Communication Acoustics: An Introduction to Speech, Audio Psychoacoustics
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Neuware - InhaltsangabeAbout the Authors xix Preface xxi Preface to the Unfinished Manuscript of the Book xxiii Introduction 1 1 How to Study and Develop Communication Acoustics 7 1.1 Domains of Knowledge 7 1.2 Methodology of Research and Development 8 1.3 Systems Approach to Modelling 10 1.4 About the Rest of this Book 12 1.5 Focus of the Book 12 1.6 Intended Audience 13 References 14 2 Physics of Sound 15 2.1 Vibration and Wave Behaviour of Sound 15 2.2 Acoustic Measures and Quantities 23 2.3 Wave Phenomena 26 2.4 Sound in Closed Spaces: Acoustics of Rooms and Halls 34 Summary 41 Further Reading 41 References 41 3 Signal Processing and Signals 43 3.1 Signals 43 3.2 Fundamental Concepts of Signal Processing 46 3.3 Digital Signal Processing (DSP) 56 3.4 Hidden Markov Models 62 3.5 Concepts of Intelligent and Learning Systems 63 Summary 64 Further Reading 64 References 64 4 Electroacoustics and Responses of Audio Systems 67 4.1 Electroacoustics 67 4.2 Audio System Responses 71 4.3 Response Equalization 76 Summary 77 Further Reading 78 References 78 5 Human Voice 79 5.1 Speech Production 79 5.2 Units and Notation of Speech used in Phonetics 84 5.3 Modelling of Speech Production 90 5.4 Singing Voice 96 Summary 96 Further Reading 97 References 97 6 Musical Instruments and Sound Synthesis 99 6.1 Acoustic Instruments 99 6.2 Sound Synthesis in Music 104 Summary 108 Further Reading 108 References 108 7 Physiology and Anatomy of Hearing 111 7.1 Global Structure of the Ear 111 7.2 External Ear 112 7.3 Middle Ear 113 7.4 Inner Ear 115 7.5 Otoacoustic Emissions 123 7.6 Auditory Nerve 123 7.7 Auditory Nervous System 127 7.8 Motivation for Building Computational Models of Hearing 130 Summary 131 Further Reading 131 References 131 8 The Approach and Methodology of Psychoacoustics 133 8.1 Sound Events versus Auditory Events 133 8.2 Psychophysical Functions 135 8.3 Generation of Sound Events 135 8.4 Selection of Subjects for Listening Tests 138 8.5 What are We Measuring 138 8.6 Tasks for Subjects 141 8.7 Basic Psychoacoustic Test Methods 142 8.8 Descriptive Sensory Analysis 145 8.9 Psychoacoustic Tests from the Point of View of Statistics 149 Summary 149 Further Reading 150 References 150 9 Basic Function of Hearing 153 9.1 Effective Hearing Area 153 9.2 Spectral Masking 156 9.3 Temporal Masking 161 9.4 Frequency Selectivity of Hearing 163 Summary 169 Further Reading 169 References 169 10 Basic Psychoacoustic Quantities 171 10.1 Pitch 171 10.2 Loudness 179 10.3 Timbre 188 10.4 Subjective Duration of Sound 189 Summary 191 Further Reading 191 References 191 11 Further Analysis in Hearing 193 11.1 Sharpness 193 11.2 Detection of Modulation and Sound Onset 195 11.3 Roughness 198 11.4 Tonality 200 11.5 Discrimination of Changes in Signal Magnitude and Phase Spectra 201 11.6 Psychoacoustic Concepts and Music 206 11.7 Perceptual Organization of Sound 212 Summary 216 Further Reading 217 References 217 12 Spatial Hearing 219 12.1 Concepts and Definitions for Spatial Hearing 219 12.2 HeadRelated Acoustics 222 12.3 Localization Cues 226 12.4 Localization Accuracy 235 12.5 Directional Hearing in Enclosed Spaces 239 12.6 Binaural Advantages in Timbre Perception 241 12.7 Perception of Source Distance 243 Summary 246 Further Reading 246 References 246 13 Auditory Modelling 249 13.1 Simple Psychoacoustic Modelling with DFT 250 13.2 Filter Bank Models 255 13.3 Cochlear Models 260 13.4 Modelling of Higher-Level Systemic Properties 263 13.5 Models of Spatial Hearing 265 13.6 Matlab Examples 270 Analysis 272 Summary 274 Further Reading 274 References 274 14 Sound Reproduction 277 14.1 Need for Sound Reproduction 277, Buch, Neuware, 2.5 x 25 x 17.6, 810g.

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