Perspectives on Artistic Research in Music - 3 Angebote vergleichen
Bester Preis: € 57,72 (vom 06.08.2017)1
Andrys Onsman, Cat Hope, Deniz Peters, Glen Hodges, Jenny Wilson, Johanna Selleck, Joseph Toltz, Linda Barwick, Michael Hooper, Nick Haywood, Robert Burke, Robert Vincs, Stephen Emmerson, Thomas Reiner, Tim Dargaville, Zubin Kanga
Perspectives on Artistic Research in Music (2017)
EN NW EB DLISBN: 9781498544825 bzw. 1498544827, in Englisch, Lexington Books, Lexington Books, Lexington Books, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, in-stock.
The increasing interest in artistic research, especially in music, is throwing open doors to exciting ideas about how we generate new musical knowledge and understanding. This book examines the wide array of factors at play in innovative practice and how by treating it as research we can make new ideas more widely accessible. Three key ideas propel the book. First, it argues that artistic research comes from inside the practice and exists in a space that accommodates both objective and subjective observation and analyses because the researcher is the practitioner. It is a space for dialogue between apparently opposing binaries: the composer and the performer, the past and the present, the fixed and the fluid, the intellectual and the intuitive, the abstract and the embodied, the prepared and the spontaneous, the enduring and the transitory, and so on. It is not so much constructed in a logical, sequential manner in the way of the scientific method of doing research but more as a "braided" space, woven from many disparate elements. Second, the book articulates the notion that artistic research in music has its own verification procedures that need to be brought into the academy, especially in terms of the moderation of non-traditional research outputs, including the description of the criteria for allocation of research points for the purposes of data collection, as well as real world relevance and industry engagement. Third, by way of numerous examples of original and creative music making, it demonstrates in practical terms how exploration and experimentation functions as legitimate academic research. Many of the case studies deliberately cross boundaries that were previously assumed to be rigid and definite in order to blaze new musical trails, creating new collaborations and synergies.
The increasing interest in artistic research, especially in music, is throwing open doors to exciting ideas about how we generate new musical knowledge and understanding. This book examines the wide array of factors at play in innovative practice and how by treating it as research we can make new ideas more widely accessible. Three key ideas propel the book. First, it argues that artistic research comes from inside the practice and exists in a space that accommodates both objective and subjective observation and analyses because the researcher is the practitioner. It is a space for dialogue between apparently opposing binaries: the composer and the performer, the past and the present, the fixed and the fluid, the intellectual and the intuitive, the abstract and the embodied, the prepared and the spontaneous, the enduring and the transitory, and so on. It is not so much constructed in a logical, sequential manner in the way of the scientific method of doing research but more as a "braided" space, woven from many disparate elements. Second, the book articulates the notion that artistic research in music has its own verification procedures that need to be brought into the academy, especially in terms of the moderation of non-traditional research outputs, including the description of the criteria for allocation of research points for the purposes of data collection, as well as real world relevance and industry engagement. Third, by way of numerous examples of original and creative music making, it demonstrates in practical terms how exploration and experimentation functions as legitimate academic research. Many of the case studies deliberately cross boundaries that were previously assumed to be rigid and definite in order to blaze new musical trails, creating new collaborations and synergies.
2
Perspectives on Artistic Research in Music (2017)
EN NW EB DLISBN: 9781498544825 bzw. 1498544827, in Englisch, Lexington Books, Lexington Books, Lexington Books, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, in-stock.
This book demonstrates how experimentation generates new and creative music. It considers whether musical practice can provide worthwhile research outputs and how artistic research in music can assume a legitimate place in the academy. It goes on to demonstrate how exploration and experimentation function as legitimate artistic research in music.
This book demonstrates how experimentation generates new and creative music. It considers whether musical practice can provide worthwhile research outputs and how artistic research in music can assume a legitimate place in the academy. It goes on to demonstrate how exploration and experimentation function as legitimate artistic research in music.
3
Perspectives on Artistic Research in Music
EN NW EBISBN: 9781498544825 bzw. 1498544827, in Englisch, Lexington Books, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Perspectives-on-Artistic-Research-in-Music~~Robert-Burke, Perspectives on Artistic Research in Music, NOOK Book (eBook).
Perspectives-on-Artistic-Research-in-Music~~Robert-Burke, Perspectives on Artistic Research in Music, NOOK Book (eBook).
Lade…