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Beatle Song Profiles: Sgt. Peppers Lonely Hearts Club Band (English Edition)
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Beatle Song Profiles: Abbey Road (2012)
EN NW EB DLISBN: 9789657570159 bzw. 9657570158, in Englisch, Arjon Publishing, Arjon Publishing, Arjon Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
Each of the 17 songs from Abbey Road are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song's origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Abbey Road Something The original intent of Something was as a devotion to Lord Krishna as George was a student of "Krishna Consciousness" when he wrote it. His only comment on the track was: "They had blessed me with a couple of B sides in the past. But this is the first time I've had an A side. Big deal!" Engineer Geoff Emerick remembers the smugness on the face of George when he first presented the track to the band. Emerick recollects how he had the guts to tell Paul how to play the bass part of the song and that he wanted it to be performed in a simplified manner. Emerick writes: "It was a first in all my years of working with the Beatles: George had never dared to tell Paul what to do. For the first time, John and Paul knew that George had risen to their level." Jonathan Gould described Something as a duet between Harrison's voice and his own lead guitar. Through it gives the impression of being highly melodic, the tune in the verse is actually very narrow, moving in a range of five notes, which enables Harrison to sing it with great relaxation and force.
Each of the 17 songs from Abbey Road are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song's origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Abbey Road Something The original intent of Something was as a devotion to Lord Krishna as George was a student of "Krishna Consciousness" when he wrote it. His only comment on the track was: "They had blessed me with a couple of B sides in the past. But this is the first time I've had an A side. Big deal!" Engineer Geoff Emerick remembers the smugness on the face of George when he first presented the track to the band. Emerick recollects how he had the guts to tell Paul how to play the bass part of the song and that he wanted it to be performed in a simplified manner. Emerick writes: "It was a first in all my years of working with the Beatles: George had never dared to tell Paul what to do. For the first time, John and Paul knew that George had risen to their level." Jonathan Gould described Something as a duet between Harrison's voice and his own lead guitar. Through it gives the impression of being highly melodic, the tune in the verse is actually very narrow, moving in a range of five notes, which enables Harrison to sing it with great relaxation and force.
2
Beatle Song Profiles: Sgt. Peppers (2012)
EN NW EB DLISBN: 9789657570166 bzw. 9657570166, in Englisch, Arjon Publishing, Arjon Publishing, Arjon Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
Each of the 13 songs from Sgt. Peppers are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song's origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Sgt. Peppers A Day In the Life Considered to be one of the most inventive compositions of all Beatle tracks, A Day In The Life represented a new category of song which is much more sophisticated than pop, a lot more accessible and down to earth than pop, and inherently, uniquely innovative. It was the first composition of its type - classical or vernacular - that blended so many disparate elements in such an imaginative way. In the early 70s, Lennon remarked: "We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never became an entity until the very end. They are developed all the time as we go along." A year later, he said: "It was a good price of work between Paul and me. Now and then we really turn each other on with a bit of song and he just said 'yeah- bang bang', like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don't often do, the afternoon before." In 1980, his take on Pauls' contribution was: "The beautiful lick in the song, 'I'd love to turn you on' . I had the bulk of the song and the words, but he contributed this little lick floating around in his head.
Each of the 13 songs from Sgt. Peppers are "profiled" in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song's origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Sgt. Peppers A Day In the Life Considered to be one of the most inventive compositions of all Beatle tracks, A Day In The Life represented a new category of song which is much more sophisticated than pop, a lot more accessible and down to earth than pop, and inherently, uniquely innovative. It was the first composition of its type - classical or vernacular - that blended so many disparate elements in such an imaginative way. In the early 70s, Lennon remarked: "We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never became an entity until the very end. They are developed all the time as we go along." A year later, he said: "It was a good price of work between Paul and me. Now and then we really turn each other on with a bit of song and he just said 'yeah- bang bang', like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don't often do, the afternoon before." In 1980, his take on Pauls' contribution was: "The beautiful lick in the song, 'I'd love to turn you on' . I had the bulk of the song and the words, but he contributed this little lick floating around in his head.
3
Beatle Song Profiles: Abbey Road (2013)
EN NW EB DLISBN: 9789657570159 bzw. 9657570158, in Englisch, 48 Seiten, Arjon Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, ספר אלקטרוני להורדה, משלוח חינם.
Each of the 17 songs from Abbey Road are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. _________ Sample song profile from Abbey Road Something The original intent of the song was as a devotion to Lord Krishna as George was a student of “Krishna Consciousness” when he wrote it. His only comment on the track was: “They had blessed me with a couple of B sides in the past. But this is the first time I’ve had an A side. Big deal!” Engineer Geoff Emerick remembers the smugness on the face of George when he first presented the track to the band. Emerick recollects how he had the guts to tell Paul how to play the bass part of the song and that he wanted it to be performed in a simplified manner. Emerick writes: “It was a first in all my years of working with the Beatles: George had never dared to tell Paul what to do. For the first time, John and Paul knew that George had risen to their level.” Jonathan Gould described “Something” as a duet between Harrison’s voice and his own lead guitar. Through it gives the impression of being highly melodic, the tune in the verse is actually very narrow, moving in a range of five notes, which enables Harrison to sing it with great relaxation and force. George’s guitar solo is in counterpoint with McCartney’s jazzy, melodic bass. Yet the bass line somehow manages to still keep out of the way of the melody and doesn’t overtake it. Ringo comes up with an immovable backbeat and varied tom-tom fills. George supplies the entire vocal arrangement in a neat pattern of alternating sections of single tracking, double tracking at the unison, as well as singing in harmony with himself. The restrained string orchestra adds a pleasantly lush finish to the arrangement. Because the song is a ballad, it’s slow enough to create large spaces the musicians to fill in which gives the track a feel of aesthetic simplicity. The overriding theme of the track is doubt and uncertainty. The composition can be interpreted as an internal struggle within an individual who doesn’t love a woman- but lusts her. She entices him and essentially manipulates him. She knows he has nowhere else to go and that is leverage for keeping him in this relationship. Despite its elusive quality, “Something” stands as a supreme, affirmation of love, the attraction of the “Other.” Of the reality of that something that connects one with another in the universe The man really loves this woman that he is in a relationship with. But there is something wrong in it and he’s trying to decide whether he should end it and if by doing that- then if this will be the end of his problem. He is torn between his deep love for her the knowledge that his love for her can’t grow any more. Kindle Edition, תבנית: Kindle eBook, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2013-04-04, תאריך שחרור: 2013-04-04, סטודיו: Arjon Publishing, דרגה מכירות: 2205776.
Each of the 17 songs from Abbey Road are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. _________ Sample song profile from Abbey Road Something The original intent of the song was as a devotion to Lord Krishna as George was a student of “Krishna Consciousness” when he wrote it. His only comment on the track was: “They had blessed me with a couple of B sides in the past. But this is the first time I’ve had an A side. Big deal!” Engineer Geoff Emerick remembers the smugness on the face of George when he first presented the track to the band. Emerick recollects how he had the guts to tell Paul how to play the bass part of the song and that he wanted it to be performed in a simplified manner. Emerick writes: “It was a first in all my years of working with the Beatles: George had never dared to tell Paul what to do. For the first time, John and Paul knew that George had risen to their level.” Jonathan Gould described “Something” as a duet between Harrison’s voice and his own lead guitar. Through it gives the impression of being highly melodic, the tune in the verse is actually very narrow, moving in a range of five notes, which enables Harrison to sing it with great relaxation and force. George’s guitar solo is in counterpoint with McCartney’s jazzy, melodic bass. Yet the bass line somehow manages to still keep out of the way of the melody and doesn’t overtake it. Ringo comes up with an immovable backbeat and varied tom-tom fills. George supplies the entire vocal arrangement in a neat pattern of alternating sections of single tracking, double tracking at the unison, as well as singing in harmony with himself. The restrained string orchestra adds a pleasantly lush finish to the arrangement. Because the song is a ballad, it’s slow enough to create large spaces the musicians to fill in which gives the track a feel of aesthetic simplicity. The overriding theme of the track is doubt and uncertainty. The composition can be interpreted as an internal struggle within an individual who doesn’t love a woman- but lusts her. She entices him and essentially manipulates him. She knows he has nowhere else to go and that is leverage for keeping him in this relationship. Despite its elusive quality, “Something” stands as a supreme, affirmation of love, the attraction of the “Other.” Of the reality of that something that connects one with another in the universe The man really loves this woman that he is in a relationship with. But there is something wrong in it and he’s trying to decide whether he should end it and if by doing that- then if this will be the end of his problem. He is torn between his deep love for her the knowledge that his love for her can’t grow any more. Kindle Edition, תבנית: Kindle eBook, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2013-04-04, תאריך שחרור: 2013-04-04, סטודיו: Arjon Publishing, דרגה מכירות: 2205776.
4
Beatle Song Profiles: Sgt. Peppers Lonely Hearts Club Band (English Edition) (2013)
EN NW EB DLISBN: 9789657570166 bzw. 9657570166, in Englisch, 45 Seiten, Arjon Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Frankreich, ספר אלקטרוני להורדה, משלוח חינם.
Beatle Song Profiles: Sgt. Peppers Lonely Hearts Club Band Each of the 13 songs from Sgt. Peppers Lonely Hearts Club Band are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. ____________________ Sample song profile from the Sgt. Peppers album A Day In the Life Considered to be one of the most inventive compositions of all Beatle tracks, “A Day In The Life” represented a new category of song which is much more sophisticated than pop, a lot more accessible and down to earth than pop, and inherently, uniquely innovative. It was the first composition of its type - classical or vernacular - that blended so many disparate elements in such an imaginative way. In the early 70s, Lennon remarked: “We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never became an entity until the very end. They are developed all the time as we go along.” A year later, he said: “It was a good price of work between Paul and me. Now and then we really turn each other on with a bit of song and he just said ‘yeah- bang bang’, like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don’t often do, the afternoon before.” In 1980, his take on Pauls’ contribution was: “The beautiful lick in the song, ‘I’d love to turn you on’ . I had the bulk of the song and the words, but he contributed this little lick floating around in his head that he couldn’t use for anything.” McCartney comments in his autobiography: “Part of the song was about me remembering what it was like to run up the road to catch the school bus, having a smoke and then going into class.” “A Day In The Life” was the first rock/pop song to use a Mellotron - a keyboard that electronically produces programmed taped sounds. The final chord was produced by all four Beatles and George Martin banging on three pianos simultaneously. The resulting note lasted 42 seconds. McCartney wanted his voice to sound all muzzy, as if he had just woken up from a deep sleep and hadn’t yet gotten his bearings, because that was what the lyric was trying to convey. Ringo came up with one of his most inventive drum parts on record in the final verses as there is the distant thunder effect he creates which is a perfect complement to Lennon’s voice. Ringo’s fantastic, innovative tom-tom fills punctuate the lyrics of the song. They were a perfect mixture of simplicity and guts and had introduced a new musicality: “musical drumming.” The song’s use of dynamics and tricks of rhythm, and of space and stereo effect, and its deft intermingling of scenes from dream, reality and something in between, was so visually evocative it seemed more like a film than just another track on a rock album. “A Day In The Life” was a song inside a song and it worked in much the same way that the technique of a play within a play does; the interdependence of reality and illusion is telescoped into one setting. The technique of the blurring of the dream life and the real world leaves the listener not sure whether Lennon’s section is the “real” world or if it’s merely the dream that Paul slips back into atop the bus: The alarm clock blurs these boundaries; is Paul waking from Lennon’s nightmare, or is Lennon imaging Paul’s generic day in the life? Format Kindle, תבנית: Ebook Kindle, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2013-03-12, תאריך שחרור: 2013-03-12, סטודיו: Arjon Publishing.
Beatle Song Profiles: Sgt. Peppers Lonely Hearts Club Band Each of the 13 songs from Sgt. Peppers Lonely Hearts Club Band are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. ____________________ Sample song profile from the Sgt. Peppers album A Day In the Life Considered to be one of the most inventive compositions of all Beatle tracks, “A Day In The Life” represented a new category of song which is much more sophisticated than pop, a lot more accessible and down to earth than pop, and inherently, uniquely innovative. It was the first composition of its type - classical or vernacular - that blended so many disparate elements in such an imaginative way. In the early 70s, Lennon remarked: “We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never became an entity until the very end. They are developed all the time as we go along.” A year later, he said: “It was a good price of work between Paul and me. Now and then we really turn each other on with a bit of song and he just said ‘yeah- bang bang’, like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don’t often do, the afternoon before.” In 1980, his take on Pauls’ contribution was: “The beautiful lick in the song, ‘I’d love to turn you on’ . I had the bulk of the song and the words, but he contributed this little lick floating around in his head that he couldn’t use for anything.” McCartney comments in his autobiography: “Part of the song was about me remembering what it was like to run up the road to catch the school bus, having a smoke and then going into class.” “A Day In The Life” was the first rock/pop song to use a Mellotron - a keyboard that electronically produces programmed taped sounds. The final chord was produced by all four Beatles and George Martin banging on three pianos simultaneously. The resulting note lasted 42 seconds. McCartney wanted his voice to sound all muzzy, as if he had just woken up from a deep sleep and hadn’t yet gotten his bearings, because that was what the lyric was trying to convey. Ringo came up with one of his most inventive drum parts on record in the final verses as there is the distant thunder effect he creates which is a perfect complement to Lennon’s voice. Ringo’s fantastic, innovative tom-tom fills punctuate the lyrics of the song. They were a perfect mixture of simplicity and guts and had introduced a new musicality: “musical drumming.” The song’s use of dynamics and tricks of rhythm, and of space and stereo effect, and its deft intermingling of scenes from dream, reality and something in between, was so visually evocative it seemed more like a film than just another track on a rock album. “A Day In The Life” was a song inside a song and it worked in much the same way that the technique of a play within a play does; the interdependence of reality and illusion is telescoped into one setting. The technique of the blurring of the dream life and the real world leaves the listener not sure whether Lennon’s section is the “real” world or if it’s merely the dream that Paul slips back into atop the bus: The alarm clock blurs these boundaries; is Paul waking from Lennon’s nightmare, or is Lennon imaging Paul’s generic day in the life? Format Kindle, תבנית: Ebook Kindle, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2013-03-12, תאריך שחרור: 2013-03-12, סטודיו: Arjon Publishing.
5
Beatle Song Profiles: Abbey Road (2012)
EN NW EBISBN: 9789657570159 bzw. 9657570158, in Englisch, Arjon Publishing, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Each of the 17 songs from Abbey Road are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums T... Each of the 17 songs from Abbey Road are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Abbey Road Something The original intent of Something was as a devotion to Lord Krishna as George was a student of “Krishna Consciousness” when he wrote it. His only comment on the track was: “They had blessed me with a couple of B sides in the past. But this is the first time I’ve had an A side. Big deal!” Engineer Geoff Emerick remembers the smugness on the face of George when he first presented the track to the band. Emerick recollects how he had the guts to tell Paul how to play the bass part of the song and that he wanted it to be performed in a simplified manner. Emerick writes: “It was a first in all my years of working with the Beatles: George had never dared to tell Paul what to do. For the first time, John and Paul knew that George had risen to their level.” Jonathan Gould described Something as a duet between Harrison’s voice and his own lead guitar. Through it gives the impression of being highly melodic, the tune in the verse is actually very narrow, moving in a range of five notes, which enables Harrison to sing it with great relaxation and force. George’s guitar solo is in counterpoint with McCartney’s jazzy, melodic bass. Yet the bass line somehow manages to still keep out of the way of the melody and doesn’t overtake it. Ringo comes up with an immovable backbeat and varied tom-tom fills. George supplies the entire vocal arrangement in a neat pattern of alternating sections of single tracking, double tracking at the unison, as well as singing in harmony with himself. The restrained string orchestra adds a pleasantly lush finish to the arrangement. Because the song is a ballad, it’s slow enough to create large spaces the musicians to fill in which gives the track a feel of aesthetic simplicity. The overriding theme of the track is doubt and uncertainty. The composition can be interpreted as an internal struggle within an individual who doesn’t love a woman- but lusts her. She entices him and essentially manipulates him. She knows he has nowhere else to go and that is leverage for keeping him in this relationship. Despite its elusive quality, “Something” stands as a supreme, affirmation of love, the attraction of the “Other.” Of the reality of that something that connects one with another in the universe The man really loves this woman that he is in a relationship with. But there is something wrong in it and he’s trying to decide whether he should end it and if by doing that- then if this will be the end of his problem. He is torn between his deep love for her the knowledge that his love for her can’t grow any more.Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;Verschijningsdatum: augustus 2012;ISBN10: 9657570158;ISBN13: 9789657570159; Engelstalig | Ebook | 2012.
bol.com.
Each of the 17 songs from Abbey Road are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums T... Each of the 17 songs from Abbey Road are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Abbey Road Something The original intent of Something was as a devotion to Lord Krishna as George was a student of “Krishna Consciousness” when he wrote it. His only comment on the track was: “They had blessed me with a couple of B sides in the past. But this is the first time I’ve had an A side. Big deal!” Engineer Geoff Emerick remembers the smugness on the face of George when he first presented the track to the band. Emerick recollects how he had the guts to tell Paul how to play the bass part of the song and that he wanted it to be performed in a simplified manner. Emerick writes: “It was a first in all my years of working with the Beatles: George had never dared to tell Paul what to do. For the first time, John and Paul knew that George had risen to their level.” Jonathan Gould described Something as a duet between Harrison’s voice and his own lead guitar. Through it gives the impression of being highly melodic, the tune in the verse is actually very narrow, moving in a range of five notes, which enables Harrison to sing it with great relaxation and force. George’s guitar solo is in counterpoint with McCartney’s jazzy, melodic bass. Yet the bass line somehow manages to still keep out of the way of the melody and doesn’t overtake it. Ringo comes up with an immovable backbeat and varied tom-tom fills. George supplies the entire vocal arrangement in a neat pattern of alternating sections of single tracking, double tracking at the unison, as well as singing in harmony with himself. The restrained string orchestra adds a pleasantly lush finish to the arrangement. Because the song is a ballad, it’s slow enough to create large spaces the musicians to fill in which gives the track a feel of aesthetic simplicity. The overriding theme of the track is doubt and uncertainty. The composition can be interpreted as an internal struggle within an individual who doesn’t love a woman- but lusts her. She entices him and essentially manipulates him. She knows he has nowhere else to go and that is leverage for keeping him in this relationship. Despite its elusive quality, “Something” stands as a supreme, affirmation of love, the attraction of the “Other.” Of the reality of that something that connects one with another in the universe The man really loves this woman that he is in a relationship with. But there is something wrong in it and he’s trying to decide whether he should end it and if by doing that- then if this will be the end of his problem. He is torn between his deep love for her the knowledge that his love for her can’t grow any more.Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;Verschijningsdatum: augustus 2012;ISBN10: 9657570158;ISBN13: 9789657570159; Engelstalig | Ebook | 2012.
6
Beatle Song Profiles: Sgt. Peppers (2012)
EN NW EBISBN: 9789657570166 bzw. 9657570166, in Englisch, Arjon Publishing, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Each of the 13 songs from Sgt. Peppers are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums... Each of the 13 songs from Sgt. Peppers are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Sgt. Peppers A Day In the Life Considered to be one of the most inventive compositions of all Beatle tracks, A Day In The Life represented a new category of song which is much more sophisticated than pop, a lot more accessible and down to earth than pop, and inherently, uniquely innovative. It was the first composition of its type - classical or vernacular - that blended so many disparate elements in such an imaginative way. In the early 70s, Lennon remarked: “We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never became an entity until the very end. They are developed all the time as we go along.” A year later, he said: “It was a good price of work between Paul and me. Now and then we really turn each other on with a bit of song and he just said ‘yeah- bang bang’, like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don’t often do, the afternoon before.” In 1980, his take on Pauls’ contribution was: “The beautiful lick in the song, ‘I’d love to turn you on’ . I had the bulk of the song and the words, but he contributed this little lick floating around in his head that he couldn’t use for anything.” McCartney comments in his autobiography: “Part of the song was about me remembering what it was like to run up the road to catch the school bus, having a smoke and then going into class.” A Day In The Life was the first rock/pop song to use a Mellotron - a keyboard that electronically produces programmed taped sounds. The final chord was produced by all four Beatles and George Martin banging on three pianos simultaneously. The resulting note lasted 42 seconds. McCartney wanted his voice to sound all muzzy, as if he had just woken up from a deep sleep and hadn’t yet gotten his bearings, because that was what the lyric was trying to convey. Ringo came up with one of his most inventive drum parts on record in the final verses as there is the distant thunder effect he creates which is a perfect complement to Lennon’s voice. Ringo’s fantastic, innovative tom-tom fills punctuate the lyrics of the song. They were a perfect mixture of simplicity and guts and had introduced a new musicality: “musical drumming.” The song’s use of dynamics and tricks of rhythm, and of space and stereo effect, and its deft intermingling of scenes from dream, reality and something in between, was so visually evocative it seemed more like a film than just another track on a rock album. A Day In The Life was a song inside a song and it worked in much the same way that the technique of a play within a play does; the interdependence of reality and illusion is telescoped into one setting. The technique of the blurring of the dream life and the real world leaves the listener not sure whether Lennon’s section is the “real” world or if it’s merely the dream that Paul slips back into atop the bus: The alarm clock blurs these boundaries; is Paul waking from Lennon’s nightmare, or is Lennon imaging Paul’s generic day in the life?Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;Verschijningsdatum: augustus 2012;ISBN10: 9657570166;ISBN13: 9789657570166; Engelstalig | Ebook | 2012.
bol.com.
Each of the 13 songs from Sgt. Peppers are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums... Each of the 13 songs from Sgt. Peppers are “profiled” in this volume of Beatle Song Profiles. Beatle Song Profiles are concise commentaries on every Beatle song. The song profiles describe the song’s origins and inspiration, what The Beatles themselves said about it, what was unique about the music and/or production of the arrangement or vocals, and the deeper meaning of the lyrics. Beatle Song Profiles is a unique educational tool to enable readers to learn about every song on all 12 albums The Beatles recorded. Sample song profile from Sgt. Peppers A Day In the Life Considered to be one of the most inventive compositions of all Beatle tracks, A Day In The Life represented a new category of song which is much more sophisticated than pop, a lot more accessible and down to earth than pop, and inherently, uniquely innovative. It was the first composition of its type - classical or vernacular - that blended so many disparate elements in such an imaginative way. In the early 70s, Lennon remarked: “We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never became an entity until the very end. They are developed all the time as we go along.” A year later, he said: “It was a good price of work between Paul and me. Now and then we really turn each other on with a bit of song and he just said ‘yeah- bang bang’, like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don’t often do, the afternoon before.” In 1980, his take on Pauls’ contribution was: “The beautiful lick in the song, ‘I’d love to turn you on’ . I had the bulk of the song and the words, but he contributed this little lick floating around in his head that he couldn’t use for anything.” McCartney comments in his autobiography: “Part of the song was about me remembering what it was like to run up the road to catch the school bus, having a smoke and then going into class.” A Day In The Life was the first rock/pop song to use a Mellotron - a keyboard that electronically produces programmed taped sounds. The final chord was produced by all four Beatles and George Martin banging on three pianos simultaneously. The resulting note lasted 42 seconds. McCartney wanted his voice to sound all muzzy, as if he had just woken up from a deep sleep and hadn’t yet gotten his bearings, because that was what the lyric was trying to convey. Ringo came up with one of his most inventive drum parts on record in the final verses as there is the distant thunder effect he creates which is a perfect complement to Lennon’s voice. Ringo’s fantastic, innovative tom-tom fills punctuate the lyrics of the song. They were a perfect mixture of simplicity and guts and had introduced a new musicality: “musical drumming.” The song’s use of dynamics and tricks of rhythm, and of space and stereo effect, and its deft intermingling of scenes from dream, reality and something in between, was so visually evocative it seemed more like a film than just another track on a rock album. A Day In The Life was a song inside a song and it worked in much the same way that the technique of a play within a play does; the interdependence of reality and illusion is telescoped into one setting. The technique of the blurring of the dream life and the real world leaves the listener not sure whether Lennon’s section is the “real” world or if it’s merely the dream that Paul slips back into atop the bus: The alarm clock blurs these boundaries; is Paul waking from Lennon’s nightmare, or is Lennon imaging Paul’s generic day in the life?Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;Verschijningsdatum: augustus 2012;ISBN10: 9657570166;ISBN13: 9789657570166; Engelstalig | Ebook | 2012.
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Beatle Song Profiles.Abbey Road.Side Two (English Edition) (2013)
EN NW EB DLISBN: 9789657570166 bzw. 9657570166, in Englisch, 35 Seiten, Arjon Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Frankreich, ספר אלקטרוני להורדה, משלוח חינם.
Beatle Song Profiles is a content archive consisting of all 225 songs The Beatles recorded. Each song is accompanied by expert commentary from scholars and music critics on the origins and inspiration of each Beatle song, how the track was performed and recorded, why the music is unique, and an explanation of the meaning and interpretation of the lyrics. Beatle Song Profiles was created over a two year period by a group of musicologists, journalists, and music critics as an educational tool to enable the public to learn more about the musical legacy of The Beatles. Format Kindle, תבנית: Ebook Kindle, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2013-04-04, תאריך שחרור: 2013-04-04, סטודיו: Arjon Publishing.
Beatle Song Profiles is a content archive consisting of all 225 songs The Beatles recorded. Each song is accompanied by expert commentary from scholars and music critics on the origins and inspiration of each Beatle song, how the track was performed and recorded, why the music is unique, and an explanation of the meaning and interpretation of the lyrics. Beatle Song Profiles was created over a two year period by a group of musicologists, journalists, and music critics as an educational tool to enable the public to learn more about the musical legacy of The Beatles. Format Kindle, תבנית: Ebook Kindle, תווית: Arjon Publishing, Arjon Publishing, קבוצת המוצרים: eBooks, לאור: 2013-04-04, תאריך שחרור: 2013-04-04, סטודיו: Arjon Publishing.
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