Von dem Buch Beatle Song Profiles: Let It Be (and assorted singles) (English Edition) haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!

Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:

Beatle Song Profiles: Let It Be (and assorted singles) (English Edition)100%: Joel Benjamin: Beatle Song Profiles: Let It Be (and assorted singles) (English Edition) (ISBN: 9789657570241) 2012, in Englisch, auch als eBook.
Nur diese Ausgabe anzeigen…
Beatle Song Profiles: White Album (English Edition)35%: Joel Benjamin: Beatle Song Profiles: White Album (English Edition) (ISBN: 9789657570227) 2012, in Englisch, auch als eBook.
Nur diese Ausgabe anzeigen…

Beatle Song Profiles: Let It Be (and assorted singles) (English Edition)
6 Angebote vergleichen

Bester Preis: 8,10 (vom 28.02.2017)
1
9789657570241 - Joel Benjamin: Beatle Song Profiles: Let It Be
Joel Benjamin

Beatle Song Profiles: Let It Be (2012)

Lieferung erfolgt aus/von: Brasilien EN NW EB DL

ISBN: 9789657570241 bzw. 9657570247, in Englisch, Arjon Publishing, Arjon Publishing, Arjon Publishing, neu, E-Book, elektronischer Download.

9,85 (BRL 32,43)¹
versandkostenfrei, unverbindlich
Lieferung aus: Brasilien, in-stock.
Beatle Song Profiles: Let It Be (and assorted singles) Each of the 10 songs from Let It Be and and an additional seven singles that were released around this time period but did not appear on any album, are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song's origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. For any serious fan of the music of The Beatles- this edition of song profiles from Let It Be (and assorted singles) is a must. Sample song profile from Let It Be Let It Be McCartney says "Let It Be" was inspired by a dream he had about his mother who had passed away when he was a teenager. He felt "reunited with her" if only for that brief, dreaming moments. "I am not sure she used the words 'Let it Be' but that was the gist of her advice. 'Don't worry too much, it will turn out okay.' Oh, it was really great to visit with her again, I felt very blessed to have that dream." Lennon said that he tho.
2
9789657570227 - Joel Benjamin: Beatle Song Profiles: White Album
Joel Benjamin

Beatle Song Profiles: White Album (2012)

Lieferung erfolgt aus/von: Brasilien EN NW EB DL

ISBN: 9789657570227 bzw. 9657570220, in Englisch, Arjon Publishing, Arjon Publishing, Arjon Publishing, neu, E-Book, elektronischer Download.

9,85 (BRL 32,43)¹
versandkostenfrei, unverbindlich
Lieferung aus: Brasilien, in-stock.
Each of the 28 songs from White Album are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song's origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from the White Album Back in the USSR "Back in the USSR" was based on Chuck Berry's "Back in the USA." However in Berry's song he sings about how happy he is when he returns to the US. McCartney reversed it and makes the singer happy he's back in the USSR. The song's origins are from a meeting between Mike Love from the Beach Boys and McCartney during their 1968 India retreat. Love suggested that The Beatles incorporate a little bit of a Beach Boy sound in a song as they did in "California Girls." He did and changed "California Girls" to "Moscow Girls" and added the definitive Beach Boy "Oooeeeeoooo" in the background harmonies. McCartney hated the "American Dream" sugary lyrics the Beach Boys used so he came up with the lyric "leaving the West behind." The line "Georgia's always on my mind" in a play on the Ray Charles song "Georgia On My Mind." It has a double meaning, since Georgia was part of the U.S.S.R. then. This song was banned from many radio stations upon the release of the White Album as many people thought it promoted communism. In his autobiography, McCartney commented on the track: "In my mind it's just about a (Russian) spy who's been in America for a long time and he's become very American but when he gets back to the USS.
3
9789657570227 - Joel Benjamin: Beatle Song Profiles: White Album (English Edition)
Joel Benjamin

Beatle Song Profiles: White Album (English Edition) (2012)

Lieferung erfolgt aus/von: Frankreich EN NW EB DL

ISBN: 9789657570227 bzw. 9657570220, in Englisch, 66 Seiten, Arjon Publishing, neu, E-Book, elektronischer Download.

Lieferung aus: Frankreich, ספר אלקטרוני להורדה, משלוח חינם.
Each of the 28 songs from White Album are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. ___________ Sample song profile from the White Album Back in the USSR “Back in the USSR” was based on Chuck Berry’s “Back in the USA.” However in Berry’s song he sings about how happy he is when he returns to the US. McCartney reversed it and makes the singer happy he’s back in the USSR. The song’s origins are from a meeting between Mike Love from the Beach Boys and McCartney during their 1968 India retreat. Love suggested that The Beatles incorporate a little bit of a Beach Boy sound in a song as they did in “California Girls.” He did and changed “California Girls” to “Moscow Girls” and added the definitive Beach Boy “Oooeeeeoooo” in the background harmonies. McCartney hated the “American Dream” sugary lyrics the Beach Boys used so he came up with the lyric “leaving the West behind.” The line “Georgia’s always on my mind” in a play on the Ray Charles song “Georgia On My Mind.” It has a double meaning, since Georgia was part of the U.S.S.R. then. This song was banned from many radio stations upon the release of the White Album as many people thought it promoted communism. In his autobiography, McCartney commented on the track: “In my mind it’s just about a (Russian) spy who’s been in America for a long time and he’s become very American but when he gets back to the USSR he’s saying, ‘Leave it ‘til tomorrow to unpack my case, Honey, disconnect the phone.’ and all that, but to Russian women. ‘It is someone who hasn’t got a lot but they all still every bit as proud as an American would be. It’s tongue-in-cheek. He can’t wait to get back to the Georgian mountains because Georgia’s always on my mind’ there is all sorts of little jokes in it.” Loaded up with a barrel of fresh energy, “Back in the USSR” is considered The Beatles’ last great up-tempo rockers they would record. It demonstrates the best type of parody: one that sublimely lampoons its target while working as that type of song in its own right. David Quantick writes: “It could have been a rotten comedy song, a weak parody tune, but McCartney- cocky, confident, and able to do almost anything musically, made it into something amazing. His sense of humor- a quality that is always underrated in pop and rock, in which suicidal determination and hard-faced romanticism are more popular than the ability to find things ridiculous- kicked in at this point to make the song’s gripping twist.” After McCartney criticized Ringo’s drumming on the session, Ringo walked out of the studio. While Paul then played the drums on the track he lacked Ringo’s “mannerism” and “feel and soul.” Both Lennon and Harrison have a crack at playing bass. Format Kindle, מהדורה: White Album, תבנית: Ebook Kindle, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2012-08-22, תאריך שחרור: 2012-08-22, סטודיו: Arjon Publishing.
4
9789657570241 - Joel Benjamin: Beatle Song Profiles: Let It Be (and assorted singles) (English Edition)
Joel Benjamin

Beatle Song Profiles: Let It Be (and assorted singles) (English Edition) (2012)

Lieferung erfolgt aus/von: Frankreich EN NW EB DL

ISBN: 9789657570241 bzw. 9657570247, in Englisch, 44 Seiten, Arjon Publishing, neu, E-Book, elektronischer Download.

Lieferung aus: Frankreich, ספר אלקטרוני להורדה, משלוח חינם.
Each of the 10 songs from Let It Be and and an additional seven singles that were released around this time period but did not appear on any album, are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. ____________ Sample song profile from Let It Be Let It Be McCartney says “Let It Be” was inspired by a dream he had about his mother who had passed away when he was a teenager. He felt “reunited with her” if only for that brief, dreaming moments. “I am not sure she used the words ‘Let it Be’ but that was the gist of her advice. ‘Don’t worry too much, it will turn out okay.’ Oh, it was really great to visit with her again, I felt very blessed to have that dream.” Lennon said that he thought the music of “Let It Be” was inspired by Simon and Garfunkel’s “Bridge Over Troubled Water.” It’s been suggested that Lennon hated this song because of its apparent Christian overtones. He made the comment before recording it, “And now we’d like to do Hark The Angels Come.” Lennon saw to it that “Maggie Mae,” a song about a Liverpool prostitute, followed it on the album. McCartney managed to connect his personal situation with the larger communal reality. The song effortlessly overflows with an emotional earnestness and prodigious melodic thrust. He shows off his talent for Chopinesque melodic variation in the handling of the phrases “they will see” in the second verse, and “shine on ‘til tomorrow” in the final verse. He also starts throwing in those trademark flips of an octave upward toward the end of each section starting with the refrain that follows the guitar solo. Ringo varies his part for each verse, enabling the song to develop dynamically in spite of harmonic and melodic repetition. At the last verse he introduces a unique and wholly different beat, incorporating tom-tom rolls woven around the backbeat. This radically and unexpectedly changed the feel for the last return to the verse. Of the song’s legacy, Alan Pollack avers: “With its quaint, diatonic style, its inclusion of pseudo-religious imagery in the lyrics, and its lingering afterglow of having stated some mysterious truth, earns it a unique place in his songbook- a niche that it shares, perhaps alone, with ‘Hey Jude’.” Beatle scholar Ian McDonald disagreed: “Let It Be has achieved popularity well out of proportion to its artistic weight. It is Hey Jude without the musical and emotional release.” Steve Turner writes in his book, The Gospel According to The Beatles, that “Let It Be” was essentially a song about salvation. “The world is broken, troubled, dark, and cloudy, but there is hope. There is an answer. If this answer is heeded, thee will be light and the darkness will roll away. The phrase Let It Be could be taken in the Buddhist or Hindu sense of not holding to the material world. In this sense, ‘let it be’ would mean ‘let it go’ or ‘don’t get attached.’ Let go of the past. Let go of the future. Let go of the present.”, Format Kindle, מהדורה: Let It Be (and additional singles), תבנית: Ebook Kindle, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2012-08-26, תאריך שחרור: 2012-08-26, סטודיו: Arjon Publishing.
5
9789657570227 - Joel Benjamin: Beatle Song Profiles: White Album
Joel Benjamin

Beatle Song Profiles: White Album (2012)

Lieferung erfolgt aus/von: Niederlande EN NW EB

ISBN: 9789657570227 bzw. 9657570220, in Englisch, Arjon Publishing, neu, E-Book.

10,84 + Versand: 3,45 = 14,29
unverbindlich
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Each of the 28 songs from White Album are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums ... Each of the 28 songs from White Album are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from the White Album Back in the USSR “Back in the USSR” was based on Chuck Berry’s “Back in the USA.” However in Berry’s song he sings about how happy he is when he returns to the US. McCartney reversed it and makes the singer happy he’s back in the USSR. The song’s origins are from a meeting between Mike Love from the Beach Boys and McCartney during their 1968 India retreat. Love suggested that The Beatles incorporate a little bit of a Beach Boy sound in a song as they did in “California Girls.” He did and changed “California Girls” to “Moscow Girls” and added the definitive Beach Boy “Oooeeeeoooo” in the background harmonies. McCartney hated the “American Dream” sugary lyrics the Beach Boys used so he came up with the lyric “leaving the West behind.” The line “Georgia’s always on my mind” in a play on the Ray Charles song “Georgia On My Mind.” It has a double meaning, since Georgia was part of the U.S.S.R. then. This song was banned from many radio stations upon the release of the White Album as many people thought it promoted communism. In his autobiography, McCartney commented on the track: “In my mind it’s just about a (Russian) spy who’s been in America for a long time and he’s become very American but when he gets back to the USSR he’s saying, ‘Leave it ‘til tomorrow to unpack my case, Honey, disconnect the phone.’ and all that, but to Russian women. ‘It is someone who hasn’t got a lot but they all still every bit as proud as an American would be. It’s tongue-in-cheek. He can’t wait to get back to the Georgian mountains because Georgia’s always on my mind’ there is all sorts of little jokes in it.” Loaded up with a barrel of fresh energy, “Back in the USSR” is considered The Beatles’ last great up-tempo rockers they would record. It demonstrates the best type of parody: one that sublimely lampoons its target while working as that type of song in its own right. David Quantick writes: “It could have been a rotten comedy song, a weak parody tune, but McCartney- cocky, confident, and able to do almost anything musically, made it into something amazing. His sense of humor- a quality that is always underrated in pop and rock, in which suicidal determination and hard-faced romanticism are more popular than the ability to find things ridiculous- kicked in at this point to make the song’s gripping twist.” After McCartney criticized Ringo’s drumming on the session, Ringo walked out of the studio. While Paul then played the drums on the track he lacked Ringo’s “mannerism” and “feel and soul.” Both Lennon and Harrison have a crack at playing bass.Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;Verschijningsdatum: augustus 2012;ISBN10: 9657570220;ISBN13: 9789657570227; Engelstalig | Ebook | 2012.
6
9789657570241 - Joel Benjamin: Beatle Song Profiles: Let It Be
Joel Benjamin

Beatle Song Profiles: Let It Be (2012)

Lieferung erfolgt aus/von: Niederlande EN NW EB

ISBN: 9789657570241 bzw. 9657570247, in Englisch, Arjon Publishing, neu, E-Book.

10,84 + Versand: 3,45 = 14,29
unverbindlich
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Beatle Song Profiles: Let It Be (and assorted singles) Each of the 10 songs from Let It Be and and an additional seven singles that were released around this time period but did not appear on any album, are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song"s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrange... Beatle Song Profiles: Let It Be (and assorted singles) Each of the 10 songs from Let It Be and and an additional seven singles that were released around this time period but did not appear on any album, are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song"s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. For any serious fan of the music of The Beatles- this edition of song profiles from Let It Be (and assorted singles) is a must. Sample song profile from Let It Be Let It Be McCartney says "Let It Be" was inspired by a dream he had about his mother who had passed away when he was a teenager. He felt "reunited with her" if only for that brief, dreaming moments. "I am not sure she used the words "Let it Be" but that was the gist of her advice. "Don"t worry too much, it will turn out okay." Oh, it was really great to visit with her again, I felt very blessed to have that dream." Lennon said that he thought the music of "Let It Be" was inspired by Simon and Garfunkel"s "Bridge Over Troubled Water." It"s been suggested that Lennon hated this song because of its apparent Christian overtones. He made the comment before recording it, "And now we"d like to do Hark The Angels Come." Lennon saw to it that "Maggie Mae," a song about a Liverpool prostitute, followed it on the album. McCartney managed to connect his personal situation with the larger communal reality. The song effortlessly overflows with an emotional earnestness and prodigious melodic thrust. He shows off his talent for Chopinesque melodic variation in the handling of the phrases "they will see" in the second verse, and "shine on "til tomorrow" in the final verse. He also starts throwing in those trademark flips of an octave upward toward the end of each section starting with the refrain that follows the guitar solo. Ringo varies his part for each verse, enabling the song to develop dynamically in spite of harmonic and melodic repetition. At the last verse he introduces a unique and wholly different beat, incorporating tom-tom rolls woven around the backbeat. This radically and unexpectedly changed the feel for the last return to the verse. Of the song"s legacy, Alan Pollack avers: "With its quaint, diatonic style, its inclusion of pseudo-religious imagery in the lyrics, and its lingering afterglow of having stated some mysterious truth, earns it a unique place in his songbook- a niche that it shares, perhaps alone, with "Hey Jude"." Beatle scholar Ian McDonald disagreed: "Let It Be has achieved popularity well out of proportion to its artistic weight. It is Hey Jude without the musical and emotional release." Steve Turner writes in his book, The Gospel Acccording to The Beatles, that "Let It Be" was essentially a song about salvation. "The world is broken, troubled, dark, and cloudy, but there is hope. There is an answer. If this answer is heeded, thee will be light and the darkness will roll away. The phrase Let It Be could be taken in the Buddhist or Hindu sense of not holding to the material world. In this sense, "let it be" would mean "let it go" or "don"t get attached." Let go of the past. Let go of the future. Let go of the present."Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;Verschijningsdatum: augustus 2012;ISBN10: 9657570247;ISBN13: 9789657570241; Engelstalig | Ebook | 2012.
Lade…