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100%: Zanger, Anat: Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition) (ISBN: 9789053567845) Amsterdam University Press, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Anat Zanger: Film Remakes as Ritual and Disguise : From Carmen to Ripley (Film Culture in Transition) (ISBN: 9789048520152) 2011, Amsterdam University Press, Erstausgabe, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
71%: Anat Zanger: Film Remakes as Ritual and Disguise (e-Book) (ISBN: 9789048509706) in Holländisch.Nur diese Ausgabe anzeigen…
Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition)
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| Preise | 2012 | 2013 | 2014 |
|---|---|---|---|
| Schnitt | € 46,77 | € 31,36 | € 32,40 |
| Nachfrage |
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Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition) (2007)
EN PB USISBN: 9789053567845 bzw. 9053567844, in Englisch, Amsterdam University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, Midtown Scholar with FREE U.S. SHIPPING [51735859], Harrisburg, PA, U.S.A.
Ships via free US Media Mail shipping! - Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice! Dimensions: 0.64 lbs.
Von Händler/Antiquariat, Midtown Scholar with FREE U.S. SHIPPING [51735859], Harrisburg, PA, U.S.A.
Ships via free US Media Mail shipping! - Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice! Dimensions: 0.64 lbs.
2
Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition) (2007)
EN PB NWISBN: 9789053567845 bzw. 9053567844, in Englisch, 158 Seiten, Amsterdam University Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, the_book_depository_.
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and Psycho—to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural “fingerprints” that are reflective of society’s own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death—playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. , Paperback, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2007-01-15, Studio: Amsterdam University Press, Verkaufsrang: 4490420.
Von Händler/Antiquariat, the_book_depository_.
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and Psycho—to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural “fingerprints” that are reflective of society’s own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death—playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. , Paperback, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2007-01-15, Studio: Amsterdam University Press, Verkaufsrang: 4490420.
3
Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition) (2007)
EN PB USISBN: 9789053567845 bzw. 9053567844, in Englisch, 158 Seiten, Amsterdam University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, ann_arbor_books.
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and Psycho—to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural “fingerprints” that are reflective of society’s own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death—playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. , Paperback, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2007-01-15, Studio: Amsterdam University Press, Verkaufsrang: 4490420.
Von Händler/Antiquariat, ann_arbor_books.
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and Psycho—to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural “fingerprints” that are reflective of society’s own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death—playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. , Paperback, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2007-01-15, Studio: Amsterdam University Press, Verkaufsrang: 4490420.
4
Film Remakes as Ritual and Disguise: From Carmen to Ripley (Film Culture in Transition) (2014)
EN PB US FEISBN: 9789053567845 bzw. 9053567844, in Englisch, 160 Seiten, Amsterdam University Press, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days.
Von Händler/Antiquariat, EliteDigital UK.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, EliteDigital UK.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
5
Film Remakes as Ritual and Disguise: From Carmen to Ripley (Film Culture in Transition) (2014)
EN PB NW FEISBN: 9789053567845 bzw. 9053567844, in Englisch, 160 Seiten, Amsterdam University Press, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 24 hours.
Von Händler/Antiquariat, Amazon.co.uk.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Amazon.co.uk.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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