Mondrian: The Transatlantic Paintings. - 10 Angebote vergleichen

Von Händler/Antiquariat, Blue Mountain Books & Manuscripts, Ltd. [8162], Cadyville, NY, U.S.A.
New Haven and London: Yale University Press / Cambridge, MA: Harvard University Art Museums, 2001. 2001. Very good. - Quarto [11-1/4 inches high by 9-1/4 inches wide], red cloth in a dust wrapper. There are a few small dents in the rear cover with corresponding dents in the rear panel of the dust jacket. The jacket is lightly rubbed. xi & 263 pages plus colophon. Numerous illustrations in color and black & white. Very good. First edition.Published in conjunction with an exhibition organized by Harvard's Fogg Art Museum and the Harvard University Art Museum and shown at Harvard and at the Dallas Museum of Art in 2001.

Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings he brought with him, many of which had already been finished and exhibited. He changed lines and added blocks and bars of color to give them what he called 'more boogie-woogie'. In this groundbreaking book, Harry Cooper, an authority on Mondrian's art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artist's so-called transatlantic paintings and his unusual working method during this period. Their collaboration offers an intimate look into the studio of one of the greatest modern artists and establishes a new model for the integration of art history, theory, and technical analysis. The book begins with two essays by Cooper that discuss the critical reception of Mondrian's work, the place of the transatlantic paintings in the evolution of his art, and the particular significance of their dates and titles. Spronk's essay presents technical discoveries based on the authors' original research, reproducing and interpreting many new X-radiographs, photomicrographs; and photographs taken under ultraviolet and infrared light. The catalogue features such major paintings as Place de la Concorde (1938-43) from the Dallas Museum of Art and No. 12 (1936-42) from the National Gallery of Canada. Each work is discussed in a comprehensive entry accompanied by a dazzling array of illustrations that take the reader under the surface of the painting to reveal its genesis. Wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks.

Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Argosy Book Store.
New Haven: Yale University Press, 2001. First. paperback. near fine. Mondrian. Color and b/w plates throughout. xi + 263 pages. Small 4to, printed wrappers. New Haven/Cambridge: Yale University Press and Harvard University Art Museums, (2001). First softcover edition. Inscribed by Cooper on the title page. Near fine.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Coon Rapids Books.
Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings be brought with him, many of which had already been finished and exhibited. He changed lines and added blocks and bars of color to give them what he called "more boogie-woogie". In this groundbreaking book, Harry Cooper, an authority on Mondrian's art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artist's so-called transatlantic paintings and his unusual working method during this period. Their collaboration offers an intimate look into the studio of one of the greatest modern artists and establishes a new model for the integration of art history, theory, and technical analysis. The book begins with two essays by Cooper that discuss the critical reception of Mondrian's work, the place of the transatlantic paintings in the evolution of his art, and the particular significance of their dates and titles. Spronk's essay presents technical discoveries based on the author's original research, reproducing and interpreting many new X-radiographs, photomicrographs, and photographs taken under ultraviolet and infrared light. The catalogue features such major paintings as Place de la Concorde (1938-43) from the Dallas Museum of Art and No. 12 (1936-42) from the National Gallery of Canada. Each work is discussed in a comprehensive entry accompanied by a dazzling array of illustrations that take the reader under the surface of the painting to reveal its genesis. This is the catalogue for an exhibition that opens at the Harvard University Art Museums in April 2001 and then travels to the Dallas Museum of Art. Hardcover, Ausgabe: 1st, Label: Harvard Art Museums, Harvard Art Museums, Produktgruppe: Book, Publiziert: 2001-05-01, Studio: Harvard Art Museums, Verkaufsrang: 2873402.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, Real shipping costs can differ.
Von Händler/Antiquariat, RELIABLE PROMPT SHIPPERS.
Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings be brought with him, many of which had already been finished and exhibited. He changed lines and added blocks and bars of color to give them what he called "more boogie-woogie". In this groundbreaking book, Harry Cooper, an authority on Mondrian's art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artist's so-called transatlantic paintings and his unusual working method during this period. Their collaboration offers an intimate look into the studio of one of the greatest modern artists and establishes a new model for the integration of art history, theory, and technical analysis. The book begins with two essays by Cooper that discuss the critical reception of Mondrian's work, the place of the transatlantic paintings in the evolution of his art, and the particular significance of their dates and titles. Spronk's essay presents technical discoveries based on the author's original research, reproducing and interpreting many new X-radiographs, photomicrographs, and photographs taken under ultraviolet and infrared light. The catalogue features such major paintings as Place de la Concorde (1938-43) from the Dallas Museum of Art and No. 12 (1936-42) from the National Gallery of Canada. Each work is discussed in a comprehensive entry accompanied by a dazzling array of illustrations that take the reader under the surface of the painting to reveal its genesis. This is the catalogue for an exhibition that opens at the Harvard University Art Museums in April 2001 and then travels to the Dallas Museum of Art. Paperback, Edition: First, Format: Import, Label: Yale University Press, Yale University Press, Product group: Book, Published: 2001, Studio: Yale University Press, Sales rank: 4675976.

Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, Argosy Book Store, NY, New York, [RE:4].
Color and b/w plates throughout. xi + 263 pages. Small 4to, printed wrappers. New Haven/Cambridge: Yale University Press and Harvard University Art Museums, (2001). First softcover edition. Inscribed by Cooper on the title page. Near fine. paperback, First.

Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Argosy Book Store.
New Haven: Yale University Press, 2001. First. paperback. fine. Mondrian. Color and b/w plates throughout. xi + 263 pages. Small 4to, printed wrappers. New Haven/Cambridge: Yale University Press and Harvard University Art Museums, (2001). First softcover edition. A fine copy.

Von Händler/Antiquariat, Argosy Book Store, ABAA, ILAB [1597], New York, NY, U.S.A.
Color and b/w plates throughout. xi + 263 pages. Small 4to, printed wrappers. New Haven/Cambridge: Yale University Press and Harvard University Art Museums, (2001). First softcover edition. A fine copy.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, James & Mary Laurie, Booksellers A.B.A.A [5069], Minneapolis, MN, U.S.A.
Bound in the publisher's original red boards with the spine stamped in black. Publisher's release notes laid in.

Von Händler/Antiquariat, Powell's Books [9859], Portland, OR, U.S.A.
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