Natural Acts: Gender, Race, and Rusticity in Country Music (Class : Culture)
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Language: English . Brand New Book. Hillbilly, honky-tonk, Nashville glitz, or alt.country: what makes music authentically country? Country music - whether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill - has always maintained an allegiance to its own authenticity . Its specific sounds and images have changed over time, but country music has consistently been associated with the working class and ideals like unspoiled rural life and values and humble origins. The music suggests not only simple musical arrangements and old-time instruments such as the banjo and fiddle, but performers who identify with everyday fans. Natural Acts explores the ways that musicians - particularly female artists - have established a natural country identity. Pamela Fox focuses on five revealing moments in country performance: blackface comedy on radio and stage before 1945 (concentrating on Opry performers Jamup and Honey); the minstrel s rube or hillbilly equivalent (typified by Opry legend Minnie Pearl); post-war honky-tonk music and culture (Hank Williams, Ernest Tubb, Kitty Wells, Jean Shepard); the country star autobiography of the 1980s and 1990s (Loretta Lynn, Naomi Judd, Tammy Wynette, Dolly Parton, Reba McEntire); and the recent roots phenomenon known as alt.country (Michelle Shocked, Drive-By Truckers, Gillian Welch, Iris DeMent).

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Hillbilly, honky-tonk, Nashville glitz, or alt.country: what makes music authentically country? Country music - whether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill - has always maintained an allegiance to its own 'authenticity'. Its specific sounds and images have changed over time, but country music has consistently been associated with the working class and ideals like unspoiled rural life and va... Hillbilly, honky-tonk, Nashville glitz, or alt.country: what makes music authentically country? Country music - whether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill - has always maintained an allegiance to its own 'authenticity'. Its specific sounds and images have changed over time, but country music has consistently been associated with the working class and ideals like unspoiled rural life and values and humble origins. The music suggests not only 'simple' musical arrangements and old-time instruments such as the banjo and fiddle, but performers who identify with everyday fans. Natural Acts explores the ways that musicians - particularly female artists - have established a 'natural' country identity. Pamela Fox focuses on five revealing moments in country performance: blackface comedy on radio and stage before 1945 (concentrating on Opry performers Jamup and Honey); the minstrel's 'rube' or hillbilly equivalent (typified by Opry legend Minnie Pearl); post-war honky-tonk music and culture (Hank Williams, Ernest Tubb, Kitty Wells, Jean Shepard); the country star autobiography of the 1980s and 1990s (Loretta Lynn, Naomi Judd, Tammy Wynette, Dolly Parton, Reba McEntire); and the recent roots phenomenon known as alt.country (Michelle Shocked, Drive-By Truckers, Gillian Welch, Iris DeMent).Soort: Met illustraties;Taal: Engels;Afmetingen: 23x229x152 mm;Gewicht: 522,00 gram;Verschijningsdatum: september 2009;ISBN10: 0472070681;ISBN13: 9780472070688; Engelstalig | Hardcover | 2009.

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'All I gotta do is act naturally,' Buck Owens sang, and Pamela Fox knows where the acting comes in. From early hillbilly acts to alt.country, Natural Acts lays bare, with wide-ranging scholarship and incisive analysis, the ideologies of authenticity on which country music rests. As engrossing and useful as any book I know on country music.---Eric Lott, author of Love and Theft: Blackface Minstrelsy and the American Working ClassThe first completely mature book of country music historical criticism. It is a deep investigation of country music's power to articulate the displaced pleasures and anxieties of a society wracked by structural change. Historically rigorous, Fox uncovers documents that demonstrate the ongoing power of minstrelsy in barn dance programs across the country past World War II; musically and lyrically astute, she shows how the best honky-tonk music simultaneously critiques the dangers of that setting while seductively luring listeners to those sawdust and alcohol drenched environments; with her ear attuned to the formal complexities of autobiography, Fox directs our attention to the contradictory performance of identity that characterizes the life stories of Reba McEntire, Naomi Judd, Dolly Parton, and others. Natural Acts is provocative, stunning, and engagingly written. Country music studies has come of age.---Barry Shank, The Ohio State UniversityWhether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill, country music has always maintained an allegiance to its own authenticity. Its specific sounds and images have changed over the past century, but country music has consistently been associated with rusticity, a notion connected to the working class and rooted in ideals like unspoiled rural life and values and humble origins. The music suggests not only uncomplicated musical arrangements and old-time instruments such as the banjo and fiddle, but performers who identify with their everyday fans.Natural Acts explores the ways that country musicians---particularly women artists---have established a natural country identity. Pamela Fox focuses on five revealing moments in country performance: blackface comedy during country music's Golden Age of pre-1945 radio and stage programming; the minstrel's rube or hillbilly equivalent in the same period; postwar honky-tonk music and culture; the country star memoir or autobiography of the '80s and '90s; and the recent roots phenomenon known as alt.country.Pamela Fox is Associate Professor of English and Director of the Women's and Gender Studies Program at Georgetown University. She is the author of Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 and coeditor (with Barbara Ching) of Old Roots, New Routes: The Cultural Politics of Alt.Country Music.Photo: Lulu Belle Wiseman and Red Foley, 1930s. Courtesy of Country Music Hall of Fame ® and Museum.

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Pamela Fox, Books, Entertainment, Natural Acts: Gender, Race, and Rusticity in Country Music, 'All I gotta do is act naturally,' Buck Owens sang, and Pamela Fox knows where the acting comes in. From early hillbilly acts to alt.country, Natural Acts lays bare, with wide-ranging scholarship and incisive analysis, the ideologies of authenticity on which country music rests. As engrossing and useful as any book I know on country music.---Eric Lott, author of Love and Theft: Blackface Minstrelsy and the American Working ClassThe first completely mature book of country music historical criticism. It is a deep investigation of country music's power to articulate the displaced pleasures and anxieties of a society wracked by structural change. Historically rigorous, Fox uncovers documents that demonstrate the ongoing power of minstrelsy in barn dance programs across the country past World War II; musically and lyrically astute, she shows how the best honky-tonk music simultaneously critiques the dangers of that setting while seductively luring listeners to those sawdust and alcohol drenched environments; with her ear attuned to the formal complexities of autobiography, Fox directs our attention to the contradictory performance of identity that characterizes the life stories of Reba McEntire, Naomi Judd, Dolly Parton, and others. Natural Acts is provocative, stunning, and engagingly written. Country music studies has come of age.---Barry Shank, The Ohio State UniversityWhether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill, country music has always maintained an allegiance to its own authenticity. Its specific sounds and images have changed over the past century, but country music has consistently been associated with rusticity, a notion connected to the working class and rooted in ideals like unspoiled rural life and values and humble origins. The music suggests not only uncomplicated musical arrangements and old-time instruments such as the banjo and fiddle, but performers who identify with their everyday fans.Natural Acts explores the ways that country musicians---particularly women artists---have established a natural country identity. Pamela Fox focuses on five revealing moments in country performance: blackface comedy during country music's Golden Age of pre-1945 radio and stage programming; the minstrel's rube or hillbilly equivalent in the same period; postwar honky-tonk music and culture; the country star memoir or autobiography of the '80s and '90s; and the recent roots phenomenon known as alt.country.Pamela Fox is Associate Professor of English and Director of the Women's and Gender Studies Program at Georgetown University. She is the author of Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 and coeditor (with Barbara Ching) of Old Roots, New Routes: The Cultural Politics of Alt.Country Music.Photo: Lulu Belle Wiseman and Red Foley, 1930s. Courtesy of Country Music Hall of Fame ® and Museum.

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'All I gotta do is act naturally,' Buck Owens sang, and Pamela Fox knows where the acting comes in. From early hillbilly acts to alt. country, Natural Acts lays bare, with wide-ranging scholarship and incisive analysis, the ideologies of authenticity on which country music rests. As engrossing and useful as any book I know on country music."-Eric Lott, author of Love and Theft: Blackface Minstrelsy and the American Working Class"The first completely mature book of country music historical criticism. It is a deep investigation of country music's power to articulate the displaced pleasures and anxieties of a society wracked by structural change. Historically rigorous, Fox uncovers documents that demonstrate the ongoing power of minstrelsy in barn dance programs across the country past World War II; musically and lyrically astute, she shows how the best honky-tonk music simultaneously critiques the dangers of that setting while seductively luring listeners to those sawdust and alcohol drenched environments; with her ear attuned to the formal complexities of autobiography, Fox directs our attention to the contradictory performance of identity that characterizes the life stories of Reba McEntire, Naomi Judd, Dolly Parton, and others. Natural Acts is provocative, stunning, and engagingly written. Country music studies has come of age."-Barry Shank, The Ohio State UniversityWhether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill, country music has always maintained an allegiance to its own authenticity. Its specific sounds and images have changed over the past century, but country music has consistently been associated with rusticity, a notion connected to the working class and rooted in ideals like unspoiled rural life and values and humble origins. The music suggests not only unco.

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Natural-Acts~~Pamela-Fox, Natural Acts: Gender, Race, and Rusticity in Country Music, Paperback.

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