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100%: Devorah Heitner: Black Power TV (ISBN: 9780822354246) Duke University Press Books, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Devorah Heitner: Black Power TV (ISBN: 9780822354093) Duke University Press Books, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
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Bester Preis: € 13,53 (vom 20.01.2017)1
Black Power TV
EN PB USISBN: 9780822354246 bzw. 0822354241, in Englisch, Duke University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
9780822354246,0822354241,black,power,heitner, A hand inspected Used copy of "Black Power TV" by Heitner. Ships directly from Textbooks.com, Paperback, Shipping to USA only!
9780822354246,0822354241,black,power,heitner, A hand inspected Used copy of "Black Power TV" by Heitner. Ships directly from Textbooks.com, Paperback, Shipping to USA only!
2
Black Power TV
EN PB USISBN: 9780822354246 bzw. 0822354241, in Englisch, Duke University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
9780822354246,0822354241,black,power,heitner, Excellent Marketplace listings for "Black Power TV" by Heitner starting as low as $14.40! Paperback, Shipping to USA only!
9780822354246,0822354241,black,power,heitner, Excellent Marketplace listings for "Black Power TV" by Heitner starting as low as $14.40! Paperback, Shipping to USA only!
3
Black Power TV
EN NWISBN: 9780822354246 bzw. 0822354241, in Englisch, Duke University Press, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
In Black Power TV, Devorah Heitner chronicles the emergence of Black public affairs television starting in 1968. She examines two local shows, New York's Inside Bedford-Stuyvesant and Boston's Say Brother, and the national programs Soul! and Black Journal. These shows offered viewers radical and innovative programming: the introspections of a Black police officer in Harlem, African American high school students discussing visionary alternatives to the curriculum, and Miriam Makeba comparing race relations in the United States to apartheid in South Africa. While Inside Bedford-Stuyvesant and Say Brother originated from a desire to contain Black discontent during a period of urban uprisings and racial conflict, these shows were re-envisioned by their African American producers as venues for expressing Black critiques of mainstream discourse, disseminating Black culture, and modeling Black empowerment. At the national level, Soul! and Black Journal allowed for the imagining of a Black nation and a distinctly African American consciousness, and they played an influential role in the rise of the Black Arts Movement. Black Power TV reveals how regulatory, activist, and textual histories are interconnected and how Black public affairs television redefined African American representations in ways that continue to reverberate today.
In Black Power TV, Devorah Heitner chronicles the emergence of Black public affairs television starting in 1968. She examines two local shows, New York's Inside Bedford-Stuyvesant and Boston's Say Brother, and the national programs Soul! and Black Journal. These shows offered viewers radical and innovative programming: the introspections of a Black police officer in Harlem, African American high school students discussing visionary alternatives to the curriculum, and Miriam Makeba comparing race relations in the United States to apartheid in South Africa. While Inside Bedford-Stuyvesant and Say Brother originated from a desire to contain Black discontent during a period of urban uprisings and racial conflict, these shows were re-envisioned by their African American producers as venues for expressing Black critiques of mainstream discourse, disseminating Black culture, and modeling Black empowerment. At the national level, Soul! and Black Journal allowed for the imagining of a Black nation and a distinctly African American consciousness, and they played an influential role in the rise of the Black Arts Movement. Black Power TV reveals how regulatory, activist, and textual histories are interconnected and how Black public affairs television redefined African American representations in ways that continue to reverberate today.
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