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Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste100%: Greenberg, Clement: Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste (ISBN: 9780198031901) 2000, in Englisch, auch als eBook.
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Homemade Esthetics: Observations on Art and Taste (Paperback)87%: Clement Greenberg, Charles Harrison (Introduction): Homemade Esthetics: Observations on Art and Taste (Paperback) (ISBN: 9780195139235) 2000, Oxford University Press, USA, Erstausgabe, in Englisch, Taschenbuch.
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Homemade Esthetics: Observations on Art Taste56%: Greenberg, Clement, and Harrison, Charles T (Adapted by), and Harrison, Charles (Introduction by): Homemade Esthetics: Observations on Art Taste (ISBN: 9780195124330) 1999, Oxford University Press, in Englisch, Broschiert.
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Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste
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Greenberg, Clement

Homemade Esthetics Observations on Art and Taste (1999)

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ISBN: 9780195124330 bzw. 0195124332, in Englisch, Oxford University Press, gebundenes Buch, gebraucht, mit Einband.

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New York: Oxford University Press. Very Good+ in Very Good+ dust jacket. 1999. First Printing. Hard Cover. 0195124332 . Unclipped dustjacket shows some wear with some small puncture marks on back cover, some notes in pencil. Binding is square & tight. . 8vo 8" - 9" tall. xxx, 220 pp .
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9780195124330 - Greenberg, Clement: Homemade Esthetics: Observations on Art and Taste
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Greenberg, Clement

Homemade Esthetics: Observations on Art and Taste

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ISBN: 9780195124330 bzw. 0195124332, in Englisch, Oxford University Press, gebraucht.

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9780195124330 - Greenberg, Clement: Homemade Esthetics: Observations on Art and Taste
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Greenberg, Clement

Homemade Esthetics: Observations on Art and Taste (1999)

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ISBN: 9780195124330 bzw. 0195124332, in Englisch, Oxford University Press, gebundenes Buch, gebraucht.

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9780195139235 - Greenberg, Clement; Harrison, Charles T.: Homemade Esthetics
Greenberg, Clement; Harrison, Charles T.

Homemade Esthetics

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Art, Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable.He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views, often controversial, are the record of a lifetime of looking at and thinking about art as intensely as anyone ever has. eBook.
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9780195124330 - Clement Greenberg, Introduction: Charles T. Harrison: Homemade Esthetics: Observations on Art and Taste
Clement Greenberg, Introduction: Charles T. Harrison

Homemade Esthetics: Observations on Art and Taste (1999)

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ISBN: 9780195124330 bzw. 0195124332, in Englisch, 254 Seiten, Oxford University Press, gebundenes Buch, neu.

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Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable. He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views, often controversial, are the record of a lifetime of looking at and thinking about art as intensely as anyone ever has. Hardcover, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 1999-05-13, Studio: Oxford University Press, Verkaufsrang: 519445.
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9780198031901 - Clement Greenberg: Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste
Clement Greenberg

Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste

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One of this century's most important critics sets forth his thinking on the fundamental questions about the experience of art. Greenberg argues that the standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate are essential conditions for great art. He also discusses the interplay of expectation and surprise in aesthetic experience and the exalted consciousness produced by great art.
7
9780198031901 - Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste

Homemade Esthetics: Observations on Art and Taste: Observations on Art and Taste

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika EN NW EB DL

ISBN: 9780198031901 bzw. 0198031904, in Englisch, NetLibrary, Incorporated, NetLibrary, Incorporated, neu, E-Book, elektronischer Download.

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One of this century's most important critics sets forth his thinking on the fundamental questions about the experience of art. Greenberg argues that the standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate are essential conditions for great art. He also discusses the interplay of expectation and surprise in aesthetic experience and the exalted consciousness produced by great art.
8
9780195139235 - Clement Greenberg: Homemade Esthetics: Observations on Art and Taste
Clement Greenberg

Homemade Esthetics: Observations on Art and Taste (2000)

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ISBN: 9780195139235 bzw. 0195139232, in Englisch, 256 Seiten, Oxford University Press, Taschenbuch, gebraucht, Erstausgabe.

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A giant of 20th century art criticism, Clement Greenberg (1909-1994) set the terms of critical discourse from the moment he burst onto the scene with his seminal essays "Avant-Garde and Kitsch" (1939) and "Towards a Newer Laocoon" (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington College in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art. He insists that despite the attempts of modern artists to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged, taste is inexorable. He maintains that standards of quality in art, ohe artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us to watch the critic's mind at work, defending (and at times reconsidering) his controversial and influential theories. Charles Harrison's introduction to this volume places Homemade Esthetics in the context of Greenberg's work and the evolution of 20th century criticism. Paperback, Ausgabe: 1, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 2000-10-19, Studio: Oxford University Press, Verkaufsrang: 1541503.
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9780195139235 - Clement Greenberg: Homemade Esthetics: Observations on Art and Taste
Clement Greenberg

Homemade Esthetics: Observations on Art and Taste (2000)

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ISBN: 9780195139235 bzw. 0195139232, in Englisch, 256 Seiten, Oxford University Press, Taschenbuch, neu, Erstausgabe.

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A giant of 20th century art criticism, Clement Greenberg (1909-1994) set the terms of critical discourse from the moment he burst onto the scene with his seminal essays "Avant-Garde and Kitsch" (1939) and "Towards a Newer Laocoon" (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington College in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art. He insists that despite the attempts of modern artists to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged, taste is inexorable. He maintains that standards of quality in art, ohe artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us to watch the critic's mind at work, defending (and at times reconsidering) his controversial and influential theories. Charles Harrison's introduction to this volume places Homemade Esthetics in the context of Greenberg's work and the evolution of 20th century criticism. Paperback, Ausgabe: 1, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 2000-10-19, Studio: Oxford University Press, Verkaufsrang: 1541503.
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0195124332 - Clement Greenberg: Homemade Esthetics: Observations on Art and Taste
Clement Greenberg

Homemade Esthetics: Observations on Art and Taste

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ISBN: 0195124332 bzw. 9780195124330, in Englisch, Oxford University Press, gebraucht.

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aesthetics,art history,arts music and photography,criticism,folklore and mythology,history and criticism,humanities,philosophy,politics and social sciences,social sciences, Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable. He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views,.
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