Harry Bertoia - 4 Angebote vergleichen
| Preise | 2020 | 2022 | 2023 |
|---|---|---|---|
| Schnitt | € 52,00 | € 58,00 | € 53,07 |
| Nachfrage |
1
Harry Bertoia (1915)
EN NWISBN: 9783858818621 bzw. 3858818623, in Englisch, neu.
An extraordinary artist and designer: a fresh view of Harry Bertoia's entire body of work. Italian-born American Harry Bertoia (1915?78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a-kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist's career to examine the full scope of his broad, interdisciplinary practice and features important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist's numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture?and what Bertoia's sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now.
2
Harry Bertoia: Sculpting Mid-Century Modern Life Marin R. Sullivan Author (1915)
~EN HC NWISBN: 9783858818621 bzw. 3858818623, vermutlich in Englisch, Scheidegger and Spiess, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten.
Italian-born American Harry Bertoia (1915–78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal.Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist’s career to examine the full scope of his broad, interdisciplinary practice and feature important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist’s numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture—and what Bertoia’s sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now.
Italian-born American Harry Bertoia (1915–78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal.Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist’s career to examine the full scope of his broad, interdisciplinary practice and feature important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist’s numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture—and what Bertoia’s sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now.
3
Harry Bertoia: Sculpting Mid-century Modern Life (1915)
~EN NWISBN: 9783858818621 bzw. 3858818623, vermutlich in Englisch, neu.
Lieferung aus: Kanada, zzgl. Versandkosten.
Italian-born American Harry Bertoia (1915–78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist’s career to examine the full scope of his broad, interdisciplinary practice and feature important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist’s numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture—and what Bertoia’s sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now.
Italian-born American Harry Bertoia (1915–78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist’s career to examine the full scope of his broad, interdisciplinary practice and feature important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist’s numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture—and what Bertoia’s sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now.
4
Herausgegeben:Morse, Jed; Sullivan, Marin R.;Mitarbeit:Morse, Jed; Sullivan, Marin R.; Simon, Sydney Skelton; Adamson, Glenn
Harry Bertoia (1978)
~DE NWISBN: 9783858818621 bzw. 3858818623, vermutlich in Deutsch, Scheidegger & Spiess, neu.
Lieferung aus: Deutschland, Lieferzeit 1-3 Werktage, Versandkostenfrei innerhalb von Deutschland.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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