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100%: Feinstein, Joshua: The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989 (ISBN: 9780807853856) 2002, University of North Carolina Press, Vereinigte Staaten von Amerika, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Joshua Feinstein: The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989 (ISBN: 9780807827178) in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989
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Bester Preis: € 4,22 (vom 09.05.2016)1
The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989 (2002)
EN PB NW FEISBN: 9780807853856 bzw. 0807853852, in Englisch, 352 Seiten, The University of North Carolina Press, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, ejbooks.
Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was. , Paperback, Ausgabe: 1st New edition, Label: The University of North Carolina Press, The University of North Carolina Press, Produktgruppe: Book, Publiziert: 2002-09-23, Studio: The University of North Carolina Press, Verkaufsrang: 2548794.
Von Händler/Antiquariat, ejbooks.
Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was. , Paperback, Ausgabe: 1st New edition, Label: The University of North Carolina Press, The University of North Carolina Press, Produktgruppe: Book, Publiziert: 2002-09-23, Studio: The University of North Carolina Press, Verkaufsrang: 2548794.
2
The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989
EN USISBN: 0807853852 bzw. 9780807853856, in Englisch, The University of North Carolina Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
europe,germany,history,history and criticism,humor and entertainment,movies,theory, Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was.
europe,germany,history,history and criticism,humor and entertainment,movies,theory, Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was.
3
The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989
EN PB NWISBN: 9780807853856 bzw. 0807853852, in Englisch, The University of North Carolina Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
4
The Triumph of the Ordinary (2002)
EN PB NW FEISBN: 9780807853856 bzw. 0807853852, in Englisch, 352 Seiten, Univ of North Carolina Pr, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Kanada, Usually ships within 1 - 2 business days.
Von Händler/Antiquariat, Nearfine.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Nearfine.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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