This carefully designed publication does not only serve as a guidebook for the group show FULL HOUSE. With its layout and design, it can also be seen . works of contemporary art and design hark bac
5 Angebote vergleichen
| Preise | Okt. 15 | März 16 | Sep. 16 |
|---|---|---|---|
| Schnitt | € 27,71 | € 24,46 | € 24,26 |
| Nachfrage |
1
This carefully designed publication does not only serve as a guidebook for the group show FULL HOUSE. With its layout and design, it can also be seen . works of contemporary art and design hark bac (2015)
DE PB NWISBN: 9783957632821 bzw. 395763282X, in Deutsch, 176 Seiten, Revolver, Taschenbuch, neu.
Neu ab: EUR 27,00 (39 Angebote)
Gebraucht ab: EUR 19,88 (2 Angebote)
Zu den weiteren 41 Angeboten bei Amazon.de
Lieferung aus: Deutschland, Gewöhnlich versandfertig in 24 Stunden.
Von Händler/Antiquariat, Amazon.de.
Die Gespräche zur Filmtrilogie Spin / Verso / Contour ergänzen den Essay von Maja Naef, der 2012 unter dem Titel Film als körperhafte Exposition - Zu Spin / Verso / Contour von Hannes Schüpbach bei Revolver Publishing erschienen ist. Die Frage, worum es in diesem Werk geht, das Film von Anfang an als ausschnitthaft und gestisch versteht, führt in jeder der Gesprächssituationen in eine unterschiedliche Richtung. Film kann die Artikulation einer realen Begegnung sein, Erinnerung reflektieren oder zu einer Ausstellung im Sinne des expanded cinema beziehungsweise einer den Betrachter involvierenden Räumlichkeit werden. Der Band enthält acht Gespräche: sechs auf Deutsch, eines auf Französisch und zwei auf Englisch. Sie folgen auf eine Einführung von Maja Naef, in welcher das Sprechen als zentraler Gestus von Schüpbachs tonlosem bewegtem Bild dargestellt wird. Gespräche 2012-13 mit: Ruth Anderwald und Leonhard Grond, Kunsthalle Wien: Hasenherz (d) - Maja Naef, Stadtkino Basel (d) - François Bovier, École cantonale d'art de Lausanne (f) - Maja Naef, Filmpodium Zürich (d) - Andreas van Dühren, Arsenal, Berlin (d) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zürich (d) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (e) - Vincent Katz, Anthology Film Archives, New York (e). Taschenbuch, Label: Revolver, Revolver, Produktgruppe: Book, Publiziert: 2015-01-01, Studio: Revolver, Verkaufsrang: 3612108.
Von Händler/Antiquariat, Amazon.de.
Die Gespräche zur Filmtrilogie Spin / Verso / Contour ergänzen den Essay von Maja Naef, der 2012 unter dem Titel Film als körperhafte Exposition - Zu Spin / Verso / Contour von Hannes Schüpbach bei Revolver Publishing erschienen ist. Die Frage, worum es in diesem Werk geht, das Film von Anfang an als ausschnitthaft und gestisch versteht, führt in jeder der Gesprächssituationen in eine unterschiedliche Richtung. Film kann die Artikulation einer realen Begegnung sein, Erinnerung reflektieren oder zu einer Ausstellung im Sinne des expanded cinema beziehungsweise einer den Betrachter involvierenden Räumlichkeit werden. Der Band enthält acht Gespräche: sechs auf Deutsch, eines auf Französisch und zwei auf Englisch. Sie folgen auf eine Einführung von Maja Naef, in welcher das Sprechen als zentraler Gestus von Schüpbachs tonlosem bewegtem Bild dargestellt wird. Gespräche 2012-13 mit: Ruth Anderwald und Leonhard Grond, Kunsthalle Wien: Hasenherz (d) - Maja Naef, Stadtkino Basel (d) - François Bovier, École cantonale d'art de Lausanne (f) - Maja Naef, Filmpodium Zürich (d) - Andreas van Dühren, Arsenal, Berlin (d) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zürich (d) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (e) - Vincent Katz, Anthology Film Archives, New York (e). Taschenbuch, Label: Revolver, Revolver, Produktgruppe: Book, Publiziert: 2015-01-01, Studio: Revolver, Verkaufsrang: 3612108.
2
Symbolbild
Talking about SPIN / VERSO / CONTOUR (2015)
DE NWISBN: 9783957632821 bzw. 395763282X, in Deutsch, Revolver Publishing Jan 2015, neu.
Von Händler/Antiquariat, sparbuchladen [52968077], Göttingen, Germany.
Neuware - These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition - On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition - as expanded cinema - or a spatiality that draws the viewer in. This volume contains eight conversations: six in German, one in French and two in English. They follow an introduction by Maja Naef in which she explores language and articulation as the vital core of Schüpbach's silent, moving images. Conversations, 2012-13, with Ruth Anderwald and Leonhard Grond, Kunsthalle Wien: Hasenherz (G) - Maja Naef, Stadtkino Basel (G) - François Bovier, École cantonale d'art de Lausanne (F) - Maja Naef, Filmpodium Zurich (G) - Andreas van Dühren, Arsenal, Berlin (G) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zurich (G) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (E) - Vincent Katz, Anthology Film Archives, New York (E). 176 pp. Englisch, Deutsch.
Neuware - These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition - On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition - as expanded cinema - or a spatiality that draws the viewer in. This volume contains eight conversations: six in German, one in French and two in English. They follow an introduction by Maja Naef in which she explores language and articulation as the vital core of Schüpbach's silent, moving images. Conversations, 2012-13, with Ruth Anderwald and Leonhard Grond, Kunsthalle Wien: Hasenherz (G) - Maja Naef, Stadtkino Basel (G) - François Bovier, École cantonale d'art de Lausanne (F) - Maja Naef, Filmpodium Zurich (G) - Andreas van Dühren, Arsenal, Berlin (G) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zurich (G) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (E) - Vincent Katz, Anthology Film Archives, New York (E). 176 pp. Englisch, Deutsch.
3
Symbolbild
Talking about SPIN / VERSO / CONTOUR (2015)
DE NWISBN: 9783957632821 bzw. 395763282X, in Deutsch, Revolver Publishing Jan 2015, neu.
Von Händler/Antiquariat, Agrios-Buch [57449362], Bergisch Gladbach, Germany.
Neuware - These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition - On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition - as expanded cinema - or a spatiality that draws the viewer in. This volume contains eight conversations: six in German, one in French and two in English. They follow an introduction by Maja Naef in which she explores language and articulation as the vital core of Schüpbach's silent, moving images. Conversations, 2012-13, with Ruth Anderwald and Leonhard Grond, Kunsthalle Wien: Hasenherz (G) - Maja Naef, Stadtkino Basel (G) - François Bovier, École cantonale d'art de Lausanne (F) - Maja Naef, Filmpodium Zurich (G) - Andreas van Dühren, Arsenal, Berlin (G) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zurich (G) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (E) - Vincent Katz, Anthology Film Archives, New York (E). 176 pp. Englisch, Deutsch.
Neuware - These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition - On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition - as expanded cinema - or a spatiality that draws the viewer in. This volume contains eight conversations: six in German, one in French and two in English. They follow an introduction by Maja Naef in which she explores language and articulation as the vital core of Schüpbach's silent, moving images. Conversations, 2012-13, with Ruth Anderwald and Leonhard Grond, Kunsthalle Wien: Hasenherz (G) - Maja Naef, Stadtkino Basel (G) - François Bovier, École cantonale d'art de Lausanne (F) - Maja Naef, Filmpodium Zurich (G) - Andreas van Dühren, Arsenal, Berlin (G) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zurich (G) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (E) - Vincent Katz, Anthology Film Archives, New York (E). 176 pp. Englisch, Deutsch.
4
Symbolbild
Talking about SPIN / VERSO / CONTOUR (2015)
DE NWISBN: 9783957632821 bzw. 395763282X, in Deutsch, Revolver Publishing Jan 2015, neu.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Neuware - These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition - On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition - as expanded cinema - or a spatiality that draws the viewer in. This volume contains eight conversations: six in German, one in French and two in English. They follow an introduction by Maja Naef in which she explores language and articulation as the vital core of Schüpbach's silent, moving images. Conversations, 2012-13, with Ruth Anderwald and Leonhard Grond, Kunsthalle Wien: Hasenherz (G) - Maja Naef, Stadtkino Basel (G) - François Bovier, École cantonale d'art de Lausanne (F) - Maja Naef, Filmpodium Zurich (G) - Andreas van Dühren, Arsenal, Berlin (G) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zurich (G) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (E) - Vincent Katz, Anthology Film Archives, New York (E). 176 pp. Englisch, Deutsch.
Neuware - These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition - On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition - as expanded cinema - or a spatiality that draws the viewer in. This volume contains eight conversations: six in German, one in French and two in English. They follow an introduction by Maja Naef in which she explores language and articulation as the vital core of Schüpbach's silent, moving images. Conversations, 2012-13, with Ruth Anderwald and Leonhard Grond, Kunsthalle Wien: Hasenherz (G) - Maja Naef, Stadtkino Basel (G) - François Bovier, École cantonale d'art de Lausanne (F) - Maja Naef, Filmpodium Zurich (G) - Andreas van Dühren, Arsenal, Berlin (G) - Marco Baschera, Jürg Berthold, Sebastian Bott, Johannes Thomann, Christina Vogel, Matthias Vogel, Zurich (G) - Amy Beste, School of the Art Institute of Chicago: Conversations at the Edge (E) - Vincent Katz, Anthology Film Archives, New York (E). 176 pp. Englisch, Deutsch.
Lade…