Manifesto Architecture: The Ghost Of Mies - 6 Angebote vergleichen
Preise | Juni 16 | Sep. 16 | März 21 |
---|---|---|---|
Schnitt | € 26,68 | € 21,41 | € 17,44 |
Nachfrage |
1
Manifesto Architecture: The Ghost Of Mies
~EN NW
ISBN: 9783956790003 bzw. 3956790006, vermutlich in Englisch, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
A history of the modern architectural manifesto, with a focus on Mies van der Rohe.The history of the avant-garde (in art, architecture, literature) can''t be separated from the history of its engagement with mass media. It is not just that the avant-garde used media to publicize its work; the work did not exist before its publication. In architecture, Adolf Loos, Le Corbusier, and Mies van der Rohe came to be known through their influential writings and manifestos published in newspapers, journals, and little magazines. Entire groups, from Dada and Surrealism to De Stijl, became an effect of their manifestos. The manifesto was the site of self invention, innovation, and debate. Even buildings themselves could be manifestos. The most extreme and radical designs in the history of modern architecture were realized as pavilions in temporary exhibition. In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate.Critical Spatial Practice 3 Edited by Nikolaus Hirsch, Markus Miessen Featuring artwork by Dan Graham.
A history of the modern architectural manifesto, with a focus on Mies van der Rohe.The history of the avant-garde (in art, architecture, literature) can''t be separated from the history of its engagement with mass media. It is not just that the avant-garde used media to publicize its work; the work did not exist before its publication. In architecture, Adolf Loos, Le Corbusier, and Mies van der Rohe came to be known through their influential writings and manifestos published in newspapers, journals, and little magazines. Entire groups, from Dada and Surrealism to De Stijl, became an effect of their manifestos. The manifesto was the site of self invention, innovation, and debate. Even buildings themselves could be manifestos. The most extreme and radical designs in the history of modern architecture were realized as pavilions in temporary exhibition. In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate.Critical Spatial Practice 3 Edited by Nikolaus Hirsch, Markus Miessen Featuring artwork by Dan Graham.
2
Critical Spatial Practice 3 Manifesto Architecture: The Ghost of Mies
DE PB NW FE
ISBN: 9783956790003 bzw. 3956790006, in Deutsch, Sternberg Press, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, Sternberg Press, [4872229].
Edited by Nikolaus Hirsch, Markus Miessen Featuring artwork by Dan Graham The history of the avant-garde (in art, architecture, literature) cant be separated from the history of its engagement with mass media. It is not just that the avant-garde used media to publicize its work the work did not exist before its publication. In architecture, Adolf Loos, Le Corbusier, and Mies van der Rohe came to be known through their influential writings and manifestos published in newspapers, journals, and little magazines. Entire groups, from Dada and Surrealism to De Stijl, became an effect of their manifestos. The manifesto was the site of self invention, innovation, and debate. Even buildings themselves could be manifestos. The most extreme and radical designs in the history of modern architecture were realized as pavilions in temporary exhibition. In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate. Paperback, Neuware, 180g, 1.
Von Händler/Antiquariat, Sternberg Press, [4872229].
Edited by Nikolaus Hirsch, Markus Miessen Featuring artwork by Dan Graham The history of the avant-garde (in art, architecture, literature) cant be separated from the history of its engagement with mass media. It is not just that the avant-garde used media to publicize its work the work did not exist before its publication. In architecture, Adolf Loos, Le Corbusier, and Mies van der Rohe came to be known through their influential writings and manifestos published in newspapers, journals, and little magazines. Entire groups, from Dada and Surrealism to De Stijl, became an effect of their manifestos. The manifesto was the site of self invention, innovation, and debate. Even buildings themselves could be manifestos. The most extreme and radical designs in the history of modern architecture were realized as pavilions in temporary exhibition. In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate. Paperback, Neuware, 180g, 1.
3
Symbolbild
Manifesto Architecture: Critical Spatial Practice 3 (2014)
DE PB NW
ISBN: 9783956790003 bzw. 3956790006, in Deutsch, Sternberg Press, Taschenbuch, neu.
Von Händler/Antiquariat, Book Deals [60506629], Lewiston, NY, U.S.A.
Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The third title in the celebrated Critical Spatial Practice series, Manifesto.
Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The third title in the celebrated Critical Spatial Practice series, Manifesto.
4
Beatriz Colomina, Herausgeber: Nikolaus Hirsch, Herausgeber: Markus Miessen, Illustrator: Dan Graham
Manifesto Architecture: The Ghost of Mies (Critical Spatial Practice, Band 3) (2014)
EN PB US FE
ISBN: 9783956790003 bzw. 3956790006, Band: 3, in Englisch, 110 Seiten, Sternberg Press, Taschenbuch, gebraucht, Erstausgabe.
Neu ab: EUR 13,59 (7 Angebote)
Gebraucht ab: EUR 21,41 (3 Angebote)
Zu den weiteren 10 Angeboten bei Amazon.de (Int.)
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, Deal DE.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Deal DE.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…