Performance - Cinema - Sound - 6 Angebote vergleichen
Bester Preis: € 31,86 (vom 28.02.2020)1
Performance - Cinema - Sound - Perspectives and Retrospectives in Central and Eastern Europe
~EN PB NW
ISBN: 9783643910813 bzw. 3643910819, vermutlich in Englisch, Lit Verlag, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Performance - Cinema - Sound: This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other-as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing-that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema the Polish Academy of Movement, Tot Art, and Orange Alternative the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena Polish `hobo poets` like Marcin Swietlicki works of the French Jean Fautrier, the Czech Mikulás Medek, and the Slovak Dominik Tatarka on sound and voice Belarusian and Polish `sung poetry` as intermedial subversion of tradition, and the textual performance of Dezsö Kosztolányi`s disappeared voice. Englisch, Taschenbuch.
Performance - Cinema - Sound: This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other-as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing-that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema the Polish Academy of Movement, Tot Art, and Orange Alternative the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena Polish `hobo poets` like Marcin Swietlicki works of the French Jean Fautrier, the Czech Mikulás Medek, and the Slovak Dominik Tatarka on sound and voice Belarusian and Polish `sung poetry` as intermedial subversion of tradition, and the textual performance of Dezsö Kosztolányi`s disappeared voice. Englisch, Taschenbuch.
2
Performance - Cinema - Sound
~EN NW AB
ISBN: 9783643910813 bzw. 3643910819, vermutlich in Englisch, neu, Hörbuch.
Lieferung aus: Österreich, Lieferzeit: 5 Tage, zzgl. Versandkosten.
This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other-as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing-that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema, the Polish Academy of Movement, Tot Art, and Orange Alternative, the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena, Polish "hobo poets" like Marcin Swietlicki, works of the French Jean Fautrier, the Czech Mikulás Medek, and the Slovak Dominik Tatarka on sound and voice, Belarusian and Polish "sung poetry" as intermedial subversion of tradition, and the textual performance of Dezsö Kosztolányi's disappeared voice.
This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other-as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing-that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema, the Polish Academy of Movement, Tot Art, and Orange Alternative, the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena, Polish "hobo poets" like Marcin Swietlicki, works of the French Jean Fautrier, the Czech Mikulás Medek, and the Slovak Dominik Tatarka on sound and voice, Belarusian and Polish "sung poetry" as intermedial subversion of tradition, and the textual performance of Dezsö Kosztolányi's disappeared voice.
3
Performance - Cinema - Sound
~EN NW
ISBN: 9783643910813 bzw. 3643910819, vermutlich in Englisch, LIT Verlag, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other-as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing-that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema; the Polish Academy of Movement, Tot Art, and Orange Alternative; the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena; Polish `hobo poets` like Marcin Swietlicki; works of the French Jean Fautrier, the Czech MikuláS Medek, and the Slovak Dominik Tatarka on sound and voice; Belarusian and Polish `sung poetry` as intermedial subversion of tradition, and the textual performance of Dezso Kosztolányi`s disappeared voice.
This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other-as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing-that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema; the Polish Academy of Movement, Tot Art, and Orange Alternative; the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena; Polish `hobo poets` like Marcin Swietlicki; works of the French Jean Fautrier, the Czech MikuláS Medek, and the Slovak Dominik Tatarka on sound and voice; Belarusian and Polish `sung poetry` as intermedial subversion of tradition, and the textual performance of Dezso Kosztolányi`s disappeared voice.
4
Performance - Cinema - Sound
~EN PB NW
ISBN: 3643910819 bzw. 9783643910813, vermutlich in Englisch, Lit Verlag, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
Performance - Cinema - Sound (2019)
~DE PB NW
ISBN: 9783643910813 bzw. 3643910819, vermutlich in Deutsch, Taschenbuch, neu.
Lieferung aus: Deutschland, Next Day, Versandkostenfrei.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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