Von dem Buch The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries, Band 11) haben wir 3 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Koenraad Jonckheere: The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries, Band 11) (ISBN: 9789027249630) 2008, John Benjamins Publishing, Amsterdam/Philadelphia, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Jonckheere, Koenraad: The Auction of King William’s Paintings (1713): Elite international art trade at the end of the Dutch Golden Age (ISBN: 9789027249623) 2008, John Benjamins Publishing Company, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
80%: Koenraad Jonckheere: The Auction of King William's Paintings (1713): Elite international art trade at the end of the Dutch Golden Age (OCULI: Studies in the Arts of the Low Countries) by (2008-03-11) (ISBN: 2594130720979) 1866, John Benjamins Publishing Company, in Italienisch.Nur diese Ausgabe anzeigen…
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries, Band 11)
14 Angebote vergleichen
| Preise | 2016 | 2017 | 2018 | 2019 |
|---|---|---|---|---|
| Schnitt | € 153,66 | € 132,62 | € 265,60 | € 404,37 |
| Nachfrage |
1
Symbolbild
The Auction of King William's Paintings ( 1713 ) (2008)
EN PB NWISBN: 9789027249630 bzw. 9027249636, in Englisch, John Benjamins Publishing, Taschenbuch, neu.
Lieferung aus: Italien, Versandkosten nach: NLD.
Von Händler/Antiquariat, Luigi De Bei.
Amsterdam/Philadelphia: John Benjamins Publishing, 2008. Livre. Neuf. Couverture souple. Edition originale. in-8°. The Auction of King William's Paintings (1713) Elite international art trade at the end of the Dutch Golden Age Koenraad Jonckheere University of Amsterdam Paperback - Available The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists ISBN 978 90 272 4963 0 | EURO 150.00 The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists. [OCULI: Studies in the Arts of the Low Countries, 11] 2008. 373 pp., 69 bl/wh ills. + 75 full-color ills.
Von Händler/Antiquariat, Luigi De Bei.
Amsterdam/Philadelphia: John Benjamins Publishing, 2008. Livre. Neuf. Couverture souple. Edition originale. in-8°. The Auction of King William's Paintings (1713) Elite international art trade at the end of the Dutch Golden Age Koenraad Jonckheere University of Amsterdam Paperback - Available The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists ISBN 978 90 272 4963 0 | EURO 150.00 The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists. [OCULI: Studies in the Arts of the Low Countries, 11] 2008. 373 pp., 69 bl/wh ills. + 75 full-color ills.
2
Symbolbild
The Auction of King William's Paintings ( 1713 ) (2008)
EN PB NW FEISBN: 9789027249630 bzw. 9027249636, in Englisch, John Benjamins Publishing, Amsterdam/Philadelphia, Taschenbuch, neu, Erstausgabe, mit Einband.
Von Händler/Antiquariat, Luigi De Bei [884889], PREGANZIOL, T V, Italy.
The Auction of King William's Paintings (1713) Elite international art trade at the end of the Dutch Golden Age Koenraad Jonckheere University of Amsterdam Paperback - Available The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists ISBN 978 90 272 4963 0 | EURO 150.00 The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists. [OCULI: Studies in the Arts of the Low Countries, 11] 2008. 373 pp., 69 bl/wh ills. + 75 full-color ills Size: in-8°.
The Auction of King William's Paintings (1713) Elite international art trade at the end of the Dutch Golden Age Koenraad Jonckheere University of Amsterdam Paperback - Available The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists ISBN 978 90 272 4963 0 | EURO 150.00 The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. Organised by the renowned art collector and agent Jan van Beuningen with the assistance of Jan Pietersz. Zomer, the foremost Amsterdam art broker, the auction was a virtual society event attended by a host of Dutch regents, agents and diplomats as well as European noblemen and princes, including the Elector Palatine Johann Wilhelm, the Elector of Mainz Lothar Franz von Schönborn, Anton Ulrich Duke of Braunschweig and James Brydges Duke of Chandos. They were all interested in the pictures from the gallery at Het Loo Palace, William III's summer residence. This book sheds new light on the actual auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors. The fascinating story of this public sale serves as a means of analysing the elite international art trade and its implementation at the end of the Dutch Golden Age. A wide range of previously unpublished archival material was consulted, making it possible to illustrate all aspects of the international art trade and the 'court' policies of English and German noblemen relating to new acquisitions. Particular emphasis is placed on the functioning of the diplomatic networks that supplied art to the high nobility and foreign courts. The majority of the individuals featuring in this study were previously unknown and thus unstudied. Yet they dealt in sublime masterpieces by Rubens, Van Dyck, Poussin, Rembrandt and many other leading artists. [OCULI: Studies in the Arts of the Low Countries, 11] 2008. 373 pp., 69 bl/wh ills. + 75 full-color ills Size: in-8°.
3
Symbolbild
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries) (2008)
EN HC USISBN: 9789027249623 bzw. 9027249628, in Englisch, John Benjamins Publishing Compan, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, Books From California, CA, Simi Valley, [RE:5].
Still Sealed in Plastic. Never used! As New Condition-Over 500, 000 Internet Orders Shipped. Hardcover.
Von Händler/Antiquariat, Books From California, CA, Simi Valley, [RE:5].
Still Sealed in Plastic. Never used! As New Condition-Over 500, 000 Internet Orders Shipped. Hardcover.
4
Symbolbild
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries) (2008)
~EN HC USISBN: 9789027249623 bzw. 9027249628, vermutlich in Englisch, John Benjamins Publishing Compan, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Books From California [939515], Simi Valley, CA, U.S.A.
Still Sealed in Plastic. Never used!
Still Sealed in Plastic. Never used!
5
Symbolbild
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries) (2008)
~EN HC USISBN: 9789027249623 bzw. 9027249628, vermutlich in Englisch, John Benjamins Publishing Compan, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, Books From California, CA, Simi Valley, [RE:4].
As New Condition-Over 500, 000 Internet Orders Shipped. Hardcover.
Von Händler/Antiquariat, Books From California, CA, Simi Valley, [RE:4].
As New Condition-Over 500, 000 Internet Orders Shipped. Hardcover.
6
Symbolbild
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries) (2008)
~EN HCISBN: 9789027249623 bzw. 9027249628, vermutlich in Englisch, John Benjamins Publishing Compan, gebundenes Buch.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: NLD.
Von Händler/Antiquariat, Schwabe Books.
John Benjamins Publishing Compan, 2008-03-11. Hardcover. LikeNew. 10.0000 inches 9.0000 inches.
Von Händler/Antiquariat, Schwabe Books.
John Benjamins Publishing Compan, 2008-03-11. Hardcover. LikeNew. 10.0000 inches 9.0000 inches.
7
The Auction of King William’s Paintings (1713): Elite international art trade at the end of the Dutch Golden Age (2008)
EN USISBN: 9789027249623 bzw. 9027249628, in Englisch, 373 Seiten, John Benjamins Publishing Company, gebraucht, akzeptabler Zustand.
Utilisé à partir de: 283,50 € (2 Offre)
Davantage d’offres Voir la 2 de Amazon.fr (Int.)
Lieferung aus: Vereinigte Staaten von Amerika, Habituellement expédié sous 6 à 10 jours. Frais d’expédition réels peuvent différer.
Von Händler/Antiquariat, ErgodeBooks Ships From USA.
John Benjamins Publishing Company, Relié, Publié: 2008-03-11T00:00:01Z, Groupe de produits: Livre.
Von Händler/Antiquariat, ErgodeBooks Ships From USA.
John Benjamins Publishing Company, Relié, Publié: 2008-03-11T00:00:01Z, Groupe de produits: Livre.
8
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries, Band 11) (2008)
EN HC USISBN: 9789027249623 bzw. 9027249628, in Englisch, 371 Seiten, John Benjamins Publishing Co, gebundenes Buch, gebraucht.
Neu ab: 360,94 € (1 Angebote)
Gebraucht ab: 247,99 € (2 Angebote)
Zu den weiteren 3 Angeboten bei Amazon.de
Lieferung aus: Vereinigte Staaten von Amerika, Gewöhnlich versandfertig in 6 bis 10 Tagen. Versandkostenfrei. Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, ErgodeBooks Ships From USA.
John Benjamins Publishing Co, Gebundene Ausgabe, Publiziert: 2008-03-11T00:00:01Z, Produktgruppe: Book.
Von Händler/Antiquariat, ErgodeBooks Ships From USA.
John Benjamins Publishing Co, Gebundene Ausgabe, Publiziert: 2008-03-11T00:00:01Z, Produktgruppe: Book.
9
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries, Band 11) (2008)
EN HC NWISBN: 9789027249623 bzw. 9027249628, in Englisch, 371 Seiten, John Benjamins Publishing Co, gebundenes Buch, neu.
Neu ab: 360,94 € (1 Angebote)
Gebraucht ab: 247,99 € (2 Angebote)
Zu den weiteren 3 Angeboten bei Amazon.de
Lieferung aus: Vereinigte Staaten von Amerika, Derzeit nicht auf Lager. Bestellen Sie jetzt und wir liefern, sobald der Artikel verfügbar ist. Sie erhalten von uns eine E-Mail mit dem voraussichtlichen Lieferdatum, sobald uns diese Information vorliegt. Versandkostenfrei.
Von Händler/Antiquariat, Amazon Global Store US.
John Benjamins Publishing Co, Gebundene Ausgabe, Publiziert: 2008-03-11T00:00:01Z, Produktgruppe: Book.
Von Händler/Antiquariat, Amazon Global Store US.
John Benjamins Publishing Co, Gebundene Ausgabe, Publiziert: 2008-03-11T00:00:01Z, Produktgruppe: Book.
10
Symbolbild
The Auction of King William's Paintings 1713: Elite International Art Trade at the End of the Dutch Golden Age (Oculi: Studies in the Arts of the Low Countries) (2008)
~EN HC USISBN: 9789027249623 bzw. 9027249628, vermutlich in Englisch, John Benjamins Publishing Company, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: NLD.
Von Händler/Antiquariat, Ergodebooks.
John Benjamins Publishing Company, 2008-03-11. Hardcover. Good.
Von Händler/Antiquariat, Ergodebooks.
John Benjamins Publishing Company, 2008-03-11. Hardcover. Good.
Lade…