How Many Billboards?: Art in Stead - 8 Angebote vergleichen

Von Händler/Antiquariat, Irish Booksellers [57531671], Portland, ME, U.S.A.
SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. Books.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Hennessey + Ingalls.
Verlag Fur Moderne Kunst, September 2010. Hardcover. Used - Like New. In an urban zone crisscrossed by multilane freeways and gridded with broad boulevards, the roadside billboards of Los Angeles may well be the city's most visible platform for art. How Many Billboards? documents a 2010 project in which billboards in Los Angeles were turned over to 23 artists to do with as they wished, asserting the ongoing legacy of California Conceptualism and its combination of language-based strategies with Pop-inflected aesthetics. 'Astonish!' declares Kenneth Anger's billboard, in commanding upper-case orange lettering, recapitulating Diaghilev's famous advice to Cocteau. 'I Look Good, I Know,' says Yvonne Rainer's billboard; 'I Can't Hear, I Can't See, But I Look Good.' Martha Rosler's collaboration with Josh Neufeld makes a plea for spending on higher education in California, and Renée Green's image of a darkened shore with silhouetted figures gathered near a tourist ferry is accompanied by the two-line commentary 'Strangers begin again/Native strangers hosting.' Other artists participating in this occasion are Michael Asher, Jennifer Bornstein, Eileen Cowin, Christina Fernandez, Ken Gonzales Day, Kira Lynn Harris, Larry Johnson, John Knight, David Lamelas, Brandon Lattu, Daniel Joseph Martinez, Kori Newkirk, Allen Ruppersberg, Allan Sekula, Susan Silton, Kerry Tribe, Jim Welling and Lauren Woods. Essays by Kimberli Meyer, Gloria Sutton and Nizan Shaked, who co-curated the project, contextualize the works in relation to Conceptual and Pop art idioms, provide background material on the artists and outline the MAK Center's plans to enliven public space. Still sealed. NEW.

Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
In an urban zone crisscrossed by multilane freeways and gridded with broad boulevards, the roadside billboards of Los Angeles may well be the city's most visible platform for art. How Many Billboards? documents a 2010 project in which billboards in Los Angeles were turned over to 23 artists to do with as they wished, asserting the ongoing legacy of California Conceptualism and its combination of language-based strategies with Pop-inflected aesthetics. 'Astonish!' declares Kenneth Anger's billboard, in commanding upper-case orange lettering, recapitulating Diaghilev's famous advice to Cocteau. 'I Look Good, I Know,' says Yvonne Rainer's billboard; 'I Can't Hear, I Can't See, But I Look Good.' Martha Rosler's collaboration with Josh Neufeld makes a plea for spending on higher education in California, and Renöe Green's image of a darkened shore with silhouetted figures gathered near a tourist ferry is accompanied by the two-line commentary 'Strangers begin again/Native strangers hosting.' Other artists participating in this occasion are Michael Asher, Jennifer Bornstein, Eileen Cowin, Christina Fernandez, Ken Gonzales Day, Kira Lynn Harris, Larry Johnson, John Knight, David Lamelas, Brandon Lattu, Daniel Joseph Martinez, Kori Newkirk, Allen Ruppersberg, Allan Sekula, Susan Silton, Kerry Tribe, Jim Welling and Lauren Woods. Essays by Kimberli Meyer, Gloria Sutton and Nizan Shaked, who co-curated the project, contextualize the works in relation to Conceptual and Pop art idioms, provide background material on the artists and outline the MAK Center's plans to enliven public space. Still sealed. NEW, Books.

Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
In an urban zone crisscrossed by multilane freeways and gridded with broad boulevards, the roadside billboards of Los Angeles may well be the city's most visible platform for art. How Many Billboards? documents a 2010 project in which billboards in Los Angeles were turned over to 23 artists to do with as they wished, asserting the ongoing legacy of California Conceptualism and its combination of language-based strategies with Pop-inflected aesthetics. 'Astonish!' declares Kenneth Anger's billboard, in commanding upper-case orange lettering, recapitulating Diaghilev's famous advice to Cocteau. 'I Look Good, I Know,' says Yvonne Rainer's billboard; 'I Can't Hear, I Can't See, But I Look Good.' Martha Rosler's collaboration with Josh Neufeld makes a plea for spending on higher education in California, and Renöe Green's image of a darkened shore with silhouetted figures gathered near a tourist ferry is accompanied by the two-line commentary 'Strangers begin again/Native strangers hosting.' Other artists participating in this occasion are Michael Asher, Jennifer Bornstein, Eileen Cowin, Christina Fernandez, Ken Gonzales Day, Kira Lynn Harris, Larry Johnson, John Knight, David Lamelas, Brandon Lattu, Daniel Joseph Martinez, Kori Newkirk, Allen Ruppersberg, Allan Sekula, Susan Silton, Kerry Tribe, Jim Welling and Lauren Woods. Essays by Kimberli Meyer, Gloria Sutton and Nizan Shaked, who co-curated the project, contextualize the works in relation to Conceptual and Pop art idioms, provide background material on the artists and outline the MAK Center's plans to enliven public space. Still sealed. NEW.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: DEU.
Von Händler/Antiquariat, BWS Bks.
Verlag fur moderne Kunst. New. 2010. Hardcover. 3869840390 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- Text in English. 168 pages; 143 illus.

Von Händler/Antiquariat, Midtown Scholar Bookstore [1335784], Harrisburg, PA, U.S.A.
VG - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. Books.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Moe's Books.
U.S.A.: Verlag fur moderne Kunst, 2010. Hard Cover. Very Good/No Jacket.

Von Händler/Antiquariat, Medium Buchmarkt GmbH [1047728], Münster, NRW, Germany.
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