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Vasari and the Renaissance Print (Visual Culture in Early Modernity) by (2012-07-12)
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Bester Preis: € 324,67 (vom 02.04.2018)Vasari and the Renaissance Print (Visual Culture in Early Modernity) (2016)
ISBN: 9781138270336 bzw. 1138270334, in Englisch, 460 Seiten, Routledge, Taschenbuch, gebraucht, Erstausgabe.
Von Händler/Antiquariat, Herb Tandree Philosophy Bks.
Prints changed the history of art, even as that history was first being written. In this study, Sharon Gregory argues that this reality was not lost on Vasari; she shows that, contrary to common opinion, prints thoroughly pervade Vasari's history of art, just as they pervade his own career as an artist. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, shedding new light not only on aspects of Vasari's career, but also on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective. Investigating how prints were themselves more often interpretive than strictly reproductive, Gregory challenges the long-held view that Vasari's reliance on prints led to errors in his interpretation of major monuments. She demonstrates how, like Raphael and later artists, Vasari used engravings after his designs as a form of advertisement through which he hoped to increase his fame and attract influential patrons. She also explores how contributing illustrations for books by his scholarly friends, Vasari participated in the contemporary exchange of intellectual ideas and concerns shared by Renaissance humanists and artists. Paperback, Edition: 1, Label: Routledge, Routledge, Product group: Book, Published: 2016-10-08, Studio: Routledge, Sales rank: 6558191.
Vasari and the Renaissance Print (Visual Culture in Early Modernity) (2016)
ISBN: 9781138270336 bzw. 1138270334, in Englisch, 460 Seiten, Routledge, Taschenbuch, neu, Erstausgabe.
Von Händler/Antiquariat, Amazon.com.
Prints changed the history of art, even as that history was first being written. In this study, Sharon Gregory argues that this reality was not lost on Vasari; she shows that, contrary to common opinion, prints thoroughly pervade Vasari's history of art, just as they pervade his own career as an artist. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, shedding new light not only on aspects of Vasari's career, but also on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective. Investigating how prints were themselves more often interpretive than strictly reproductive, Gregory challenges the long-held view that Vasari's reliance on prints led to errors in his interpretation of major monuments. She demonstrates how, like Raphael and later artists, Vasari used engravings after his designs as a form of advertisement through which he hoped to increase his fame and attract influential patrons. She also explores how contributing illustrations for books by his scholarly friends, Vasari participated in the contemporary exchange of intellectual ideas and concerns shared by Renaissance humanists and artists. Paperback, Edition: 1, Label: Routledge, Routledge, Product group: Book, Published: 2016-10-08, Studio: Routledge, Sales rank: 6558191.
Vasari and the Renaissance Print (Visual Culture in Early Modernity) (2016)
ISBN: 9781138270336 bzw. 1138270334, in Englisch, 460 Seiten, Routledge, Taschenbuch, neu, Erstausgabe.
Von Händler/Antiquariat, Herb Tandree Philosophy Bks.
Prints changed the history of art, even as that history was first being written. In this study, Sharon Gregory argues that this reality was not lost on Vasari; she shows that, contrary to common opinion, prints thoroughly pervade Vasari's history of art, just as they pervade his own career as an artist. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, shedding new light not only on aspects of Vasari's career, but also on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective. Investigating how prints were themselves more often interpretive than strictly reproductive, Gregory challenges the long-held view that Vasari's reliance on prints led to errors in his interpretation of major monuments. She demonstrates how, like Raphael and later artists, Vasari used engravings after his designs as a form of advertisement through which he hoped to increase his fame and attract influential patrons. She also explores how contributing illustrations for books by his scholarly friends, Vasari participated in the contemporary exchange of intellectual ideas and concerns shared by Renaissance humanists and artists. Paperback, Ausgabe: 1, Label: Routledge, Routledge, Produktgruppe: Book, Publiziert: 2016-10-08, Studio: Routledge, Verkaufsrang: 4041689.
Vasari and the Renaissance Print
ISBN: 9781409429265 bzw. 1409429261, in Englisch, Taylor & Francis Ltd, neu.
Prints changed the history of art, even as that history was first being written. In this study, Sharon Gregory argues that this reality was not lost on Vasari; she shows that, contrary to common opinion, prints thoroughly pervade Vasari's history of art, just as they pervade his own career as an artist. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, shedding new light not only on aspects of Vasari's career, but also on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective. Investigating how prints were themselves more often interpretive than strictly reproductive, Gregory challenges the long-held view that Vasari's reliance on prints led to errors in his interpretation of major monuments. She demonstrates how, like Raphael and later artists, Vasari used engravings after his designs as a form of advertisement through which he hoped to increase his fame and attract influential patrons. She also explores how contributing illustrations for books by his scholarly friends, Vasari participated in the contemporary exchange of intellectual ideas and concerns shared by Renaissance humanists and artists.
Vasari and the Renaissance Print (2016)
ISBN: 9781138270336 bzw. 1138270334, in Englisch, Routledge, Taschenbuch, neu.
9781138270336 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher.
Vasari and the Renaissance Print (Visual Culture in Early Modernity)
ISBN: 9781409429265 bzw. 1409429261, in Englisch, Routledge, gebundenes Buch, neu.
Von Händler/Antiquariat, Lyric Vibes, IL, Geneva, [RE:4].
Hardcover.
Vasari and the Renaissance Print (Visual Culture in Early Modernity) by (2012-07-12) (1826)
ISBN: 919472153X bzw. 9789194721533, in Deutsch, Routledge, gebundenes Buch, neu.
Von Händler/Antiquariat, London Lane Company.
Gebundene Ausgabe, Label: Routledge, Routledge, Produktgruppe: Book, Publiziert: 1826, Studio: Routledge.
Vasari and the Renaissance Print (2016)
ISBN: 9781138270336 bzw. 1138270334, in Englisch, Routledge, Taschenbuch, neu.
Von Händler/Antiquariat, Herb Tandree Philosophy Books, Stroud, Glos, [RE:4].
Paperback.