early-19th-century Spain. Hardcover, Label: Natl Gallery of Art, Natl Gallery of Art, Produktgruppe: Book, Publiziert: 2002-03, Studio: Natl Gallery of Art, Verkaufsrang: 4324920.
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EN HC NW FEISBN: 9788175411968 bzw. 8175411961, in Englisch, Shipra Publications, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Cold Books.
Shipra Publications . hardcover. New. pp. 150 Index 1st Edition.
Von Händler/Antiquariat, Cold Books.
Shipra Publications . hardcover. New. pp. 150 Index 1st Edition.
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