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Lost Sounds, Blacks and the Birth of the Recording Industry, 1890-1919
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Lost Sounds (2010)
EN PB NW EB DLISBN: 9780252090639 bzw. 0252090632, in Englisch, University of Illinois Press, University of Illinois Press, University of Illinois Press, Taschenbuch, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces-both black and white-that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces-both black and white-that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
2
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 (Music in American Life) (2005)
EN PB US FEISBN: 9780252073076 bzw. 025207307X, in Englisch, 656 Seiten, University of Illinois Press, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Goodwill Southern California.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces - both black and white - that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. "Lost Sounds" includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Tim Brooks is Executive Vice President of Research at Lifetime Television. He is coauthor of "The Complete Directory to Prime Time Network and Cable TV Shows" and "The Columbia Master Book Discography", and the author of "Little Wonder Records: A History and Discography". He is past president of the Association for Recorded Sound Collections and the winner of its Lifetime Achievement Award. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven volume reference work, Ethnic Music on Records. Paperback, Ausgabe: 1st Pbk. Ed, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2005-09-25, Studio: University of Illinois Press, Verkaufsrang: 1506624.
Von Händler/Antiquariat, Goodwill Southern California.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces - both black and white - that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. "Lost Sounds" includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Tim Brooks is Executive Vice President of Research at Lifetime Television. He is coauthor of "The Complete Directory to Prime Time Network and Cable TV Shows" and "The Columbia Master Book Discography", and the author of "Little Wonder Records: A History and Discography". He is past president of the Association for Recorded Sound Collections and the winner of its Lifetime Achievement Award. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven volume reference work, Ethnic Music on Records. Paperback, Ausgabe: 1st Pbk. Ed, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2005-09-25, Studio: University of Illinois Press, Verkaufsrang: 1506624.
3
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 (Music in American Life) (2005)
EN PB NW FEISBN: 9780252073076 bzw. 025207307X, in Englisch, 656 Seiten, University of Illinois Press, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, SuperBookDeals-.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces - both black and white - that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. "Lost Sounds" includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Tim Brooks is Executive Vice President of Research at Lifetime Television. He is coauthor of "The Complete Directory to Prime Time Network and Cable TV Shows" and "The Columbia Master Book Discography", and the author of "Little Wonder Records: A History and Discography". He is past president of the Association for Recorded Sound Collections and the winner of its Lifetime Achievement Award. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven volume reference work, Ethnic Music on Records. Paperback, Ausgabe: 1st Pbk. Ed, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2005-09-25, Studio: University of Illinois Press, Verkaufsrang: 1506624.
Von Händler/Antiquariat, SuperBookDeals-.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces - both black and white - that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. "Lost Sounds" includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Tim Brooks is Executive Vice President of Research at Lifetime Television. He is coauthor of "The Complete Directory to Prime Time Network and Cable TV Shows" and "The Columbia Master Book Discography", and the author of "Little Wonder Records: A History and Discography". He is past president of the Association for Recorded Sound Collections and the winner of its Lifetime Achievement Award. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven volume reference work, Ethnic Music on Records. Paperback, Ausgabe: 1st Pbk. Ed, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2005-09-25, Studio: University of Illinois Press, Verkaufsrang: 1506624.
4
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
EN HC NWISBN: 9780252028502 bzw. 0252028503, in Englisch, UNIV OF ILLINOIS PR, gebundenes Buch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
The first in-depth history of the involvement of African Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides illuminating biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. Lost Sounds also includes Brooks's selected discography of CD reissues, and an appendix from Dick Spottswood describing early recordings by black artists in the Caribbean and South America. 664 pages, 57 photographs - 178mm x 254mm Versandfertig in 2-4 Wochen, Hardcover, Neuware, offene Rechnung (Vorkasse vorbehalten).
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
The first in-depth history of the involvement of African Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides illuminating biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. Lost Sounds also includes Brooks's selected discography of CD reissues, and an appendix from Dick Spottswood describing early recordings by black artists in the Caribbean and South America. 664 pages, 57 photographs - 178mm x 254mm Versandfertig in 2-4 Wochen, Hardcover, Neuware, offene Rechnung (Vorkasse vorbehalten).
5
Lost Sounds, Blacks and the Birth of the Recording Industry, 1890-1919 (2004)
EN PB NW EBISBN: 9780252090639 bzw. 0252090632, in Englisch, University Of Illinois Press, Taschenbuch, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved._x000B__x000B_Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who reco... Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved._x000B__x000B_Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces--both black and white--that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws._x000B__x000B_Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 8.19 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van (delen van) de pagina's is maximaal 10 keer toegestaan binnen 10 dag(en);Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0252090632;ISBN13: 9780252090639; Engels | Ebook | 2004.
bol.com.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved._x000B__x000B_Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who reco... Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved._x000B__x000B_Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces--both black and white--that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws._x000B__x000B_Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 8.19 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van (delen van) de pagina's is maximaal 10 keer toegestaan binnen 10 dag(en);Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0252090632;ISBN13: 9780252090639; Engels | Ebook | 2004.
6
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 (2004)
EN HC NW FEISBN: 9780252028502 bzw. 0252028503, in Englisch, 656 Seiten, University of Illinois Press, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Any Book.
The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. "Lost Sounds" also includes Brooks' selected discography of CD reissues, and an appendix from Richard K. Spottswood describing early recordings by black artists in the Caribbean and South America. Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-02-24, Studio: University of Illinois Press, Verkaufsrang: 472356.
Von Händler/Antiquariat, Any Book.
The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. "Lost Sounds" also includes Brooks' selected discography of CD reissues, and an appendix from Richard K. Spottswood describing early recordings by black artists in the Caribbean and South America. Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-02-24, Studio: University of Illinois Press, Verkaufsrang: 472356.
7
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 (2004)
EN HC US FEISBN: 9780252028502 bzw. 0252028503, in Englisch, 656 Seiten, University of Illinois Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, hippo_books.
The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. "Lost Sounds" also includes Brooks' selected discography of CD reissues, and an appendix from Richard K. Spottswood describing early recordings by black artists in the Caribbean and South America. Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-02-24, Studio: University of Illinois Press, Verkaufsrang: 472356.
Von Händler/Antiquariat, hippo_books.
The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. "Lost Sounds" also includes Brooks' selected discography of CD reissues, and an appendix from Richard K. Spottswood describing early recordings by black artists in the Caribbean and South America. Hardcover, Ausgabe: 1st, Label: University of Illinois Press, University of Illinois Press, Produktgruppe: Book, Publiziert: 2004-02-24, Studio: University of Illinois Press, Verkaufsrang: 472356.
8
Lost Sounds: Blacks and the Birth of the Recording Industry 1890-1919 (2005)
EN PB US FEISBN: 9780252073076 bzw. 025207307X, in Englisch, University of Illinois Press, Chicago, Illinois, U.S.A. Taschenbuch, gebraucht, Erstausgabe.
Von Händler/Antiquariat, RPL Library Store [215083], Rochester, NY, U.S.A.
NEAR FINE, 1st paperback ed. Detailed history of Black Music around the turn of the 20th century. 635pp. of incredibly well researched history of the music and the record business. Size: 6 3/4 x 10 1/2" Tall.
NEAR FINE, 1st paperback ed. Detailed history of Black Music around the turn of the 20th century. 635pp. of incredibly well researched history of the music and the record business. Size: 6 3/4 x 10 1/2" Tall.
9
Lost Sounds : Blacks and the Birth of the Recording Industry, 1890-1919
EN HC NWISBN: 9780252028502 bzw. 0252028503, in Englisch, Univ of Illinois Pr, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Nicht lagernd, zzgl. Versandkosten.
Lost Sounds : Blacks and the Birth of the Recording Industry, 1890-1919, 9780252028502, Book, Textbook, No Synopsis Available.
Lost Sounds : Blacks and the Birth of the Recording Industry, 1890-1919, 9780252028502, Book, Textbook, No Synopsis Available.
10
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
EN NWISBN: 9780252028502 bzw. 0252028503, in Englisch, University of Illinois Press, University of Illinois Press, University of Illinois Press, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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