Revisiting Ideas on Matter Spirit. Literature Arts)
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| Preise | 2011 | 2013 | 2014 | 2015 |
|---|---|---|---|---|
| Schnitt | € 32,97 | € 48,01 | € 41,80 | € 67,70 |
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1
Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. (Conciousness Literature & the Arts) (2009)
EN PB NWISBN: 9789042026407 bzw. 9042026405, in Englisch, 256 Seiten, Rodopi, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, Amazon.com.
In this book cinema spectators are presented as 'observing participants', that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators' active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif. To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburg's intervention with the Mnemosyne Atlas. Bergson's main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind - intellect and intuition - can help us understand the so-called 'spiritual' dimension of the emerging cinema from the perspective of the spectators' cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere. Paperback, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2009-07-24, Studio: Rodopi, Verkaufsrang: 5012791.
Von Händler/Antiquariat, Amazon.com.
In this book cinema spectators are presented as 'observing participants', that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators' active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif. To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburg's intervention with the Mnemosyne Atlas. Bergson's main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind - intellect and intuition - can help us understand the so-called 'spiritual' dimension of the emerging cinema from the perspective of the spectators' cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere. Paperback, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2009-07-24, Studio: Rodopi, Verkaufsrang: 5012791.
2
Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. (Conciousness Literature & the Arts) (2009)
EN PB USISBN: 9789042026407 bzw. 9042026405, in Englisch, 256 Seiten, Rodopi, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, SuperBookDeals-.
In this book cinema spectators are presented as 'observing participants', that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators' active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif. To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburg's intervention with the Mnemosyne Atlas. Bergson's main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind - intellect and intuition - can help us understand the so-called 'spiritual' dimension of the emerging cinema from the perspective of the spectators' cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere. Paperback, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2009-07-24, Studio: Rodopi, Verkaufsrang: 5012791.
Von Händler/Antiquariat, SuperBookDeals-.
In this book cinema spectators are presented as 'observing participants', that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators' active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif. To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburg's intervention with the Mnemosyne Atlas. Bergson's main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind - intellect and intuition - can help us understand the so-called 'spiritual' dimension of the emerging cinema from the perspective of the spectators' cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere. Paperback, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2009-07-24, Studio: Rodopi, Verkaufsrang: 5012791.
3
Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. (Consciousness, Literature and the Arts) (2009)
EN USISBN: 9789042026407 bzw. 9042026405, in Englisch, 256 Seiten, Rodopi, gebraucht.
Lieferung aus: Spanien, Normalmente se envía en el plazo de 1-2 días laborable.
Von Händler/Antiquariat, FastMedia "Despachos de USA"
Tapa blanda, Label: Rodopi, Rodopi, Produktgruppe: Libro, Publiziert: 2009-07-24, Studio: Rodopi.
Von Händler/Antiquariat, FastMedia "Despachos de USA"
Tapa blanda, Label: Rodopi, Rodopi, Produktgruppe: Libro, Publiziert: 2009-07-24, Studio: Rodopi.
4
Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. (Consciousness, Literature and the Arts) (2009)
EN NWISBN: 9789042026407 bzw. 9042026405, in Englisch, 256 Seiten, Rodopi, neu.
Lieferung aus: Spanien, Normalmente se envía en el plazo de 1-2 días laborable.
Von Händler/Antiquariat, The_Book_Depository_ES.
Tapa blanda, Label: Rodopi, Rodopi, Produktgruppe: Libro, Publiziert: 2009-07-24, Studio: Rodopi.
Von Händler/Antiquariat, The_Book_Depository_ES.
Tapa blanda, Label: Rodopi, Rodopi, Produktgruppe: Libro, Publiziert: 2009-07-24, Studio: Rodopi.
5
Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit (Consciousness, Literature and the Arts) (2009)
EN PB NWISBN: 9789042026407 bzw. 9042026405, in Englisch, 254 Seiten, Rodopi, Taschenbuch, neu.
Lieferung aus: Deutschland, Der Artikel ist bald verfügbar. Sichern Sie sich jetzt Ihr Exemplar!
Von Händler/Antiquariat, Amazon.de.
Taschenbuch, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2009-08-10, Studio: Rodopi.
Von Händler/Antiquariat, Amazon.de.
Taschenbuch, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2009-08-10, Studio: Rodopi.
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